Related tracks: sheep_cloud(ひつじ雲)

Kinda laid 80’s uk guitar with a rocker vibe

Again

Acoustic instrumental rock. Slide guitar in part of the song.

Slide Guitar Anthem

Blomster

Skvattram in the wood
What made that awful sound?
La la la la la 
La la la la la
You ran home with your birds
La la la la la

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall apart

You are a shapeshifter now
You are a shapeshifter now
Shapechanger now
Aaaaaaaaaaaaaaah

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

La la la la la 
La la la la la
You ran home with your birds
And that wasn´t cute
And that wasn´t cute
And that wasn´t cute

Blomster

Additional sound design: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Music, lyrics & vocals: Andersson Arte (Marty Andersson) [ https://andersson-arte.com ]

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: Victim of Love (Ver. 2.1, feat. Kenny Dyer)

See the music video (made in VR):  https://youtu.be/Nnxe3I16FMM

We Are Not Robots

I don't know what she just did to me
I thought she was above such childish things
She said to me my truth will never change
But please don't expect me to act my age

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

She said people don't know me, they just see
My mistakes and eccentricity
When you get to know me you will see
I'm trying to escape reality

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Nah nah nah nah nah
Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

ISRC:
usx9p2442045

We Are Not Robots

Songwriter : David Gates \ ISWC : T-070.080.616-1
Publisher : Sony ATV Tunes LLC \ Released : March 21st, 1971
__________________________________________________________________
Recorded : June 19th 2005
__________________________________________________________________
Alas, it wasn't me who played the guitar!. I gave it up a very, very long time ago. Besides, I can't remember how to pluck the chords... 🙄😊😁 (I used to sing it and play guitar when I was young).

In fact it is a guitar sound from the synthesizer going through a sound module. But no synthesizer guitar sound can replace the real sound of a guitar... Maybe now... With the new technology. Besides you can hear that it is a bit machine.

There are imperfections, I recorded it in one take. When I sing, I only have the feeling once, so inevitably the wrong notes and the pronunciation mistakes are in the “box” as they say.
--------------------------------------------------------------------------------------------------------------

IF - Cover (Bread)

Written 11 years ago: recalls the days when music was vinyl only and a magical retreat from disabling matters of the heart


33 RPM NIRVANA

Flattened faces pressed up against the glass
It’s well known no-one needs to ask
People talking ‘bout how I’m feeling
If they were me yes they’d be reeling
They’d need time and recuperation
But at night I take up station
Hanging around in 33 RPM Nirvana
Getting away to 33 RPM Nirvana 

She’s a stranger that’s her right to choose
Who can blame her she don’t like old news
You might say she’s one go getter
And why did she not treat me better
I admit I loved her deeply
But right now I’m kind of sleepy
Hanging around in 33 RPM Nirvana
Getting away in 33 RPM Nirvana 

I’m pulling the curtains and switching it on
Watching the tone arm lower onto my black vinyl

Drifting away now the music is my river
Not analyzing I’m seeking separation
Through the mists of time I wander
What is life I’m bound to ponder
Gonna get to shrug my shoulders
Moving on and getting bolder
Hanging around in 33 RPM Nirvana
Getting away in 33 RPM Nirvana

33 RPM Nirvana

A composition In homage to Fjordane, beloved meloman cat. She passed away  in October 2024 at the age of 14.

Fjordane

DIA ABURRIDO

El día parece estar                               Cmaj7-G
Un poco aburrido                                 Am-Em
Pero si llega la noche 
Será divertido 
Las chicas miran en espejos 
Sus vestidos 
Algunos usan los espejos 
Para estar distintos 
Las caras después se deforman 
Fumándose el alba 
Entonces golpean el pecho 
Las sombras que matan 
Y pasan todo el tiempo                    G-Am
Sin sentir el viento                                Em
Sí son parte del fuego 
No sienten nada

E.P.-4

DIA ABURRIDO

Here’s my attempt at Hide and Seek by Imogen Heap. She inspired me to create my own music in my own house years ago. With piano and lots of vocal layers. 😊🎤🌷💕

Thank you to my lovely Sander for mastering again. 😊❤️🎶

Where are We
What the hell is going on
The dust has only just began to form 
Crop circles in the carpet
Sinking feeling

Spin me round again 
And rub my eyes
This can’t be happening 
With busy streets a mess 
People would start to hold their heads heavy

Hide and seek
Trains and sewing machines
All those years
They were here first….

Oily marks appear on walls 
Where pleasure moments hung before the takeover
The sweeping insensitivity of this still life

Hide and seek
Trains and sewing machines
Blood and tears
They were here first…

Mmm what ya say
Oh that you only meant well
Well of course you did
Mmm what ya say
Mmm that it’s all for the best
Of course it is
Mmm what ya say
That it’s just what we need
You decided this…
Mmm what ya say
What did she say…

Ransom notes keep falling out your mouth
Mid sweet talk 
Newspaper word cut outs
Speak no feeling no I don’t believe you
You don’t care a bit
You don’t care a bit
You don’t care a bit

HIDE AND SEEK (cover)

■概要(Overview)
窓を開けたら秋の風が入ってきた。見上げるとあの頃と似た空。
遠くから少年野球の声がする。
・・そんな感じの曲です。
---------
リバーブ多めな感じになりました。へへ・・。
ピアノは無謀にもアドリブにチャレンジだ！(少しだけ)
う～ん、もっと練習しなさい！(と自分に言う)

I opened the window and the autumn wind blew in. Looking up, the sky was similar to the old days.
I could hear the sounds of little league baseball from afar.
This song has that kind of feel.
---------
It has a lot of reverb now. Hehe...
I'm going to recklessly try improvising on the piano!(Just a little)
Hmm, practice more! (I tell myself)

■歌詞
「ひつじ雲」

窓を開けて風が通り抜けていく
グラウンドでは子供たちの声がした
太陽はそこにいるだけ

あの頃にもしも戻れるのならば
懐かしい人たちに会いたい
聞けなかったこと　飲み込んだ言葉
伝えられる気がするから

迷いの中　手探りの中
過ぎてゆくだけの日々かもしれない
だけど　いつも　この世界は
輝いていたんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
二度と戻れない日々
私の思い出

「あの頃」と思う時がくるなんて
手にするばかりの「今」ではなく
こぼれ落ちたもの　旅立った人も
永遠だと思っていた

未来のため　歩き続けて
たどり着く頃は　何が残るのか
こぼれ　欠けて　この世界は
輝いているんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
かけがえのない今日を
抱きしめていたい

■Lyrics (Google translation)
"Sheep cloud"

When I opened the window, the wind blew through
I heard children's voices on the ground.
the sun is just there

If I could go back to those days
I want to meet nostalgic people
Things I couldn't ask, words I swallowed
I feel like I can convey them

In doubt, in groping
Maybe the days just pass by
But this world is always
It was shining

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
Days that can never return
my memories

I never thought there would come a time when I would think of ``that time''
Things that have fallen, people who have departed
I thought it was forever

What will remain after continuing to walk toward the future?
This world continues to shine even as it continues to fall and chip away.

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
I want to embrace this irreplaceable day

sheep_cloud(ひつじ雲)

I am very proud to announce that this track was part of @belial-pelegrim's podcast for Bricolage Records, and I really appreciate it. You can listen to this fantastic mix of musical art from many SoundCloud artists here: https://www.mixcloud.com/BricolageG5/bricolage-podcast-111-belial-pelegrim/

Thank You so much for over 1400 plays! ❤️

Something terrifying is coming to our house for dinner.
Will it eat WITH US or will it eat US? 😱😉

The spooky season has started and I took up the challenge of creating a slightly disturbing atmosphere in my music. It was another quick production. Here is the result. Certified A.I. Free production.

To craft this piece I've used mostly patches from built-in Ableton Live synth: Drift with little help of, also Live's, Instrument Rack's patches and (the premiere in my compositions) free plug-in from Sonuscore (@sonuscore), The Orchestra Elements - STRINGS Full Sustain patch.
https://www.sonuscore.com/shop/the-orchestra-elements/
Samples used:
Impact Layered Reversed, FX Dark Impact, Kick Reverse Bghn, E-Piano Reversed Cmin7, Crash Dry Session Hard 2, Crash Bluesbreak from Ableton Lives's Core Library.
Drum MIDI Loops:
709 Kit groove 11-128bpm
709 Kit groove 10-128bpm
both from Ableton Live's Pack "Singularities"

Thanks go to my friend/test driver/ideas giver: ꝁ𐌰v̷̷v̷̷ꝁ𐌰 @grzegorzkawka and my reviewer @bartosz-podborowski-179897410

I sincerely hope that You may like it at least a little bit. Let me know in the comments 😊 Thank You very much in advance for all Your plays, likes and shares 🙏💛

Picture in thumbnail: darksouls1 @ Pixabay

Something Scary is Coming for Dinner

Your Lies of Love

Your Lies Of Love  (Instrumental)

To equality, democracy, freedom, and hope 💙

A joyful jazzy march to dance the tightrope to 🗽

80-85 bpm

Ordinarily I use original LoFi audio that I have recorded from live subjects, but in this song, I use a single sample in my outro from a campaign video of Vice President Kamala Harris in Philadelphia, PA, October 27, 2024.

DAW: Apple Logic Pro X
MIDI: Akai MPK Professional 
E-instruments:
Concert Grand
Deep Organ
SoCal Ballad Piano
Upright Ballad Bass
Crystals and Voices synth
Rolling Chords synth 
E-percussion used:
Studio Brush Kit 
Warehouse Kit shaker
Classic House Remix Congas

Cover art is a derivative illustration with additions and alterations to the following photos:

Statue of Liberty in the afternoon by Eldar Kamalov in the public domain via Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Statue_of_Liberty_2.JPG

 Didier Pasquette walking a tightrope between the twin statues atop the Liberty Building in downtown Buffalo, New York, as part of the opening of the 2010 Beyond/In Western New York art exhibition, by Dave Pape in the public domain via Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Didier_Pasquette_BIWNY_1.jpg

.

Tightrope

Might I interest you in a bit of day light? There’s a lot of it up here sometimes.. will do my best to get it to you…

Sky Scraper Zebra

Some things belong underground, though they may emerge every now and then to feed in the night.

"The Busy Worms" is a sweet little bedtime story about things which wiggle and dance in the serious moonlight. So let's dance. But then it's time for bed.


LYRICS
----------------------------------------
(What? Oh I guess I can tell you one little story. Ok, lay down...)

A wee little wiggle, deep underground
Turn of the shovel, see what we've found
Yes you can hold one but don't squeeze too tight
They'll squirm from your fingers and slip out of sight

Now don't worry darling, don't catch a fright
The worms are just hungry, they feed in the night
Slippery, slimy and hidden from sight
Twisting and turning they dance in the moonlight
Dance in the moonlight

The worms are busy tonight

Yes you can hold one but don't squeeze too tight
They'll squirm from your fingers and slip out of sight

The earth is no object, it's just passing through
They keep the soil healthy for me and for you
Slippery, slimy and hidden from sight
Twisting and turning they dance in the moonlight
The serious moonlight

The worms are busy tonight

Did you ever think when a hearse drives by
That you may be the next to die?
They'll wrap you up in a big white sheet
That covers you from your head to your feet
They'll lower you down in a deep dark pit
And leave you alone to rot in it
The big black bug with the big red eyes
Crawls in your innards and out your sides
The worms crawl in, the worms crawl out
They dance the watusi upon your snout
The worms crawl in, the worms crawl out

(Good night, sweet dreams. See you in the morning!)

The Busy Worms

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

Megacosm

Coconut

The North Pole was melting 
And fearing a catastrophe
Santa hitched up his reindeer and flew to Washington DC

The Air Force saw him approaching 
They scrambled a fighter jet
They almost shot him down before they realized he wasn’t a threat

They escorted him to the white house 
To meet the president.  
They posed for a photo together and then Santa Started to vent.

He said please mister president
I know you want to drill baby drill
But all those CO2 emissions are making the North Pole ill

He said I’m sorry Father Christmas 
But I’m not interested in energy that’s green
it’s more important to me that we have cheap gasoline
And free Toys made by Elves in the North Pole sounds very nice
But you’re taking away American jobs, so I won’t take your advice

Then Santa said that since the ice will soon melt away
He asked the President if they could move to the USA

He said you and Misses Clause are welcome
because you look just like me
But we can’t have those pointy eared elves
Living here in the land of the free

So Santa flew back to the north pole 
And sitting on the last patch of ice
Was a giant spaceship that even Elon Musk thought looked very nice
The Elves had built it while he was gone
tears of sadness ran down Santa’s face
And they all got on the ship, and they flew off into outer space

Now every Christmas Eve people look up at the sky
And they think about those good old days when Santa used to fly
Toys made by elves in the North Pole sure would be nice
But at least we get to buy our gasoline for a very cheap price.

The North Pole Was Melting

Recording sessions from 23/09/2024 - 08/10/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Where are you now...

Where Are You Now...

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Related tracks: sheep_cloud(ひつじ雲)

Shock the Algorithm