Shock the Algorithm

Musique composée par O#D le 21/03/2019 de 14h05 à 14h09
Arrangements par O#D
Photo par O#D
Tous droits réservés

Female

State of Decay

State Of Decay

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini

Lyrics:

Day dreaming
An enchanted feeling
Take my hand in yours hold it forever more
The night's receding
For you I'll keep believing 
Your amber eyes to my surprise are gently grieving

Lean closer 
Please let me show ya
The love inside no need to hide I already know ya

Day dreaming
An enchanted feeling
Take my hand in yours hold it forever more

Forever more
Forever more
Take my hand in yours hold it forever more

Forever more
Forever more
Take my hand in yours hold it forever more

Time plays games with my mind
The winds of change blow indifferently outside
Only together
Can we build a world for the better
So take my hand my dear 
Hold it forever
Forever

Day dreaming
An enchanted feeling
Take my hand in yours hold it forever more
The night's receding
For you I'll keep believing
Take my hand in yours hold it forever more

Forever more
Forever more
Take my hand in yours hold it forever more
Forever more
Forever more
Take my hand in yours hold it forever more

© Tam Jennifer Hastings, 2023

Forever More (Acoustic, 2023)

Now I know that cantankerous old coot C J Hopkins used the very same words to describe the current rift in the western world but I can verify that I wrote the lyrics to this song a good month before he did, he just says it much better, and I will quote him here;

"Yes, there is a divide. A great divide. A chasm. A schism. A gulf. An abyss. A gaping, yawning, unbridgeable fissure. A Grand Canyon-sized fault in the foundation of society. A rupture in the very fabric of reality."

The Schizm

Ladies and gentlemen, gather 'round the sonic hearth, for we're about to embark on a musical expedition that will tantalize your auditory senses and transport you to a realm where sound becomes a time machine. This is more than just a track; it's a sonic journey through the ages, a gastronomic feast for the ears.

Our melody is a guitar-based masterpiece, a siren's call that beckons you into the unknown. Picture not one, but two guitars, their parts doubling and intertwining like old lovers meeting after a long separation. It's a dance of strings that paints intricate patterns across your mind.

But here's where it gets truly mesmerizing – angular harmonic ideas that twist and turn like a serpent through the musical landscape. The harmonies defy convention, leading you down a labyrinthine path of sonic exploration. Your ears won't believe what they're hearing.

And then, the deep bass arrives, a rumbling undercurrent that resonates within your very core. It's the heartbeat of this composition, a primal force that anchors you to the ancient soil of the Sierra Norte here in Mexico.

Ah, but we're not done yet. The piano steps in, its keys a portal to nostalgia. It weaves a melancholic tale that tugs at your heartstrings, like the echoes of a long-lost memory.

Now, let's talk about the feel of the ancients. This isn't just music; it's a spiritual journey. It's as if the ghosts of the Sierra Norte have found a way to communicate through sound. Close your eyes, and you can almost see them, the indigenous people who once roamed these lands, leaving their indelible mark on the very air we breathe.

As the notes swirl and dance, you'll find yourself ensnared in elusions of psychedelic experiences, like a shamanic ritual conducted by ancient gods, their names long forgotten but their presence still lingering in the hidden corners of our minds.

But don't be fooled, for there's a hint of the creepy, a shadowy figure that lurks just out of sight. It's the yin to the composition's yang, a reminder that even in the most awe-inspiring moments, there is a touch of darkness.

This composition is a testament to the Sierra Norte, a place where every tree tells a story, and every rock whispers the secrets of time. It's inspired by the walks in these woods, the people who call this place home, and the ancient souls who once walked this hallowed ground.

So, my friends, prepare to be transported to a world where music becomes a portal to history, where the past and present collide in a symphony of emotions. It's a feast for the ears, a journey for the soul, and an experience you won't soon forget. Bon appétit, or should I say, buen provecho! 🎸🌲🎶 

#SonicExpedition #SierraNorteSoundscapes #MusicalFeast #AncientWhispers

Ancient Harmonic Sueño

⭕Spotify↓↓⭕
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

⭕Instagram↓↓⭕
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

Let's pray for a beautiful tomorrow!!!
That's how I composed the music😊
A good tomorrow for your life…🙏

thank you for listening！！

DAW: Cubase pro 12

Let's pray for a beautiful tomorrow

Ghost Road

Survivors

I done put the mustard in the ketchup bottle with this one.

Rivals

Just let Them Play

A.I.

Testy Delirium or Dull Decrepitude or What Worse Evil Come

Well as the clocks go forward tonight, (or maybe back - I never can remember), meaning we gain (or is it lose?) an hour, (though obviously we don't really), so it will be darker (or lighter) in the morning (or is it evening?) I thought it would be timely, as it were, to take a moment, and draw from my deep intellectual insight into the matter to explain all there is to know about that tricky little bugger, time.  

You're welcome.

Starting as a ditty which was then utterly transformed with Seagull's production, arrangement and musical genius, drawing on Dan-DT's deft touch on the soft squidgy bits, it was eventually incorporated into Seagull's brilliant "Compendium of Time".  Why not take a little of your own to watch it on YouTube here :

https://www.youtube.com/playlist?list=PLJqh6iXnTaXJL-MkyxWQ_UV-H6vTtiVv3

You can find more of Seagull's beautiful music here:

https://soundcloud.com/farout-music-studio

And Dan's audio craftsmanship here:

https://soundcloud.com/dan-t-3
_____________________________________________________________________________

Old Father Time

Did you commence, at once, or have you always ever been
And will your pounding heartbeat ever cease?
Are you a sense, or force, or something other in between?
Simply ticking down to each and every last release?
Is your pulse rate constant in this exponential universe?
Or does my biology speed the tempo of your rhyme?
Why are the lifespans of your subjects so potentially diverse?
Do you hear me cry your name, Old Father Time?

Is your mission merely measure, or are you yourself the cause
Of evolution and decay of matter's elementary doom?
Are you the seemly pressure on the future's pending pause
Ethereally benign or other natural force subsume?
Can you shift like rays in prisms, temporal rainbows to behold
Are you the cause of age or do you simply count it's lines
Is your rounded face imprisoned in a cell numbered twelvefold
Do you hear me cry your name, Old Father Time?

At terminal expansion of our present universe
For its destined re-contraction to begin
Will your hands slow to a halt then slip into reverse
Or count us down in forward time back to our origin?
Will the ultimate compaction trigger seasonal adjust
Predicate upon your base the final great rewind?
Then will you recommence or revert back to gently ticking dust?
Do you hear me cry your name, Old Father Time?
______________________________________________________________________
Photo - a little holiday snap from NASA's astonishing James Webb Space telescope

Old Father Time - with Seagull and Dan-DT

What The Eyes Do Not See

Achy Breaky Heart

... another draft with guitar from my "guitar rehearsals" ... hopefully enjoyable ! all instruments by me .... photo: Eugene Golovesov, unsplash

My small side project / Echoes

Trying something a bit different here, or am I?
Working on the old fashioned broken heart style song, such as "Sealed With A Kiss".  Haven't tried this before so we'll see how it comes out. 


Valentines Heart

Nat King Cole's version - All I Want For Christmas Is My Two Front Teeth punk rock cover.

"All I Want for Christmas Is My Two Front Teeth" is a novelty Christmas song written in 1944 by Donald Yetter Gardner (1913-2004) while teaching music at public schools in Smithtown, New York. 

The song was originally recorded by Spike Jones & His City Slickers on December 6, 1947, with lead vocal by George Rock. That version reached the top of the pop charts in 1948, and again in 1949. The song has also been recorded by numerous other singers and performers, including Ray Stevens, George Strait, Danny Kaye with The Andrews Sisters, The Platters, Dread Zeppelin, The Kelly Family,  Nat King Cole (reportedly Gardner's favorite version), The Chipmunks, the Hampton String Quartet, The Three Stooges, and Count von Count of Sesame Street.

Merry Christmas & Happy New Year my friends!!!

Youtube link: https://youtu.be/kdKyiJvK41g

#youtube link: https://youtu.be/kdKyiJvK41g?si=rIT0jvoakbkdplPi

All I Want For Christmas Is My Two Front Teeth (punk rock cover)

Earth orchestra meets universe's orchestra.

Thanks to NASA for samples from Saturn, Kepler and emfisis

Thanks to the Solar Eclipse 2nd July 2019 for the visuals and inspiration.

Video available at https://youtu.be/43LGd85hTQI

Darkest Before Dawn

Darkest Before Dawn - demo

Mix # 2
from 06/2020
Unfinished Collaboration with Motion X (Tripping Motion Music)
https://soundcloud.com/tripping_motion
and awaiting magical contributions from INRGD
https://soundcloud.com/inrgd

Altered Asylm Mix 2   SMH & Motion X

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌