An archive of the em-Pire. 
Some mixes have been taken down by Soundcloud when they changed the plan/payment rules.
I will endeavour to retrieve missing mixes from the em-Pire chronicles at some point and post somehow. 

All these mixes are a decade old, the first days of spinning hip hop vinyl me.
Times have changed, I’ve evolved, I listen to these mixes and cringe. 

My wax is so much fatter, I got a sturdy collection of vinyl only releases, limited 300 loud cut pressings, straight outta Bristol, from the likes of Kahn, Neek, Hi5Ghost, and more. 

I’m ready for some MC’s to take the mic.
If you’re interested in recording a freestyle mix tape, hit me up. I got all styles to cater.

 Back in the day … smashing the panties outta the 1200 technic's, spinning raw vinyl fat ass beatz with a huge network of word spinners... actual word spinners.
chick hip-hop DJ 4 life. 

dekanta 
(ATn@ked spelt backwards)
DRUM N BASS 100% Vinyl mixes galore 
pleasure your ears...

em-Pire Platinums MC's ...
https://soundcloud.com/tilthebreak
https://soundcloud.com/vademsone
https://soundcloud.com/devonrex73
https://soundcloud.com/unkl-boner
https://soundcloud.com/radyduff
https://soundcloud.com/danika-ferris
https://soundcloud.com/jefferson-jaguar-curtis
https://soundcloud.com/lucky-rubb
https://soundcloud.com/badiks
https://soundcloud.com/elapsedtime

Surfing mid coast MC's...
https://soundcloud.com/travis-bates
https://soundcloud.com/joeystevens

THE DIRTY SOUTH

Shoot the Noose are from Adelaide, South Australia, formed in 2011 with Nick Burt (lead vocals and guitar), Dennis Gonzalez (bass and backing vocals) and Aaron Farrant (drums and percussion). Shoot the Noose pursue a distinctly original and honest sound with a wide, cross-genre musical range.

The first EP ‘Rogue’ (2011) captures the raw energy of the newly formed trio delivering an exciting array of driving rock songs from ‘This Lonely City’, ‘Wait for me Stacey’ and ‘Mole Darby’ and to the bands quieter, melodic side with ‘Sunrising’ and the ballad ‘Time Has Passed’.

The second EP ‘Strangeface’ (2013) explored a wide musical palate of light and shade from the sprawling anthems of ‘Utopioid’ and ‘Highway’ to acoustic reflections of ‘Harbour Lights’ and eeriness of ‘Grey Nurse’.

The third offering ‘Stalheim’ (2015) is an unashamed record of the band’s heavier side with riff-laden songs with powerful, lurching rhythms. The first track ‘Seeing Snakes’ sets the mood for the album that remains consistent throughout the record.

Since the release of ‘Stalheim’, Shoot the Noose have turned their attention to deeply exploring the acoustic, folk and country elements that have influenced their music since the beginning. This has allowed greater lyrical clarity and storytelling and highlights vocal harmonies. It is also providing more instrumental definition and nuance. The band is set to record and release this material soon but for now be sure catch their live performances.

DJ from Adelaide's South Side. Multi-genre bass head.
Addict of the wax.

Find my new music https://soundcloud.com/little-paradise-bristol

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Shoot the Noose is following