w. Glitch With Friends Volume III samples...

Glitch With Friends Volume III will be releasing on Friday, July 22, absolutely free.

https://www.glitch.cool/projects/glitch-with-friends-samples-vol-3

This is our biggest pack to date, with over 7GB of samples geared towards experimental electronic music, neurofunk, bass music, idm, breakcore, electroacoustic, film post production, game audio, and much more.

Do NOT miss this!!!!!!!

Sound contributors include:
@Abroxis
@glorky
@hlessimusic
@i_heavyhearted
@jimkimchi
@man-from-sol
@meiisounds
@NuanSonar
@oddlogic
@soup_lab
@sunnk
@Vaeprism

towaitforher

CHats.#4.work words
Las palabras del trabajo (grabación de campo sin editar)

CHats.#4.work words

Grabado el 21 de julio 2023 en estudio Gitano recs, por Juan Jose Sanchez y Claudio Fernandez Sini

sesion uno

diewö
Voice, Loops & Mouthharp
first published at Plastic Language, NTS Radio, London 2023

diewö

Los vendedores ambulantes configuran un paisaje local de necesidades. Escucharemos aullidos (“voz triste y prolongada”) de perros, de “fierros” oxidados (quizás de los ferrocarriles muertos de los pueblos del interior) y de voces humanas, aullidos de palabras articuladas en los pregones del hambre.

a u l l i d o s


acerca de
Under the name of Salitrera fantasma, which they say is of coincidental origin, the artists Jorge Cabargas Schultz and Claudio Fernández Sini present two tracks recorded during a sound improvisation session. This new collaboration between old acquaintances and experimenters unfolds freely with a series of sounds that usually appear and disappear in the margins of a recording, such as the manipulation of a portable tape player, but which on this occasion remain as one of the recorded sound phenomena. Machines that merge the flow of operational sounds with a constant and slowly evolving tapping. Activation and deactivation of devices, imposed automatisms, manual balancing. Claudio is constantly moving to keep his precarious assemblages, which he calls Ki-jai Sound Operating System (SOS), in shape. As he manipulates them, they lose their balance. Jorge, for his part, improvises long and simple sequences on a drum machine with snare drums or hihats that appear and disappear, creating a sonic script on which the session is ordered.

The name Salitrera fantasma resonates as a gesture that suggests both the ephemeral and the spectral, qualities that seem to be reflected in Jorge and Claudio's improvisation. The abandoned saltpetre mines of the Atacama Desert (Chile) are the ruins of large industrial complexes that once housed entire populations, and where some recent visitors claim to have heard the sounds of machinery in operation... and some ghosts as well.

Tracks 3 through 9 are a selection of SOS recordings that Claudio created by overlaying tape players in various states of integrity, magnets, loudspeakers, and motors. These are unstable sound production and recording systems that force the artist to interact with the machines in a relationship of interdependence. SOS can be seen in action at this link: www.youtube.com/shorts/pRaQoXUvpEY


salitrera fantasma 1

SEI ZU RES - Fugue State

Here is a song "Serpo" from our new album "Prepared Bass C105" that we distributed at the Comic Market 105 event in Tokyo, Japan. Please enjoy.

Aoki Satoru - Serpo - (Prepared Bass C105)
Prepared bass: Aoki Satoru
January 1, 2025 (December 30, 2024) [ TOD 301 ] [ TODA 26 ]

[jp] コミックマーケット 105 で 先行頒布した 新しいアルバム『Prepared Bass C105』からの一曲『Serpo』です。どうぞよろしく。

Here is the link to stream the album.
https://tr.ee/gnu0f6wtqv

[C105] Serpo

"comechingona' es una pieza sonora que intenta exponer las contradicciones de deseos y estigmas históricos relacionados con la mujer y lo femenino: un relato de parto (en la voz de Eliana, una joven mujer descendiente de los Comechingones -aborígenes precolombinos radicados en la provincia de Córdoba, Argentina- nos cuenta sobre su elección de tener su parto bajo la técnica ancestral del Temazcal), gritos victoriosos de mujeres adolescentes en una cancha de voley, un poema infantil entronizando a la maternidad y canciones viejas y actuales que defienden o caen en la trampa de la mujer como deseo.

comechingona

Dedicated to those who oppose.
---------------------------------
Analog bass synthesizer, fretless acoustic bass guitar, unsynchronized loops, two tube amps, breaking glass. Field recording at a demonstration in Berlin, July 2025. All sounds, mixing, and production: Velvet Something Superdark. Image: Police officer using a pain grip during an arrest, Berlin newspaper photo from July 27, 2025, edited by VSS.
---------------------------------
More Resistambient: https://soundcloud.com/velvetsomethingsuperdark/those-were-the-days

La Police

see something, say something, who? me? I can´t see anything. me? I can´t hear anything and and and and and now we present me me me me me me 

originally published  on "müüü", Atemwerft, Augsburg 2014
Remix for Datscha Radio, Berlin 2017

Black Bloc (See something, say something)

todo es música nada es música
   siempre       la              poesía

Silvia Angles 
artista sonora, pianista, experimentadora 
Río Tercero, Córdoba, Argentina

Junto a @juliokaegi en trompeta y accesorios somos AK, un dúo experimental de libre improvisación y poesía sonora
https://soundcloud.com/ak_angles-kaegi?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

a u l l i d o s

sianglés