Magda is amongst the most high-profile and in demand artists, having proven herself as a consistent, adventurous and exceptional performer, with a knack for bringing music together in unexpected ways.
Magda's realm as an artist pans far beyond the typical role of DJ and producer. With an open mind, Magda will try her hand at whatever feels right – from music technology collaborations and events to producing premium Tequila - creating a truly unique, multifaceted expression of herself.
Born in Poland and raised in Detroit, Magda discovered beauty and inspiration in Detroit’s raw urban landscape. In 1998, she joined the Minus label and began touring as Richie Hawtin's main DJ.
Since her first international tour in 2003, Magda established herself globally as an artist known for pushing musical boundaries and expressing her unique style. She released her forward-thinking DJ mix album 'She's A Dancing Machine' in 2006, followed by her debut artist album ‘From The Fallen Page’ in 2010 among other single releases. Magda’s remix work includes Plastikman and Depeche Mode and DJ mix albums for Fabric, Balance, as well as a BBC Radio 1 Essential Mix, among others.
In 2006, Magda established the Items & Things label and booking agency with Troy Pierce and Marc Houle.
In 2017, she launched the Perm event series in Berlin. Sitting pretty at the crossroads between art and club culture, Perm was a collective initiated by Magda and established in the name of artistic cross-pollination with a very strong multimedia aesthetic. Guests included Atom TM, Burnt Friedman, Jan Jelinek, and Cristian Vogel.
Recently, Magda has produced and performed alongside T.B. Arthur as Blotter Trax. The Blotter Trax live show combines modular synthesis, live improvisation and rhythmic exploration. Performance highlights have included live audio- visual duets with video artist Lillevan (Morton Subotnick, Christian Fennesz) and a recent club tour of Japan which saw the duo performing live and transitioning into Magda’s signature DJ sets.

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Sid Raval is following