Name: Sky Scraper Zebra by Jae Ordon in Related tracks: sheep_cloud(ひつじ雲)
Duration: 4 min 39 s
Description: Might I interest you in a bit of day light? There’s a lot of it up here sometimes.. will do my best to get it to you…

You’re a true artist! I can't wait to hear more from you!

Nice! Beautiful melody and piano. 🎹🎶🎼👌

Related tracks: sheep_cloud(ひつじ雲)

This song will go private shortly. Exclululusive From a section of songs that will apear in 2024.
I will comment back to anyone who post feedback.
xx Ray xx

TRUTH RAY - ASTRAL YOUTH

Metronome: 115 bpm.  (Fan-fret 1st time.)

A Waltz In A Haystack

Blomster

Skvattram in the wood
What made that awful sound?
La la la la la 
La la la la la
You ran home with your birds
La la la la la

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall apart

You are a shapeshifter now
You are a shapeshifter now
Shapechanger now
Aaaaaaaaaaaaaaah

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

La la la la la 
La la la la la
You ran home with your birds
And that wasn´t cute
And that wasn´t cute
And that wasn´t cute

Blomster

Additional sound design: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Music, lyrics & vocals: Andersson Arte (Marty Andersson) [ https://andersson-arte.com ]

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: Victim of Love (Ver. 2.1, feat. Kenny Dyer)

See the music video (made in VR):  https://youtu.be/Nnxe3I16FMM

We Are Not Robots

I don't know what she just did to me
I thought she was above such childish things
She said to me my truth will never change
But please don't expect me to act my age

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

She said people don't know me, they just see
My mistakes and eccentricity
When you get to know me you will see
I'm trying to escape reality

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Nah nah nah nah nah
Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

ISRC:
usx9p2442045

We Are Not Robots

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

■概要(Overview)
窓を開けたら秋の風が入ってきた。見上げるとあの頃と似た空。
遠くから少年野球の声がする。
・・そんな感じの曲です。
---------
リバーブ多めな感じになりました。へへ・・。
ピアノは無謀にもアドリブにチャレンジだ！(少しだけ)
う～ん、もっと練習しなさい！(と自分に言う)

I opened the window and the autumn wind blew in. Looking up, the sky was similar to the old days.
I could hear the sounds of little league baseball from afar.
This song has that kind of feel.
---------
It has a lot of reverb now. Hehe...
I'm going to recklessly try improvising on the piano!(Just a little)
Hmm, practice more! (I tell myself)

■歌詞
「ひつじ雲」

窓を開けて風が通り抜けていく
グラウンドでは子供たちの声がした
太陽はそこにいるだけ

あの頃にもしも戻れるのならば
懐かしい人たちに会いたい
聞けなかったこと　飲み込んだ言葉
伝えられる気がするから

迷いの中　手探りの中
過ぎてゆくだけの日々かもしれない
だけど　いつも　この世界は
輝いていたんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
二度と戻れない日々
私の思い出

「あの頃」と思う時がくるなんて
手にするばかりの「今」ではなく
こぼれ落ちたもの　旅立った人も
永遠だと思っていた

未来のため　歩き続けて
たどり着く頃は　何が残るのか
こぼれ　欠けて　この世界は
輝いているんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
かけがえのない今日を
抱きしめていたい

■Lyrics (Google translation)
"Sheep cloud"

When I opened the window, the wind blew through
I heard children's voices on the ground.
the sun is just there

If I could go back to those days
I want to meet nostalgic people
Things I couldn't ask, words I swallowed
I feel like I can convey them

In doubt, in groping
Maybe the days just pass by
But this world is always
It was shining

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
Days that can never return
my memories

I never thought there would come a time when I would think of ``that time''
Things that have fallen, people who have departed
I thought it was forever

What will remain after continuing to walk toward the future?
This world continues to shine even as it continues to fall and chip away.

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
I want to embrace this irreplaceable day

sheep_cloud(ひつじ雲)

I am very proud to announce that this track was part of @belial-pelegrim's podcast for Bricolage Records, and I really appreciate it. You can listen to this fantastic mix of musical art from many SoundCloud artists here: https://www.mixcloud.com/BricolageG5/bricolage-podcast-111-belial-pelegrim/

Thank You so much for over 1400 plays! ❤️

Something terrifying is coming to our house for dinner.
Will it eat WITH US or will it eat US? 😱😉

The spooky season has started and I took up the challenge of creating a slightly disturbing atmosphere in my music. It was another quick production. Here is the result. Certified A.I. Free production.

To craft this piece I've used mostly patches from built-in Ableton Live synth: Drift with little help of, also Live's, Instrument Rack's patches and (the premiere in my compositions) free plug-in from Sonuscore (@sonuscore), The Orchestra Elements - STRINGS Full Sustain patch.
https://www.sonuscore.com/shop/the-orchestra-elements/
Samples used:
Impact Layered Reversed, FX Dark Impact, Kick Reverse Bghn, E-Piano Reversed Cmin7, Crash Dry Session Hard 2, Crash Bluesbreak from Ableton Lives's Core Library.
Drum MIDI Loops:
709 Kit groove 11-128bpm
709 Kit groove 10-128bpm
both from Ableton Live's Pack "Singularities"

Thanks go to my friend/test driver/ideas giver: ꝁ𐌰v̷̷v̷̷ꝁ𐌰 @grzegorzkawka and my reviewer @bartosz-podborowski-179897410

I sincerely hope that You may like it at least a little bit. Let me know in the comments 😊 Thank You very much in advance for all Your plays, likes and shares 🙏💛

Picture in thumbnail: darksouls1 @ Pixabay

Something Scary is Coming for Dinner

Might I interest you in a bit of day light? There’s a lot of it up here sometimes.. will do my best to get it to you…

Sky Scraper Zebra

Cast of Characters:

J.J. Terrell–@j-j-terrell – drums, bass, organ, triangle, and composition

TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar

This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He even added some real triange, if you listen for it, you'll be delighted. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked Josh if he would like to add a guitar part. Josh jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded more than 20 takes of it. He finally landed on the one you hear in here now. 

  They asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.

  This was a fun, exciting collaboration, featuring just JJ and Josh, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (Eclectic Collective)

A song recorded in 2023 inspired by a documentary I watched based on the child care system in Great Britain.
So as we all get ready to enjoy Christmas with our family and friends spare a thought for this. 
There’re was a little boy who shared a memory that all he as left of his life with his real mother  was a few toy soldiers and a snow globe.
They sat on a shelve for him to think & remember that for whatever reason his mother gave him up. 
He was one of the lucky children who managed to get adopted and find a new loving family to take care of him. 
Others not so and stay In children’s homes until they were 18.
And here is the problem once they became 18 they became no longer a problem for the system. 
With  little or no help they  are expected to leave & fend for themselves without the love or security like a normal young person would expect from his family. 
The system is so floored & totally under funded hence kick the can down the street & watch it land at another’s feet.
Not the government’s problem anymore.
The adoption system is such a long draw out process that it puts future potential step parents off. 
So many children just stay in the system until they are 18 and then are classed as adults.
They may be adults but not ready for the world alone, outside the door.
We still guide our own adult children through their journey into further education, work, relationships, home buying & beyond.
It scares me that we have youths carrying knives & even guns for protection and in other cases just to conform to gang culture and be the big man. 
Im sure that a lot of these youths have a loving family, warm house, food in their belly & wear designer clothes. Yet still find the urge to harm someone because it makes them feel good and show off.
I’m sure we could write a fluffy Christmas song with all the cliches  but we choose not to. 
Hope you enjoy and pause for thought.
So we bring you Tiny Soldiers & Snow Globes…….. 



Intro Chorus 
Just kick the can down the street 
And when it lands at another’s feet
they can kick it on to the next 
That how they make out they are doing their best


V1
And the only thing on the upswing 
And what’s needed more & more 
(Are Tiny soldiers and snow globes
Just symbols of a life that he hardly knows x2)

Chorus 
Just kick the can down the street 
And when it lands at another’s feet
they can kick it on to the next 
That how they make out they  are doing their best
…………….
Tiny Soldiers & Snow globes x2
It’s an absolute mess 


V2 
And now it’s the end of care and totally unfair 
To defend  for yourself and to be thrown out
(Tiny soldiers & snow globes 
Are not something he can talk about x2)

Chorus 
Just kick the can down the street 
And when it lands at another’s feet
they can kick it on to the next 
That how they make out 
they are doing there best
……………….
Tiny Soldiers & Snow globes x2
Its an absolute mess 

 Middle 8  ending

And to all of you 
if only we really new
Just how lucky you really are
To be loved and treated 5star 
We all can’t have it all 
it’s really not fair 
Surely there’s enough love 
to go around and share
Unconditional love
for everyone 
but someone lost the will to care
And moved his chair x4
Tiny soldiers & Snow globes 
We all can’t have it all 



Tiny Soldiers & Snow Globes - Conscience Of Kings

Rising For Air (G. Di Nunno)

It's now to throw aside and bleed
Out the poisons I've collected
That span that took more than gave
Open arms to leave rejected

All that pressure building
Attempts at fitting in
Followed scripts as written
Left stricken from the spin
That rise for air
Rising.

Remembered how you laughed me down
Once the aura lost its luster
And joined the band of lonely ghosts
Isolated, cold, to shudder.

Friends fled through the back door
As scissors cut the ties
Got the hand-down remnants
With footprints left by spies
That rise for air
Rising.

It all depended on a former vision
The effort given rewarded with tension
A lightened hatred as the months were flying
Became a new scene; tell me how that happened?

Where stares were hard
A lightened mood
Has entered here
And washed away.
What led to this
Is memory
To part and go
Not looking back.
Rising
Rise for air
Rising
Rise for air.

All lyrics and musical performance by Gino Di Nunno
Copyright 2024.

#8. Rise For Air

Liars and killers
Are not a good mix
Liar is a man who’s  never done shit
A killer stares through a man like the holes already exist.

Liars and killers
Killers and liars
The who should never co exist

Liar$ and Killer$

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triange dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavor we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops-Eclectic Collective

Africana Brass

Since picking up the acoustic guitar at 16, for the last 11 years I have played many songs (mainly covers), recorded videos of me singing, and posted on my private Facebook account. Since now I have a bundle of these recordings, I have decided to select some of them, put them together and make an album out of it for fun. Hope you enjoy.

El Cocorocha Blues

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Sais Steely Dan keyboardist Jim Beard… “Congratulations on a marvelous album JOrdon!”.

Albany’s WXET Dave Michaels sais “ JOrdon your Pixie Dust album is a masterpiece!”.

Hello magical entity... Thank you for visiting..

Three names I go by are JOrdon (which I use for Bandcamp and SC) and Jae Ordon and Mascot’s Distance,(which I use everywhere else, such as Spotify, Apple, etc.).

I've written music for Taye Diggs, Ian Gillan of Deep Purple, Pete Yorn, the Gorillaz Dan the Automator, John Spencer Blues explosion’s Russel Simons and Bed Bath and Beyond.  In summer of 2022 my recording Life Whispers On was #7 on Canada’s Cashbox Radio.  Currently finishing up a musical called Humane.


I'm playing all the instruments on many tunes, ones I'm not are…Brian Allen of Lori McKenna, Christopher Cross and Robben Ford on Bass, Michael McDonald's horn section, in addition to Yutaka Uchida playing drums on some tunes and Laurent Medelgi on guitar, also Danny Zanker and Joe Bearclaw Burcaw playing bass.
Thank you for listening to my Vegan, Folk-Jazz-Rock recordings…

Sky Scraper Zebra

Jae Ordon

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