Back to Soundcloud to accommodate Falcon's Fluidity Mix, after several weeks on Spotify. Find descriptions and more here: https://goo.gl/7Smfrz

Enlightened Listening for April 27

Release date (vinyl & digital format): 6th of July 2015.

The releases on Curle roughly go anywhere between deep house and solid techno, but Hiver’s deep techno sound is probably what I appreciate most myself if I had to choose. Melodic, floating and based on traditions but without sounding like something you already heard too often, that’s about how I would describe the Italian duo’s second Curle EP. Their first one got played by Sven Väth and Efdemin just to name a few. Hiver hold a residency at Milan’s Dude Club, but in the meantime have played everywhere from Dimensions festival to Panorama Bar.

TRACKLIST
A1. Hiver - Same Mistake Twice
A2. Hiver - Vorticism
B1. Hiver - Out Of Blue
B2. Hiver - Tangerine

http://www.curle.be
http://www.facebook.com/curlerec
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords


Same Mistake Twice EP

Hiver - Same Mistake Twice EP

Atomic

I Don't Share

You Got It (Dexter & Awanto 3 Mix 1)

"#1" by @rebarmusic, featuring the track "#1.1", will be out on January 26th through their own Rebar. More info: bit.ly/Rebar1

Info

Rebar - #1.1

Robert Hood - Paradigm Shift - Vol 3 - Dekmantel (DKMNTL055) 

a1.	Robert Hood - Red Machine
b1.	Robert Hood - Transform

https://shop.dekmantel.com/release/5874/paradigm-shift-vol-3

Following on from the 2017 LP Paradygm Shift by Robert Hood released on Dekmantel Records, the Detroit legend returns to the imprint to deliver the final installment in a trilogy of EP releases that initially began back in February 2016. Now based in Alabama, the Detroit-techno producer is returning to his roots. Embracing the trademark, minimal, funk techno sounds that defined his earlier career, Paradygm Shift Vol. 3 is classic Hood, operating in new, and uncharted ways.

The EP is an extension on the concept as outlayed by Hood during the project’s conceptual stage: ‘‘The idea behind Paradygm Shift is similar to a shift in our focus. We can become so complacent; we are so comfortable with our surroundings, I think this is the time for electronic music to find a new mindset.’’ Kicking off off with ‘Red Machine’, where again parallels can be drawn between the days of Minimal Nation, and Internal Empire – the sound is sparse and brutalistic, representing a challenged future. A progressive melody syncopates along the tracks percussive, backbone, arching its way into the track’s eventual demise. On the B-side, ‘Transform’ provides a composition of stripped, down electro, while taking in the 606 style, and adding additional, textural depth. It’s a track full of subtle melody, and high-ranging claps, that make ‘Transform’ the perfect transitional tool, and standalone floor-filler at the same time.

‘Red Machine’ and ‘Transform’ reflect Hood’s modern take on challenging techno. Meditative in their sequenced repetition, the tracks draw you in with their audacious, and memorizing sequences. It’s contemporary techno, albeit techno that reflects Hood’s style and nature. Pulsating, electrifying, with dark undertones, and very much of that Detroit flavour.

DKMNTL055 // Robert Hood - Paradygm Shift Volume 3

Projections

Rift

#SCFIRST
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I Wanna Know ft. Bea Miller (Pusher Remix)

Stream / Download: https://breakitdown.fanlink.to/neonlovin

Stream/Download

BRYA - Neon (Lovin')

Sharif Laffrey can charm the snake out of any basket. This is his first offering for the ESP Institute. Side A’s 'Tangier' is a long drawn-out exercise, an endurance test of the highest order. Over the span of some thirteen minutes, elements bob and weave intermittently and layers overlap haphazardly—the type of exciting dynamic that's born out of restriction—as if putting down a live jam without enough hands to work the console, yet Sharif perseveres. As touch and go as this arrangement may be, there is something that undoubtedly glues it all in place; the combination of his massive rolling 16th-note baseline and his tough-as-nails drumkit is so good that, upon first listen, we spat out our tea and insisted on its release. On side B, 'Everything Is Nice' carries on with loose arrangement, dirty production and layers of inexplicable spoken-word samples (a Sharif calling card by now) but this time we're lead to a melancholy place, the blue comedown to Side A's antagonistic trial. With his ESP Institute debut, Sharif leaves you mentally unhinged, as if you’ve smoked something interesting and arrived bewildered in some Saharan labyrinth. These two songs will guide you through the medina to score the black meat.

[ESP079] Tangier b/w Everything Is Nice

A1 - Tangier

Lord Of The Isles - W5 Alpha

There was a jigsaw sprawled dismantled across the floor, the pieces were in parts. A thousand dotted pieces each with a formative place in a story waiting to be built. The empty house was quiet during the summer holidays, board games were all that they had to keep themselves entertained. It was an old haunted mansion, busy with the rush and bubble of spirits and ghosts... It was a magnificent puzzle in itself, yet one which you'd not be inclined to explore. In the middle of the countryside, it was easy to become lost. 

Up next on a label very close to home, Insult To Injury, is an EP from Type 303. A rave inspired release drawing upon elements of hardcore and acid, as banging as ever and as destructive on the dancefloor as they come. Here is a remix from Japanese producer Shun, one to watch, as he reworks the lead track 'Thousand Pieces' into bits.

Type 303 - The New Ravelution: Remixed EP

PREMIERE: Type 303 - Thousand Pieces (Shun Remix)[Insult To Injury]

This long awaited cd compilation marks the end of Mark Stewart's 'Warehouse Sessions', with all the tracks in the series re-mastered at Berlin's dubplates and mastering including a bonus, previously unreleased track, 'W6' available for the first time. 

Rift

Silicon Scally

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