"AZRIN"
@zenon-records) / @merkaba-music-1

"XAPHAN" (@x4ph4n)
@zenon-records 

Bookings: bookings@azrin.xyz

AZRIN is a world renowned DJ, producer & musical extraordinaire, who can be found on the industry leading record labels, ZENON RECORDS & MERKABA MUSIC. Having buried himself deep within the psychedelic scene, he bursts to the surface with his own fusion of mind bending, twisted, psygressive; or his spiritually enriching psychedelic chill. No matter the genre, Azrin breaks the mould with his everlasting energy, versatility and creativity behind the decks, showing the masses how deep the rabbit hole really goes!

Performing on stages in Israel, Hungary, Germany, USA, Canada, India, Czech Republic, Turkey, Egypt, Spain, Thailand, Japan, Malaysia & of course Australia. Featured at Australia's largest festivals: Rainbow Serpent, Eclipse Festival, Earthcore, Strawberry Fields and many more... 

Supporting and working alongside psychedelic royalty: Shpongle, Space Tribe, Ace Ventura, Astrix, Michelle Adamson, Lucas, Vini Vici, Perfect Stranger, Raja Ram, Simon Posford, Freedom Fighters, Captain Hook, Tsuyoshi Suzuki, Tryambaka, Ital, Earthling, Ritmo, Protoculture, Zen Mechanics, Neelix, Liquid Soul, Growling Machines, Vibrasphere, Solar Fields, Wrecked Machines, Sensient, Tetrameth, Kalya Scintilla, Desert Dwellers, Kaya Project and more…

Whether it’s his releases, world-wide shows or having created some of Melbourne’s most iconic psychedelic events, Azrin has transformed into something more distinctive, separating him from the rest!

Turn it up!

Releases
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"Azrin & Minimal Criminal V - Deep Dystopia EP"
Universal Tribe Records
2021

"Azrin - Paranoid Delusions"
VA - Primal Source
Quantum Digits Records
2015

"Azrin - Institutional Psychology"
VA - Dusk till Dawn
Jaira Records
2014

"Zibell & Azrin - Virtues of the Fallen"
VA - Intergalactic Jackhammer
Jaira Records
2014

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.


EMILY EMBER is a dancer,  DJ, vocalist and budding music producer/ritual artist known as ‘Spring Jaiah’

Growing up in the bushland of tropical far north-eastern Australia, she spent her twenties travelling the world in pursuit of body-mind healing which revealed the power of practice on intentional dance floors and music can have on community. Since her first event in the area as far back as 2015, in 2021 she founded Ecstatic Dance Cairns, bringing diverse flavours and global rhythms to men and women, through full bodied emotional and danceable journeys moving the FNQ region ever since. She is also a somatic-psychology/BA Psych/Couns student, shamanic practitioner and servant of creating and facilitating safe spaces for self and community transformation.

Some of her music flavours explored in 2025 include afro beats, world, global bass, drum and bass/jungle, melodic & ethnic house plus many more… in effort of fusing sounds from all across the world, from the Africas to the Andes, Bristol to Berlin and beyond in cathartic ritual ecstasy.

Everything Emily does is to serve re-connection of earth-wisdom and sacred remembrance.

Contact: springjaiah@gmail.com

Australian DJ, beat-maker, keyboardist, & riddim specialist. 

Loves the Caribbean. Worships the bassline.

ALBUM OUT NOW: http://www.bornaking.com/

Tribal Alchemy infuses the beauty and spiritual impact of traditional tribal music within modern Bass music. Incorporating tribal instrumentation and polyrhythms that take the listener and dancer on a journey deep into their genetic lineage and brings out lost elements within our psyches. A journey to all reaches of the planet and through time. 
Tribal Alchemy is the Bass project of Will Lockton. His diverse musical talents are encapsulated across each of his projects, including Sacred Alchemy (https://soundcloud.com/sacredalchemy) and MountainGoat (https://soundcloud.com/mountaingoathippy).

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Afro Diaspora and Ecstatic Dance DJ based in Thailand+Amsterdam and playing internationally.

Pai Thailand gigs:
Dec 7 Afro Tribal @Secret Garden
Dec 13  Afro Ecstatic Dance @Dreamscape

Ko PhaNgan mid December:
http://africanpartykpg.com 

Amapiano, Ancestral Afro-House, Afro-Brazilian, Afro-Latin, Funk, Soul, Tribal, Afro-Folk, Dancehall, R&B, and other music from the African Diaspora.

As an Ecstatic Dance Activist and Mentor, my mission is to Deepen the dance experience, Grow and diversify the community, and support the organizers and teams.

I'm inspired by growing up in a multi-cultural family, playing classical piano for 7 years, life-long dancing and music-collecting, 20 years of traveling, and an extensive study, practice, and teaching of tantric yoga, personal development and conscious business.

I weave traditional, popular, organic and electronic music from cultures and ethnic groups around the world into dance journeys that invoke the mystic, the lover and the animal within us.  

Remix requests and bookings in Europe and Austral-Asia : PM or IG


 "Joy, Embodiment and Connection through Dance"

Solomon’s journey as a DJ and music collector spans overs 24 years, since he discovered electronic music and mixing equipment at the sweet age of 16. In this time he has travelled extensively the east coast of Australia sharing his magic with festival dance floors. His experience shines through in the way he creates almost seamless musical journeys, and consistently brings new sounds to the dance floor.  Since discovering ecstatic dance many years ago, he has opened his heart to the world of dance as medicine. Over the last two years, his focus has been more so on exploring this new found passion and refining his skills to craft very intentional musical treats. A recent highlight was sharing ecstatic dance on main stage at NZ Spirit Festival 2019.  He is excited to be part of Dance Tribe FNQ, both as a DJ and as a lover of exploration through movement and dance.  The intention for these Ecstatic Dance events is to create a form of ritual, a release, an explosion of vibes, joy and freedom, and a celebration of life and what it means to be human.

kulitude is following