wobbley

I'm working on a tech house track and will share it with you before release. Probably not the final version. Not yet.

Can't Stop Me

Bontan - Bernaged

Fire Beats Vol. 1 - EP

Siege - Play Me [Nothing Else Matters]

Oscillate (Under No Illusion)

Now Available
https://soundcloud.com/camelphat

Camelphat - Mess With Them

beatport: http://bit.ly/GU2159bp
info: http://bit.ly/GU2159i

Danny Howard - Two Three One (Extended Mix)

Toolroom 15

Capsoul (Original Mix)

BUY HERE: https://www.beatport.com/track/for-those-who-know-davide-squillace-remix/11246378
INSTAGRAM: www.instagram.com/technobible/
FACEBOOK: www.facebook.com/technobible1/

TNT036 - For Those Who Know EP

TB Premiere: Ray Okpara - For Those Who Know (Davide Squillace Remix)[This And That]

II OUT NOW II 

Buy/Stream: lnk.to/HXT032

Toolroom’s Dateless joins up with Jamie Jones’ Hottrax this November with three upbeat cuts entitled ‘Shoes On EP’ including a remix from Hot Creations’ Bontan.

In recent years Dateless has steadily emerged onto the house music scene with sought-after releases on Food Music, Dirtybird, Riva Starr’s Snatch! and many more. He’s garnered support from the likes of BBC Radio 1 DJs Danny Howard and Annie Nightingale, as well as appearing on line-ups with Green Velvet, Claude VonStroke and Shiba San. He now joins the Hottrax family with his ‘Shoes On EP’ following the likes of Kevin Knapp, Patrick Topping, Waze & Odyssey and label boss Jamie Jones. UK based artist Bontan puts his signature sound to an engaging remix after previous outings on Crosstown Rebels and Circus Recordings.

‘Shoes On Please’ provides dashing kick drums with fluid basslines bouncing off layered elegantly with an attractive vocal line undulating throughout. Bontan’s remix of ‘Shoes On Please’ offers delightful atmospheres with emotive synth melodies, fluid percussion and enchanting breakdowns. ‘Who Are We’ then finishes things off with playful, tribal drums balanced with dazzling rhythmic stabs and euphonious flutters.

https://www.facebook.com/hottraxlabel/ https://www.facebook.com/DatelessMusicOfficial/ https://www.facebook.com/BontanUK/

Tracklist:

1. Shoes On Please 
2. Shoes On Please (Bontan Remix) 
3. Who Are We

Dateless - Shoes On Please (Bontan Remix)

Label boss Hannah Wants is welcomed back to own imprint, Etiquette, this summer with a brand new collab EP joining forces with label favourite, Eskuche, to deliver 'The ISH' EP. With combined releases on highly respected labels including Hot Creations, Repopulate Mars, Toolroom, elrow, Sola and Brock Wild, this dynamic duo combine their production prowess and the result is nothing less than pure fire. 'The ISH' EP is truly reflective of both Hannah's and Max's unique sound; adopting rolling pulsations, piercing synth patterns, powerful basslines, infectious drum grooves, warped vocals and thumping tones to create an effervescent atmosphere throughouLabel boss Hannah Wants is welcomed back to own imprint, Etiquette, this summer with a brand new collab EP joining forces with label favourite, Eskuche, to deliver 'The ISH' EP. With combined releases on highly respected labels including Hot Creations, Repopulate Mars, Toolroom, elrow, Sola and Brock Wild, this dynamic duo combine their production prowess and the result is nothing less than pure fire. 'The ISH' EP is truly reflective of both Hannah's and Max's unique sound; adopting rolling pulsations, piercing synth patterns, powerful basslines, infectious drum grooves, warped vocals and thumping tones to create an effervescent atmosphere throughout.

The ISH EP

Download / Stream

Hannah Wants & Eskuche - The ISH

Bookings: bookings@undrsiege.com
Management: mgmt@undrsiege.com

Siege's connection with music runs deep. As a child he was drawn to sound for as long as he can remember. Piano lessons gave him a formal start, but electronic music quickly took over. The energy of eurotrance and the possibilities of sound design opened a new world.

Turntables soon followed. DJing was a way to share that passion, but it wasn't enough. He wanted recognition for the music itself, to create something of his own, so producing became the natural step. Over time this grew into a sound shaped by house, techno and trance, with the drive of techno, the groove of house and the melodies of trance when the track allows for them.

A defining moment came with Crunk, a rework of Mary J. Blige's "Family Affair," released on Azuli. After being swept up in an EDM wave that never felt right, this marked a return to his roots. From there his music began gaining support across the spectrum, from undrground pillars like Carl Cox and Adam Beyer to more mainstream figures such as Tiësto and David Guetta, with consistent backing from BBC Radio 1 selectors including Danny Howard and Pete Tong. Gigs grew in scale, with Tomorrowland's DreamVille stage standing out as a breakthrough, born from a simple email to the festival founder that led to a performance for thousands. His tracks went on to find a home on Toolroom, Saved and Truesoul, while shows took him from Tomorrowland to Eden Ibiza and Studio 338 in London.

Even when life pulled him away from the stage, music stayed close. Coming back was never a question of if, only when. The focus now is simple: make music, and build from there.