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Contact: mr.dobaq@gmail.com


Shwung, formerly Humpfree Lowgart, is a long time veteran in the electronic music community. Representing Wormhole in Oakland CA and Camp Questionmark, he blasts out bass beats for the earholes of gangsta ninjas world wide. His sound is a tasty fusion of big 808s, mid tempo glitchyness, drum and bass, and halftime, peppered with a hint of 128 dark and dirty breaks. You’re sure to move your booty when this heavy hitter is on the ones and twos.

Get me to your city:
shwungbeats@gmail.com

Get at me:
https://facebook.com/shwungbeats

Andrea Graham, known professionally as The Librarian, is a pioneering DJ, producer, label owner, and festival founder who has established herself as one of bass music's most influential creative forces and tastemakers. As the co-founder and music director of Bass Coast Festival – internationally acclaimed for its innovative music programming and immersive installation art – she has built an inclusive electronic music community that resonates with audiences worldwide.

The Librarian's dynamic performances seamlessly traverse the full spectrum of bass music, deftly moving between 130 breaks and adjacent techno to UKG, deep dubstep, jungle, juke and drum and bass. Her sets are characterized by powerful low-end frequencies with nuanced melodic elements and an intuitive understanding of dancefloor dynamics, creating deep connections with audiences across the globe. With a touring career spanning seventeen years playing clubs and festivals, she has refined her craft through countless transformative nights on dance floors worldwide.
Her extensive touring schedule has taken her throughout North America, Australia, Central America, and India, with landmark performances at some of the world's most prestigious venues and festivals. Recent highlights include a compelling set at the iconic Red Rocks Amphitheatre and an electric 360 degree performance at The Caverns in Tennessee. Her festival appearances span Coachella, Electric Forest, Lightning in a Bottle, Beyond Wonderland, Bumbershoot, Rainbow Serpent, Shambhala, and many more. Her legendary Boiler Room and Keep Hush performances are on repeat.
Based in Squamish, BC, Canada, Andrea balances her touring career with her role as Bass Coast Festival's music director while also heading her record label, Chapter Three Music. 

The Librarian maintains a consistent presence in the electronic music scene by touring regularly and hosting her monthly radio show, Book Club. She continues to push creative boundaries with her own productions.

Following her acclaimed trilogy of singles, she released a captivating 6-track EP, "miss u," further cementing her reputation as a multifaceted artist who continues to shape the future of bass music.

"A bass music legend" –Billboard

"(The Librarian) is a renaissance woman...a name impossible to ignore in the burgeoning international bass scene." –Earmilk

"The Librarian never disappoints, with her deep love for the art of bass music reflected in her sets" —Billboard

BOOKINGS: brent@good-direction.agency 
MGMT: colin.mctaggart@ameliaartists.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

- spillage village records

A soft-spoken but intricate lyricist with a cocky side 

EAST ATLANTA NATIVE

Shwung is following