In Absentia : Tome 1

Escape from the Void

release date (vinyl / cd / digital): 21st of October

“I've intended to do an album for a long while. The tracks draw upon ideas going back to various points over the last 12 years or so - some of the hooks I wrote years ago other bits are brand new. In some ways I wanted it to reflect a personal arc and the way I tend to do things  - never rushed”

‘Frames of Reference’ is the some 12 years in the making debut album from UK based techno producer Ø [Phase].

Best known by his work on the Belgium based Token Records his style ranges from gritty minimal techno to Detroit influenced material. His debut ‘Module Overload’ was released on London’s Lost/Cosmic records in 2000 and was followed by a string of productions for London's Surface/Inceptive Records and Ben Sims Ingoma imprint.

The move to Token came in 2007, he shortly after began DJing professionally and has since performed at parties across the globe whilst becoming a regular guest at Berlin’s techno Mecca, Berghain performing alongside esteemed peers and supporters such as Marcel Dettmann, Len Faki and Ben Klock. His continued works have seen constant support throughout the techno world and have featured in CD mixes by Robert Hood, Dave Clarke, François Kevorkian and Fumiya Tanaka amongst others. Alongside his production work Ø [Phase] is also a mastering engineer and on/off artwork designer. Starting out at London’s prestigious Sony Music/Whitfield Street Studios, he has cut records for numerous underground dance acts as well as working on projects for mainstream artists.

Now after a string of acclaimed releases on Token and a selection of remixes for the likes of Robert Hood, Mark Broom and Peter Van Hoesen comes Ø [Phase]’s debut long-player ‘Frames of Reference’. Opening with the brooding and building swirl of ‘Binary Opposition (Process 3)’ Ø [Phase] sets out his template of evolving, richly textured atmospheres underpinned by shards of dark and light. ‘The Bwiti Initiate’ revolves around a bouncing techno rhythm that could most certainly traverse the house/techno divide whilst ‘Distracted’ and ‘Misaligned’ are the kind of unadulterated, pummeling, cavernous techno tracks that have made Lost such a party institution.
Then we have tracks like the soft beating ‘Just Another Dance’ providing a lighter edge, embellished with warmth and strings and the thick, densely woven tapestry of ‘Shadow Caster’ which goes from experimental to dancefloor and back again with consummate ease. The off-kilter lilt of ‘Perplexed’ drags us further into the dark before keys and a hint of a melody draw us back upwards for air whilst the fat driving bass of ‘Dirtro II’ and funkier edged menace of ‘On The Edge’ show a virtuoso producer at the top of his game. The closing introspection of ‘Self Deceit’ wallows in subtle nuances before a mid section synth and string intervention pulls us back from the brink before finally descending into the void.


Tracklist: 

2LP 
A1. Binary Opposition (process 3)
A2. The Bwiti Initiate
B1. Distracted
B2. Dirtro II
C1. Misaligned
C2. Just Another Dance (album version)
D1. Shadow Caster
D2. Self Deceit

CD & Digital:
1. Binary Opposition (process 3)
2. The Bwiti Initiate
3. Distracted
4. Dirtro II
5. On The Edge
6. Perplexed
7. Misaligned
8. Just Another Dance (album version)
9. Shadow Caster
10. Self Deceit

www.facebook.com/ashleyphase
www.residentadvisor.net/dj/phase 
www.tokenrecords.com
www.facebook.com/tokenrecords 

Frames Of Reference

Ø [Phase] - The Bwiti Initiate

M_Rec Ltd 20 - Coefficient – Blood Red ep

A1: Subsurface
A2: Tesseract
B1: Blood Red
B2: Point of Departure

Release date: March 2014 (Vinyl)

OVERVIEW:
The world of M_Rec refocuses on unassuming and dedicated dancefloor tracks with this release on the original Ltd. imprint by british producer and sound engineer Coefficient. Steering away from the saturated world of big and harsh techno, Coefficient concentrates on the craft of reviving and re-exploring archetypical mind-altering techno, rooted halfway between the American midwest and the heyday of british rave culture.

The opening 'Subsurface' takes advantage of a groovy refrain to showcase uplifting drum programming and shadowy soundscapes. A great set opener to put the room in the right mindset. Things get a little darker with 'Tesseract'. While the intricate patterns and basslines play the integral part in the track, there are intriguing melodies interplaying to make things sexier and affectively trippy. 
On the flip side, EP title track 'Blood Red' is a more maximal experiment, definitely meant to shake things up. Throughout this joint the synths get bigger and state-inducing, while the bass drum keeps things forward driving. It's a traditional loop-driven track that belongs in the apex of a proper techno set. Closing track 'Point of Departure' rediscovers British leftfield electronica and celebrates the early morning hours of outdoor raves. It's a track dedicated to the last few people standing, rich of melody and delays.


M_Rec Ltd 20 - Coefficient - Blood Red ep

KILLEKILL 022
EOMAC - SPECTRE REMIXES
buy at www.killekill.com

A // SPECTRE - TOMMY FOUR SEVEN REMIX 
B1 // SU RIDDIM - ANNO STAMM REMIX 
B2 // SHELL OF DARK - AnD REMIX

Following EOMAC’s debut album “Spectre” on Killekill, released earlier this year, here come remixes of the three most outstanding tracks of the album.
TOMMY FOUR SEVEN picked the title track SPECTRE, taking away some of the dense texture of the original, speeding it up a bit and adding some straight-forward percussion to turn the original into a big anthem for the mellow moments on the dancefloor.
Lars Stöwe aka Anstam is using his ANNO STAMM-alias to rip out the distorted bassline of the grimey SU RIDDIM and add some playful bassline variations and some serious 808 business to it to turn it into a peaktime banger with lots of chicago flavour.
AnD do what they do best and turn SHELL OF DARK into a half-tempo stomper that after a while breaks up to a devastating weapon of distorted drums and melodies.


release date: 
10.Nov.2014 (vinyl) 
17.Nov.2014 (digital)

Bandcamp

KILLEKILL 022 | EOMAC - SPECTRE REMIXES by TOMMY FOUR SEVEN, ANNO STAMM, AnD (snippets)

Subjected unique style has touched many nerves of the Techno playground, he is back with a full-length Techno 4 Cut Ep.
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Buy the 12" Worldwide or in this online-shops all over the wold:

https://hardwax.com/77332/subjected/selected-works-i/
http://www.decks.de/t/subjected-selected_works_i/c8i-pm
http://www.deejay.de/Subjected_Selected_Works_I_ARTSCOLLECTIVE012_Vinyl__251748
http://www.juno.co.uk/products/subjected-selected-works-i/632958-01/
http://www.rushhour.nl/store_detailed.php?item=94058
http://www.technique.co.jp/item/145327,ARTSCOLLECTIVE012.html
http://www.lofi-records.com/es/subjected-selected-works-i_p2231926.htm
http://techno-import.fr/shop/index.php?id_product=22059&controller=product&id_lang=3

Digital: https://www.beatport.com/release/selected-works-i/1878267

A2.Subjected - King Behemoth

Extended Clip - King (Instrumental Demo)

Vinyl=> https://www.somarecords.com/shop/music/soma_508/

@lewisfautzi
Molecular Spasms EP
Soma 508d

1) Molecular Spasms
2) Ionic Bonding
3) Absolute Zero
4) Covalent Bond

Fautzi returns to Soma with huge EP

Portuguese Techno star Lewis Fautzi delivers his latest high intensity EP, Molecular Spasms. A tough yet refined release, Fautzi continues to impress with his productions.

Title track, Molecular Spasm leans in with a twisted, disturbing hook and ferocious high hat patterns, creating a pulsing opener to the new release. Ionic Bonding brings a more droning affair yet still remains floor ready. Fautzi then works a more hypnotic angle with Absolute Zero with haunting synth sweeps keeping things on edge. Covalent Bond closes out the release with much more direct and hard hitting approach. Heavy percussive elements ride amongst subtly modulating synths.

Fautzi deliver yet another masterfully crafted EP do add to his already glowing Soma account.

Extended Clip - King (Instrumental Demo)

Shwarf

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