A Moments' Silver Measure:
Liz Tonne, voice
Matt Samolis, bowed cymbals and tuned steel rods
Recorded April 10, 2022

26 August 2022

WHEN THE DOOR CLOSES - door ; open

Parallax Reisen, citrinitas

Used the source audio + electric bass (base and harmonics), drums+programming+synth pad+bells

Friday March 1st during the morning in Paris.

https://soundcloud.com/disquiet/train-source-1

More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/

the unbearable loss of a train passing - disquiet0635

Every Piano Day is special, in many ways, for everyone of us. This one caught me hospitalized for pneumonia, bu hey - the good news is they're gonna fix it!! :-)

HappyPianoDay 2024

RAVI SHANKAR  1

This is a cantata for solo soprano and cimbalom based on the Gnostic Gospel of Mary.

Mary Magdalen

Mindfulness: Connection or Disconnection?

In her book, For the Love of Men, award-wining journalist Liz Plank offers a witty, insightful, and deeply researched guide for what we can all do about toxic masculinity.

In this episode, Liz is joined by therapist and Bay Area men’s group leader Sarwang Parikh for a conversation about the future of gender roles and how finding a new way forward for men has the possibility to change the world.

This episode contains explicit language.

Liz Plank: A New Vision For Mindful Masculinity

One of the best Thanams I have heard on the Veena. Fantastic use of all strings to produce a harmonic sound pattern, that captivates the imagination of the listener. 

Thanam Veena Rasikapriya

Dr. Britton describes signs of meditation-induced dissociation and how to tell the difference between dissociation and meditative calm

Signs of dissociation

commissioned by Michael Norsworthy, this performance is by Rane Moore and Donald Berman.

Nebraska Impromptu

Meditative and contemporary sound study, based in Barre, MA, USA

https://mattsamolis.wordpress.com/

WHEN THE DOOR CLOSES - door ; open

shoebei

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