Official page for Eric Prydz, Pryda Recordings, and Mouseville Records.

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

Booking:  jaziks@gmail.com



The Maneken is an outstanding artist working in one of the most trendy music directions – electronic rock. Using musical styles as an “outfit” for creation of his music ideas he made several unique “collections” which have found their fans not only in former CIS countries, but also in Europe and United States. When he first showed up in 2008, DJ’s from Ukrainian radio stations called him “Ukrainian Jamiroquai”. Today his compositions are wonderful combination of modern dance music and the broad of pop-rock culture heritage of the last decades.
Within two years The Maneken traveled half of the world. His concert geography goes from Yuzhno-Sakhalins’k in Russia to Washington DC, Los Angeles, Miami and Puerto Rico. He played on numerous significant events – he was the only Ukrainian artist playing at the Moscow Millionaire Fair 2009, gig at the main stage of Sochi Music Winter Conference  2010, electronic music festival Pure Future in Trakai, Lithuania, Odessa International Film Festival, Kazantip Festival and many others. His first solo concert held on April 16, 2010 in Kyiv, Ukraine, was a blast and just confirmed his reputation of being one of the most progressive artists on the territory of former CIS countries.
From the moment of his appearance The Maneken is cooperating with foreign recording companies. His debut album “First Look” (2009) was released by French label “Somekind Records” and thanks to Virgin Megastore distribution was sold in leading European countries and Japan. The Maneken’s music videos are being rotated on European music channels and on Middle East: Music Box Italy, MTV Baltic, MTV Arabia, Mad TV (Greece), Sola TV (Spain), QTOM (Germany) and thrice were in World Chart Express on MTV European.  
Turning point of The Maneken’s career was meeting German songwriter and movie director Charley Stadler, known for his “Dead Fish” movie with Garry Oldman playing the main character. Acquaintance grew into a friendship and long-term cooperation. As a result Charley wrote most of the lyrics and became a co-producer for The Maneken’s second album “Soulmate Sublime”. Album was released in April 2011 and presented in Kyiv, Moscow and Los Angeles, on May 2 during his promo gig at MUSEXPO-2011 – one of the main musical forums in the world.
Especially for the performance of new material The Maneken gathered the group, transforming from solo artist to an electronic-rock band. 
One of the most significant performance was on June, 14th when The Maneken played as an opening act before Jamiroquai show in Kiev Palace of Sports for 4 000 of people. During the summer of 2011 The Maneken was on tour performed at 54th Biennale at Venice, the biggest electronic festivals of CIS countries such as Global Gathering (Kiev), Kazantip etc. and presented the new album for 2 000 Ukrainian fans at Arena Concert Plaza (Kiev). 
In March of 2012 new single Safe Connection was released. The song is devoted to the problem of AIDS in Ukraine and it became official anthem for the project of the same name that were implemented by Elena Pinchuk ANTIAIDS Foundation. 
At the beginnig of summer The Maneken played at the biggest jazz festival of CIS countries "Usad'ba Jazz" in Moscow and start to work on a new album that is scheduled to release for autumn of 2012.

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

Lost Souls EP: https://lnk.to/LostSoulsEP

Death & Desire (Laidback Luke Remix): https://linktr.ee/knifepartyinc
Lost Souls (Annix Remix): https://lnk.to/LostSoulsAnnixRemix
Ghost Train (Muzzy Remix): https://lnk.to/GhostTrainMuzzyRemix

The future is open wide: Join us at homebase, bassnectar.net
or take a deeper dive on The Other Side for unreleased music, mixes, and more: unlocktheotherside.com

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