Recorded at Rubber Track Studios, Amsterdam, 29 july 2013 by Aaron Bastinelli.

Dee Dee Dangerous

Released 26 July 2013 by Haus of Pins

Get your limited edition, hand-crafted cassette tape with three tracks for £5 (plus £1 P&P) or get the download for £1 at www.hausofpins.co.uk 

Produced and engineered by Dan Cowley.

Junk

WIRE - released April 13th 2015

pre order album here - https://pinkflag.greedbag.com/buy/wire-10/

Wire

Split Your Ends

NEEDLES In The Camel's Eye

Zig Zags: Sunken City 
From the forth coming SLIME 7" EP out 8.11.15 on Famous Class Records
Pre-order the 7" from Famous Class - http://famousclass.com/product/zig-zags-slime-ep/
pre-order on iTunes - https://itunes.apple.com/us/album/slime-ep/id1014784861

www.famousclass.com

Zig Zags - Sunken City

📄 SEO Description

🎶 Sweet Child O’ Mine – Guns N’ Roses (Cover by March Kloulubak) 🎶

A soulful keyboard cover of “Sweet Child O’ Mine,” the iconic 80s rock anthem by Guns N’ Roses. This version blends the powerful emotion and guitar-driven energy of the original with smooth keyboard tones, island influences, reggae dance hall rhythms, and heartfelt ballad style — reimagining this legendary song with island soul.

If you love classic rock, 80s anthems, or reggae-inspired covers, this rendition is for you. Perfect for fans of Guns N’ Roses, Axl Rose, Slash, and timeless rock songs reimagined with passion and creativity.

🌍 Shared proudly from the Pacific — reaching listeners in Palau, Guam, the United States, Europe, and worldwide.

👉 Follow March Kloulubak for more covers of classic rock, ballads, island music, reggae, dance hall, and timeless hits.

Sweet Child O'mine

'Let's Talk About Me' is the debut single from Brighton/London/York trio Johnny Kills.

Produced by Alex Greaves at The Nave studio in Leeds.

Mastered by Pete Maher

Let's Talk About Me

'Good Sense' is taken from Hash Redactor's debut album entitled 'Drecksound', out April 26th through Upset The Rhythm and Goner Records.

A quick glance at the résumés of Hash Redactor’s members might seed certain expectations.  The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar.  But their debut full-length dives into territory that feels distinctly untethered from their lineage and era.  Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens.  
 
Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. The chorus to the incendiary Step 2: Success is sneered, not sung, “It’s a long con job and you just got it wrong / banned from the world.” Or take Open Invite’s opening missive, “I won’t settle for anything less than a four-star refugee camp.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction.  He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. Case in point: A-side epic In The Tank, where a vindictive custodian boils alive the wealthy patrons at the sensory-deprivation tank facility where he works.
 
McIntyre and Williford’s guitar interplay on Drecksound draws from some weird rundown of usual and unusual suspects in the tight corner of avant-punk guitar work, recalling some free-association that includes: Marquee Moon, John Fahey gone electric, the playing on Ornette Coleman’s mid-70s Body Meta and Dancing In Your Head, prime-era Flesheaters, and (why not) the first two Meat Puppets albums. Without anything resembling traditional leads, guitars snake in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power.  All of this is locked in by Watson’s characteristically visceral swing.  It doesn’t feel controversial to claim that the duo of Watson and Lones constitutes one of the best rhythm sections to be heard anywhere in contemporary punk music.
 
Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut the record at home on a borrowed 8-track cassette machine. The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering. Hash Redactor will be touring the States in summer and with plans for Europe later in 2019. Drecksound is out April 26 on Upset the Rhythm in UK/EU and the rest of the world on Goner.

Available to pre-order here: upsettherhythm.bigcartel.com/

Drecksound

Hash Redactor - 'Good Sense'

Ty Segall & Mikal Cronin - Fame (David Bowie)

From "The Process / Lonely" a digital split with Chastity Belt. You can hear Chastity Belt's "The Process" here: https://soundcloud.com/hardlyartrecords/chastity-belt-the-process

Loose Tooth Website: https://milk.milkrecords.com.au/loose-tooth
Follow Loose Tooth on Twitter: https://twitter.com/loosetoothband
Follow Loose Tooth on Instagram: https://www.instagram.com/loosetooth_/
Like Loose Tooth on Facebook: https://www.facebook.com/loosetoothmusic/

The Process / Lonely

Loose Tooth - "Lonely"

Taken from forthcoming 7 inch single "In Other Words" b/w "You Are A Sort (Don't Call Me)" out June 10th on MÏLK records
http://www.milk-records.co.uk/

You Are A Sort (Don't Call Me)

We're Shopping. UK based three piece.
email: wereshopping@gmail.com

BUY OUR ALBUMS HERE:
http://radi.al/TheOfficialBody
https://fat-cat.co.uk/release/why-choose
http://milkrecords.bigcartel.com/product/shopping-consumer-complaints-lp

You Are A Sort (Don't Call Me)

SHOPPING