Circles

Circles (Extended Mix)

no-one is free until everyone is free 🍉

When he was 14 he bought his first Techno CD from Bonzai Records.
This style of music inspired Alexsis that much that he was infected from that time on.

In the year 1995 he bought his first record player and started to mix his own Techno Music in private.

1997-2002 he made music at private party's.

After a long break he started again and more professional.he bought all the professional gear needed and started producing at his own Homestudio for himself.
--news are on Stimulanz too,and all other..................

Bookings: bookings@undrsiege.com
Management: mgmt@undrsiege.com

Siege's connection with music runs deep. As a child he was drawn to sound for as long as he can remember. Piano lessons gave him a formal start, but electronic music quickly took over. The energy of eurotrance and the possibilities of sound design opened a new world.

Turntables soon followed. DJing was a way to share that passion, but it wasn't enough. He wanted recognition for the music itself, to create something of his own, so producing became the natural step. Over time this grew into a sound shaped by house, techno and trance, with the drive of techno, the groove of house and the melodies of trance when the track allows for them.

A defining moment came with Crunk, a rework of Mary J. Blige's "Family Affair," released on Azuli. After being swept up in an EDM wave that never felt right, this marked a return to his roots. From there his music began gaining support across the spectrum, from undrground pillars like Carl Cox and Adam Beyer to more mainstream figures such as Tiësto and David Guetta, with consistent backing from BBC Radio 1 selectors including Danny Howard and Pete Tong. Gigs grew in scale, with Tomorrowland's DreamVille stage standing out as a breakthrough, born from a simple email to the festival founder that led to a performance for thousands. His tracks went on to find a home on Toolroom, Saved and Truesoul, while shows took him from Tomorrowland to Eden Ibiza and Studio 338 in London.

Even when life pulled him away from the stage, music stayed close. Coming back was never a question of if, only when. The focus now is simple: make music, and build from there.