Daily Drops

Listen to my song 'echoes' in which a trumpet, trombone, tuba and baritone sax react to eachother on a funky base of drums and dry finger bass!

echoes

MIX/MASTER - Mariosyjp

LYRIC

On the morning of July fifth
Year of seventeen seventy six
Did our fathers - our forefathers -
Wonder what first to fix

We the people it was stated
In declaring ourselves free
If you owned land as a white man
You were counted in that ‘we’

A new nation on that morn 
Saw its first sunrise 
A union by agreement 
Forged in trial and compromise

Each July 4, we grill hotdogs
And shoot fireworks across the skies
The next day we’re left with ashes
And a dream to realize
From July 5 1776

July 5, 1776

L-A Spy Called Frog

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Tenor sax duel - trading over bass, beats and drones.

Outside Peering In (blow for blow)

Piano drops

Intergalactical Classical Ad lib Piano performance Live on an early 1900's standing Piano.

Photography from me. The Piano is a family heirloom that I have inherited from my mother's mother.

Timekeeper (Live)

Welcome to my latest production:

Wouldn't It Be Nice

First Take - original lyrics & vocals by me.


Produced in the 
ARAPA Music Studio
Sydney - Australia

Wouldn't It Be Nice

Dynomus (2025)

PLEASE NOTE: this is an .mp3 file only since higher quality .wav files are currently not uploading on soundcloud

method: to distract me from the everyday task of fighting demons of the mind,  I set out with a gregorian version, only to understand that my voice was not up to standards and expectations. You can still hear that choral in the background. Well, gregorian monks might might have actually sounded like that – not everyone is a pitch creature after all. After postponing some iterations to enjoy creating UP UP AND OUT with Jeff (and assissting in setting the next project on good tracks), I  then added layers to better match what my mind heard to what the headphones belted out. Somehow, I did not let go of the initial composition, though – feeling attached to its disjointed, squealing humanity. Call me sentimental and you’re right. I also just felt like taking this ride on the RC-505, rediscovering my former companion from hitherto unexplored angles ;-) 

Narration: the poem is about an evolution – or a journey to the sea – whatever you prefer to call it. having become aware of the circumstance that I am more of a liability than an asset in certain processes, I found myself in the clutches of a transformation that needed processing itself – and a good deal of sublimation, I guess. 

Image: copyright jo richter

poem / copyright jo richter:

all the hardly humid barrens
harbour time in arid sands

while the early einkorn seedlings
of the floodlands sway and bend

and the tides bring tidal tidings
weighing vapour, thermal scales

ah, the oceans, giant oceans
breathing water, water whales

isosem

Don't miss those eyes!

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

People walking by
I don't know why they're walking by
I don't know why I want to cry
I'm just keeping the world away

Sitting in the crowd
In the crowd they're really loud
In the dock she's really proud
I'm just keeping the world away

It's a feeling I get from time to time
Especially when I'm feeling this sublime

427. people walking by (harding).mp3

J'ai le plaisir de partager avec vous mon morceau - Amor Fati ?
Issu de mon nouveau set 
Projet intimiste jazzy/rock/blues/funk/hiphop, qui jongle entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique
Ici l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Amor fati ?

Inspired by my 2 beautiful grandchildren this song is a great Band song. 1st song of the night just stand there on the stage and ask the crowd . Who wants to Dance and who wants to Rock n Roll, Then build it up. I hope it works for the Virtual Audience as well. Hope you enjoy. 

Written and performed with real instruments by: Johnny Mc Farlane

Who wants to Dance & who want to Rock & Roll

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

des voix sur un piano , la douceur comme un espoir et un pied de nez à la grossièreté ubuesque de la testostérone de tyrans cacochymes  et dont la haine pour les êtres libres n'a pas plus de limite que leur amour du fric et du pouvoir

Ces voix dans le tout petit jardin

Ben Juul:  Drums, Mix & Master at Tone Hill Studios, NY
Dirk Taubenheim:  Guitars, Bass, Keys, Vocals

Original version by The Police, I always loved this song. Thanks for your attention!

Wrapped around your finger

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron cello & strings, sound effects, editing production

This song began with Mahan writing a chord progression on his acoustic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh and asked if he'd add some vocals. So Josh came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add more parts, so Josh also laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for.
That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark added the cool, proggy mellotron strings, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to include some additional synth strings you hear throughout, too.
Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section.
We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans
For when I go

Time moves by painfully fast
Everything goes and nothing lasts

We're only here for a very short time
You live your life and I'll live mine
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's
Relentless plans

When it all comes ‘round
I don’t let it get me down
‘Cause in the end,
I won't make a sound
This life is very short
And we're all very small
Everything’s in motion
On this spinning ball
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder
Wonder at it all



Wonder (Eclectic Collective with Mahan Mahan)

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌