The region's music shares similarities both with nearby areas of India and the other side of the border, in the Pakistani province of Sindh.

Traditional music includes the women's Panihari songs, which lyrically describes chores, especially centered around water and wells, both of which are an integral part of Rajasthan's desert culture.

The celebration of changing seasons is also very central to folk music of Rajasthan. Celebration of the coming of the Monsoons or the harvest season are central to most traditional folk songs. Songs also revolve around daily activities of the local people for instance a song about not sowing Jeera (Cummin) as it is difficult to tend. Or for instance another song about Podina (Mint) and how it is liked by various members of the family (an allegorical reference to a local liquor extracted from mint is also made). Every day common themes are the center of traditional rajasthani folk music.

BANNA 1 - Folk music from Rajasthan

abhangvani by Gaan Saraswati sri.Kishori Amonkar

marath abhang by kishori amonkar

Vasantrao Deshpande - Sanware Aijaiyo - A Golden Voice Saware Aijaiyo - Part 1

Pt. Kumar Gandharva: Raag Nand-Kedar (Nov. 04, 1976) - Live concert.

Pt. Kumar Gandharva: Raag Nand-Kedar (Live, Nov. 04, 1976)

Thanks to Satyasheel Deshpande, Srijan Deshpande and Samvaad Foundation, Mumbai for making this track available for listeners. 

Satyasheel Deshpande is a leading Hindustani vocalist, composer and researcher and a senior disciple of Kumar Gandharva.
Srijan Deshpande is his son and disciple. 
Information on the Samvaad Foundation is available at: http://www.satyasheel.com/samvaad-foundation/

Photo of Kumar Gandharva is from Wikipedia. 
 

KumarGandharva - UdayDoPatang - Bhimpalas: Courtesy Satyasheel Deshpande, Samvaad Foundation, Mumbai

It’s all a game of come-and-go! Nothing stays; everything slips away. Fleeing, transient, impermanent. And, therefore, beautiful! In this poignant and delightful song, Brahmanand speaks directly of this truth. I learnt this song through Mooralala Marwada. Words and translation at https://sayskabir.wordpress.com/2016/08/31/chala-chali-ka-khela/

City of Feeling

Chala Chali Ka Khela

Vocals, tambura and ghunghroo by Vipul Rikhi
Words, translation and discussions at www.ishqfakiri.com
Composition by Bindhumalini & Vedanth Bharadwaj

Ishq Fakiri

Haman Hain Ishq Mastaana

Mahesha Ram sings 'Main Vaari Jaun Re' - Rajasthan Kabir Yatra, 2012

A litling composition by my guruji, my baba Ustad Abdul Rashid Khan a.k.a Rasanpiya in Raag Ragesri describing the beauty of a woman

Live

Ragesri/ Aiso Sundar

This song has been composed and sung soulfully by Saida Begum. It explains that one’s every breath is shared with their beloved. In the Sufi tradition ‘the beloved’ can be understood to refer to God. The harmonium Tabla and Dhol are played as accompaniments.

Dum Dhola - Rabba Mereya

i love kumar gandharva, kabir bhjan - touch every ones soul

KumarGandharva - UdayDoPatang - Bhimpalas: Courtesy Satyasheel Deshpande, Samvaad Foundation, Mumbai

Shubha Mudgal