Derensix83

Bonjour à tous,
je vous propose cette ancienne composition qui était trop longue et que j'ai raccourcie . 
J'ai composé mon morceau avec ce rythme énergique et fou, dans un style de Rock'n'roll traditionnel des époques fin 50's début 60's avec une petite touche de sonorité "Surf". 
J'ai fait trois jeux de guitares, (accords rythmiques, un solo,  un jeu medium façon "basse"  sur les deux cordes graves de ma guitare, et une basse classique jouée plutôt sur les cordes aigues. 
Merci pour votre écoute
P'pa Carpentier.

Crazy Rhythm (remix)

No Sun On Monday

étude

In the Key of Dying

Getting Lame

Tendering my confession in advance to the writer's besetting sin of oversimplification, I say: synthesizer technique has two main paths. The first -- call it the Moog approach -- sees the instrument as a tool for the creation of new (if you will) organ stops. The other, the Subotnik approach, is concerned with the generation of SOUNDS -- very few if any of which will be at all expressible in the notation which has developed over the past millennium and served us so well. The two approaches are not mutually exclusive, of course: virtually all synthesists draw from both, as their Muse, mood, and machinery may dictate.
As to my title, it goes back to a chance inspiration scrawled on a balloon at the Fillmore in '67. (Cream, Paul Butterfield, and Charlie Musselwhite, "Three bands for three bucks," eat your hearts out, endebted-out-the-whazoo youngsters!) It was a time and place where the most extraordinary things were said -- and more than might have been hoped or feared were even done -- but this wasn't one of them. But like the good man who can't be kept down (or the bad penny that keeps coming back) here it is in our present day. Lacking the euphony and heartstring-tugging of the Twelfth of Never, perhaps, but equally from that realm of the definitionally impossible, even for this age determined in so many ways to make 2+2=5.
To the technical side: all synth parts from my Roland SH-32. Rhythm (and Reality-grounding) comes from my African drums, assisted by real-world cymbals and the Yamaha DTXtreme.

the 32nd of February

The Lost Temple

Remembering Us

https://open.spotify.com/track/3wgmgKv7Owh6U3LErUfZ8L?si=84192f5ae13d4e2b
https://youtu.be/CX9RlID2v5M

The Moment Of Truth (Now on Spotify)

RiZLiX - Break Yo Body

Voici une version solo du morceau 'Rosewood'
Aussi disponible sur Bandcamp : https://matzizrecords.bandcamp.com/album/rosewood

Vous trouverez également une version alternative en collaboration avec l'excellent Jörg S ( joerxworx ) au sax que nous sommes très heureux de vous présenter.

Lien vers son profil : https://soundcloud.com/joerxworx
Lien vers la version en collab : https://soundcloud.com/joerxworx/rosewood-2

Impatient d'avoir vos retour ❤

Rosewood - Solo version - (Collaborative alternative version with Jörg S on Sax in description)

Nostalgia again - just a little night piece

nostalgia again

VeryVolcana Chaos...GoaTrance mash up with a house beat

volcanic goa disco

https://open.spotify.com/album/07UBEe56bm6MnFHbEGcRRH?si=16h0XOFQSxGTSugzBBxxMw
https://youtu.be/lTfY8NxOgiE

The Conjuring (Now on Spotify)

Watch the video on Youtube:
https://youtu.be/6GddW1wd7bw
https://youtu.be/qGpChduIXzU

Only Silence Remains

Rock TimeRock World Dubstep  alternativeRock classic, progressive rock

"Hommage"

I revisited an production that I published 4 years ago as a total beginner. So much was changed, I decided to present it as new. The subject matter is even more so an issue

Watching Us

Echoes Of Cyberdyne

Fresh Weed

Neon Night Fever

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Derensix83

Shock the Algorithm