Tredici Gradi 13

Johnny Nash Sets

Commitment Issues

Miracle kichen

It's been a while so here's something from the snow capped mountains. Peace to you all.

All I Wanna Do Mix

The Obalski & Life Show 46 @radio80000

Running Hot kicked things off this month with some downtempo selections before handing over the reigns to Manuel Darquart for the guest mix. Party-starting house, disco and boogie throughout.

Running Hot Radio w/ Manuel Darquart - November 2021

Mix of the Week #402 is by Lago.  
Follow and include @laaago in your track ID requests

** Out now: "Air Waves" the latest Dream Chimney 12 track compilation. Available on cassette and digital via https://dreamchimney.bandcamp.com/album/air-waves


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Dream Chimney 'Mix of the Week'

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Mix of the Week #402: Lago

Commitment Issues #22 / 80s Hispanic New Wave & Tecnopop / Radio 80000

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

Commitment Issues / Yacht Rock & Soul & music for mellow summer days / Radio 80000

Lyrics

She said sure we can stay friends
I'll hold your hand until the end
Of course I said, as she took, me by the hand, the tallest man she'd ever seen
Understand just how it feels 
Understand just how it feels 
Understand just how it feels 

She said sure we can stay friends
I'll hold your hand until the end
Of course I said, as she took, me by the hand, the tallest man she'd ever seen
She'd Understand just how I feel
She'd Understand just how I feel
Understand just how I feel (X2)

She said sure ill be your friend, ill hold your hand until the end 
Fine i said as i took her by the hand
The tallest man she'd ever seen
She understands just how it feels
Understands just how it feels
Understands just how it feels (X4)

Free Download

Dyrisk & MKJ - The Tallest Man

VIDEO CLIP OUT NOW : http://bit.ly/1Ncqy68 

☞ Booking : ofenbach.booking@gmail.com

☞ Ofenbach FB : www.facebook.com/weareofenbach
☞ Ofenbach SC : @weareofenbach

☞ Brodie Barclay FB : https://www.facebook.com/brodie.dickson.9
☞ Brodie Barclay SC : @brodiebarclay

Mixed by Jesco Lohan
www.jescolohan.com

Ofenbach - You Don't Know Me (feat. Brodie Barclay)

Full video & download available here: http://blrrm.tv/eYLJzX

DJ Muro b2b DJ Nori Boiler Room Tokyo 5th Birthday DJ Set

pre-order: https://jakartarecords-label.bandcamp.com/album/speakthru

Taken off FloFilz forthcoming release on Jakarta Records. "Shinethru" features Norway's finest Ivan Ave. It's a Jakarta ting.
@ivanave
@flofills

FloFilz Feat. Ivan Ave -  Shinethru

Make Me Move

An album's worth of material from an artist carving out his own lane.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=674

Resident Advisor podcast

RA.674 Jonny Nash

Recording of Jonny Nash' set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Jonny Nash at Dekmantel Festival 2019

Mix of all MAT material for HHVmag. 

Jonny Nash & Suzanne Kraft - Knife (from the album "A Heart So White)
Jonny Nash & Teguh Permana - Bumi (forthcoming)
Jonny Nash - Police Bribe (from the album "Eden")
Palta - At Ville (from the album "Universel")
Tourist Kid - Petrol (from the album "Crude Tracer)
Suzanne Kraft - Further (from the album "What You Get For Being Young)
Ingrid Chavez - Light Rays MATstudio remix
D.K. / S.K. - Fade (from the album D.K. / S.K)
Jonny Nash & Suzanne Kraft - Inside (from the album Passive Aggressive)
MATstudio - An Inn For Those Not Permitted (from MATstudio 3)
MATstudio - Maybe This Is Something You Should Think About (from MATstudio 2)
Gigi Masin & Jonny Nash - Untitled (unreleased)

MATmix for HHV Records

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

The Obalski & Life Show 42 @radio80k

Hosting two shows & co-running  @radio80000

Resident at CHARLIE mingling with deep & soulful house and synth driven dance music.

Commitment Issues / Yacht Rock & Soul & music for mellow summer days / Radio 80000

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