His music has been played internationally by several ensembles and soloists, including: The Riot Ensemble (UK), Quartetto Prometeo (Italy),  Latvian Radio Choir, Zeitfluss Ensemble (Austria), Platypus Ensemble (Austria), Ensemble Aleph (France), Ensemble Aventure (Germany), Ensemble Chromoson (Austria/Italia), Ensemble XX Jahrhundert (Austria), East Coast Contemporary Ensemble (USA), Duo Dillon-Torquati (Italy), Divertimento Ensemble (Italy), Rhythm Method Quartet (USA), Mise-En Ensemble (USA), L’arsenale Ensemble (Italy), Ensemble Reconsil (Austria), Antico Moderno Ensemble (USA), Richard Craig (UK), Haydée Schvartz (Argentina), Satoko Inoue (Japan), Nuntempe Ensamble (Argentina) and Ensamble Tropi (Argentina).
Also his music has been played at international music series and festivals like Tage für Neue Musik (Zürich, 2012); Wiener Konzerthaus (2017); MATA Festival (NYC, 2016), Spoleto Festival USA (Charleston, 2017); Gustav Mahler Music Weeks (Dobbiaco, 2018); New Directions Festival (Sweden, 2014); Dark Music Days (Iceland, 2018); music@villaromana (Firenze, 2018); Musica in Prossimità (Pinerolo, 2022); Mise-en Festival (NYC, 2018); Forum Wallis (Switzerland, 2019); “XXIII Festival Internacional de Música Contemporánea de la Habana” (Cuba, 2009); musica aperta series (Winterthur, 2011); L’Imaginaire Festival (Strasbourg, 2013); Music Current (Ireland, 2021); Teatro Argentino de La Plata (2012); Bahia Actual (Argentina, 2016); Pu Joa Jornadas de Música Nueva (Paraguay, 2017); Teatro SODRE concert series (Montevideo, 2009);  Mínimo un Lunes (Buenos Aires, 2022); Festival Guitarras del Mundo (Argentina, 2017), among others.
Selected ‘Composer in Residence’ at the Artists in Residence Programm organized by the Austrian Federal Chancellery (Bundeskanzleramt Österreich) in cooperation with the KKA (Kultur Kontakt Austria) for 2016.

Awarded with the Civitella Ranieri Foundation Fellowship (for 2022, Italy) and the Fromm Foundation Composers Fellowship (USA, 2020).

He was selected Composer in Residence by The Riot Ensemble (UK) for the year 2015.

From 2007 to 2014 he worked as Assistant in Composition with Mariano Etkin at the National University of La Plata.

He received the “Diploma di Merito“ at Accademia Musicale Chigiana in 2014, award given by Salvatore Sciarrino.

Invited as guest professor and composer at the festival Pu Joa (Paraguay) on years 2016 and 2017.

Born in Argentina, growing up in Choele Choel.
Composition studies with Mariano Etkin, María Cecilia Villanueva and Salvatore Sciarrino. 

In the framework of different workshops, fellowships, residences and festivals for composers he attended classes with Salvatore Sciarrino, Georg Friedrich Haas, Linda Catlin Smith, Stefano Gervasoni, Tristan Murail, Michael Jarrell, David Lang, Joshua Fineberg, Lee Hyla, Michaël Lévinas, -and Toivo Tulev, among others.

Eva Leonie Fegers is a musician living in Vienna – recorder and renaissance-traverso player, singer, music teacher and artistically creative artist.

Born in 1987 in Mönchengladbach (Germany), she discovered her passion for music very early: She received her first recorder lessons at the age of five. She studied recorder and music education with Dorothee Oberlinger, Mozarteum, Salzburg, Bart Coen and Bart Spanhove, LUCA School of Arts, Leuven and Carsten Eckert, University of Music and Performing Arts, Vienna. In addition, she also studied classical singing with Otto Rastbichler and Traverso with Gertraud Wimmer. She graduated all her studies with distinction.
Eva Leonie Fegers has won prizes at numerous competitions, including the first prize at the Moeck/SRP Solo Recorder Playing Competition in 2011 and the third prize along with a ‘Förderpreis’ at the 15th International Music Competition OSAKA. In addition, she has been supported by the Nordrheinwestfälischen Sparkassen, the Senioren-Union NRW, the Manfred Vetter-Stiftung, and has received the Zonta Musikpreis. She is a member of the Austrian broadcaster Ö1’s young talent scheme.
Eva Leonie Fegers has a strong commitment to chamber music and is a member of several early and contemporary music ensembles. She is a member of various ensembles for early music, contemporary music and soundperformance, including opia, Organic Opera, Duo F/F and Meta & Magnet.
She has performed with ensembles such as the Hofkapelle Münich, Ensemble 1700, La Folia Barockorchester, Synchron Stage Orchestra and the Tonkünstlerorchester Niederösterreich.
In addition, she gave concerts at numerous festivals, for instance the Porto Frank Fest (UKR), Festival Grafenegg (AUT), Wien Modern (AUT), Festival for Early Music Knechtsteden (GER), Bach-Festival Arnstadt (GER) and the Royal Greenwich International Early Music Festival (UK). She has performed live at the German and Austrian radio stations Bayrischer Rundfunk and Ö1. 
Eva Leonie Fegers has taken part in masterclasses with, amongst others, Walter van Hauwe, Han Tol, Paul Leenhouts, Lorenzo Cavasanti, Kees Boeke, Matthias Weilenmann, Reinhard Goebel and Trevor Pinnock.
The teaching of music and the enthusiasm for the recorder are very important to Eva Leonie Fegers: In addition to her teaching activities, she also holds workshops on contemporary music with a recorder.

I will keep on being the same man I was on 12th of March, 1975: I refuse Universal studios linked to Tbilisi radio (Bieloru, Georgi ex-USSR etc), and majors as Sony, Warner, BMG, EMI, etc, since I am birthed for I don't make noise and baseness. I have soon told this. I act my thought decisions, to be independant.
Vous remarquerez que cette page est une preuve de plus que je n'ai pas le temps de m'occuper du bruit, et ce, depuis un temps phénoménal: je ne sais quasiment rien de la laideur et ne veux pas y mettre le nez.
Now you know this, you can notice you are in the good page for my musical works: I have no identitary problem, as the schize of metis peoples does not exist.
Then, you know I am who I have decided to be, and you identify me very well: I am not an Alien in New-York, I am a self-made man in Dijon-Europa, and I don't care about propagandae and hawkings.
Je ne suis ni un label, ni un studio d'enregistrement public, ni une multinationale, ne suis pas franchisé: je ne produis que moi-même et n'édite que moi-même (auto-production et auto-édition).
Je tiens à préciser que lorsque je fais des citations de certaines musiques pré-existantes, je n'en ai fait que des citations dans des compositions personnelles et ai déclarées lesdites citations à la SACEM lors de mon dépôt légal en tant qu'Auteur-Compositeur adhérent à la SACEM depuis 1996 (de mémoire), ainsi les Droits d'Auteur.e afférents à d'autres Auteur.e.s-Compositeur.trice.s et Sociétés d'Edition(s) éventuelles sont respectés tel que dans les Bulletins de Déclaration titre par titre afférents et efférents, répartis directement à qui de Droit par la SACEM. Tout ce que je fais est légal et déclaré, et je suis ce que l'on peut dire, un "self-made man à la française" ou "à l'européenne". Je tiens à le préciser ici pour que personne ne puisse prétendre avoir pris exemple sur moi en diffusant des musiques et/ou textes sans en avoir le ou les Droits puisque ce n'est pas mon cas: je le redis, tout ce que je fais est légal et déclaré (SACEM/SACD/SGDL/SDRM/ADAGP/etc).
http://crdmuka.studio/C.V._nirmel-mouchiquel.html
Nirmel M: plus de 500 concerts entre 1992 et 2012 (Take Five, Mozg, Ratatouille Quintet, Bilbokets Ska-jazz Band, Orchestre Philharmonique de Dijon, Grave De Jazz, Cobra Jazz Dance, renforts classiques dans divers orchestres, etc) dont un concert dans le groupe 'Take Five' le 31 mars 1994 au Théâtre de Beaune (BFC) retransmis par RCF-Radio Parabole; a été deux années Président de l'Orchestre Philharmonique de Dijon; plus de 300 compositions, pratique les musiques classique, contemporaine, rock progressif, jazz et ska-jazz à la clarinette et la clarinette basse; 2° Prix à l'Unanimité du Jury au Concours International de l'Union des Femmes Artistes Musiciennes en 1993; numéro 2 des charts aux USA dans les domaines de la musique classique et du jazz pendant 4 ans dans Internet;
en auto-édition et auto-production; poète, philosophe, acousticien;
21 disques produits et auto-produits dont "la Fin de Satan";
a inventé le style de musique "électrométis" à base de deux découvertes mathématiques solfégiques; travaille sur NirML, projet de microprocesseur sans semi-conducteurs et sur SoundLine, projet de logiciel audio fait pour des compositeurs.trices et pour les  sciences de l'acoustique, sans limite en précision de calculs; a inventé en mars 2024 la Fugue vidéo et le contrepoint vidéo;
Travailleur  Indépendant;
ne prend pas de commandes.
Outre les auto-produits, l'on peut citer dans les auto-éditions MNM Editions:
- Tome 1 "Traité d'Acoustique"
- Tome 2 "Traité d'Acoustique"
- Tome 3 "Esthétique"
et le Tome 4 à paraître contenant de nouveaux inédits.
Merlin Productions/Studio Karnatic'/MNM Editions (Entreprise Individuelle - Travailleur Indépendant) existe depuis octobre 1996, CRDMuKa en est une première partie extensive depuis octobre 2022, mp2f[x] / mp2fx.quest en est une deuxième partie extensive depuis novembre 2023.
https://muziquemagazine.com/nirmel-mouchiquel-talks-about-his-craft-sense-of-style-and-more/ ;
https://www.fashionpani.online/2023/03/nirmel-mouchiquel-a-talented-artist.html#
https://www.blackbirdnews.com/nirmel-mouchiquel-marcillac-video-clips-in-classical-and-eletrometis-music/
RSS link for 'feeder' application for Google Chrome: https://feeds.soundcloud.com/users/soundcloud:users:45725880/sounds.rss ;
https://goo.gl/maps/hvUuxCUz1L4sB6kWA ;
contemporary dance on a mine fugua FIRST DANCE ACT WITH ELECTRoMETIS-CLASSIC STYLE:
https://www.tiktok.com/@babyk1tti3/video/7280114202797149473?_r=1&_t=8fn01bmW3A8 ;
Electrometis Dance and Music with 1ST VIDEO CONTRAPUNCTUS IN VIDEO-CLIP in co-production with @BabyK1tti3 Jessica Spagnuolo mars 2024: 
https://https://www.dailymotion.com/video/x8w21j0 ;
1er CLIP-VIDEO SUR DE LA MUSIQUE CLASSIQUE DANS L'HISTOIRE DE L'ART ET DU CINEMA: https://ventsmagazine.com/2023/05/07/nirmel-mouchiquel-marcillac-electromusic-jazz-and-classical-style-a-new-added-activity/ .

viola solo combined with natural and mechanical sounds

Organic Opera
Eva Leonie Fegers - recorder, flute, voice
Tiago Leal - Lute, Theorbo
Lukas Frank - harpsichord, organ
Organic Opera, founded in 2016, unites musicians in search of a homogeneous and colourful sound. The ensemble members Eva Leonie Fegers, recorder and soprano, Lukas Frank, organ and harpsichord, Tiago Xiera Leal and the guests Clément Gester, cornetto and recorder and Fabio Kapeller, percussion. The musicians are as diverse as their countries of origin: Austria, France, Germany and Portugal. The musicians got to know each other during their studies at the University of Music and Performing Arts Vienna and the Schola Cantorum Basiliensis, where they received basic musical impulses from Jörg-Andreas Bötticher, Augusta Campagne and Carsten Eckert. ORGANIC OPERA currently focuses on the music of the 16th and 17th centuries. An era in which austere, contrapuntal compositions of the Renaissance increasingly merge with the freer, affective aesthetics of early baroque opera. In addition to the interpretation of original literature from Italy, England and the Netherlands, the ensemble is also dedicated to arrangements in the style of Baroque music makers: flowing boundaries between interpretation, improvisation and composing.

Followers of Sieglinde Größinger