benjamin fehr is a producer, dj and labelowner living in berlin.
he is running the catenaccio label.

benjamin fehr,  the berlin based producer, Dj and head honcho of catenaccio records 
is permanently working on the development of "groove noir".

artists like ricardo villalobos, roman fluegel,  falko brocksieper, jay haze, butane, dana ruh,  
or  labelhead benjamin fehr I ffwd are working perfectly together 
towards the definition of "groove noir", which is the final destination of the label. 
basses well under the radar, buzzing sounds, subtle darkness and stumbeling 
grooves grow together to the special irritating and hypnotizing idea of catenaccio, 
that is also brought to you through the special weird artwork of the covers. 
you will find catenaccio tracks in charts and cases of magda, ritchie hawtin, 
dinky, luciano, zip, jeremy caulfield, karotte, mia, chloe, jennifer cardini and many others. 

since 1993 he is working as a dj and artist in lots of clubs and radioshows. 
he was resident in several clubs, like ostklub frankfurt (1997-2000), the institution robert johnson 
club offenbach ("electric circus" with roman flügel, zip, heiko m.s.o. and krystyna, 1999- 
2002), schmalclub (an experimental clubconcept between art, performance and 
music hosted by william forsythe) and the legendary kiosk (frankfurt/m).

numerous national and international bookings followed (like panoramabar/berghain, init, wmf, watergate, 
bar 25, club der visionäre, Kater holzig -all in berlin, Tokyo, pudel club hamburg, sushi bar paris, 
kunsthalle innsbruck, arttheater cologne, arma 17 moscow, harry klein münchen, 
vrstck dortmund and many more). 

after some experiences in running a pirate radio station in frankfurt (with sascha 
benedetti) since 1994, he played regulary in several radioshows (rdl freiburg, dj night 
& twen arena on radio x frankfurt...). from 2004 to 2010 he had his own monthly show that 
was called "catenaccio - the radioshow" on radio x. 

in his adapted home frankfurt am main (while studing arts and grafics) he was an 
activist in organizing illegal parties in hidden places and buildings in frankfurt and 
offenbach. 

in 2002 he run the charming, illegal, one year existing club kiosk (schutzkontakt.com), that 
invited lots of famous and beloved people like ricardo villalobos, zip, roman flügel, 
closer music, akufen, lawrence, luciano, stl, dandy jack, sasse or benno blome in a 
personal and familiar surrounding. 

in 2004 benjamin fehr started his label catenaccio. 

since 2005 benjamin fehr lives and works in berlin.

since 2008 he has a regular "groove noir night" at "club der visionäre",  the best summer 
location in berlin, where he and his guests are going deep into dark electronics.
the small and charming club paloma in berlin is since 2011 also a home of benjamin fehr's 
"groove noir" nights, catenaccio acts & soulmates in music are defining the idea of deep and dark music for ass and mind.

in the last years he produced besides on his own  imprint catenaccio on labels like 
foundsound, brouqade, lowmidhigh lmtd, tic tac toe, nervmusic, adjunct, finefood and many more. 

since 4 years he is working also on his project "the result" that is a coproduction with 
falko brocksieper (sub-static, karloff, contexterrior, tuning spork).
inspired to create a laid back environment between improvisation and restriction, 
the two are exploring ways to join their different views on shared passion for deep, 
dark, organic and abstract techno.


benjamin fehr already released on labels like foundsound, nervmusic, brouqade, 
lomidhigh, eminor, woods'n'bass, frucht, adjunct, false ind., suena hermosa, finefood, mean,
31337 records, tictactoe…..





Seismós is the Psytrance project of artist Daniel Sadrina, based in Frankfurt am Main / Germany.

Alongside his Psytechno project SΔdrina, Daniel blends deep, hypnotic grooves with driving rhythms, creating a powerful energy suited for the advanced dancefloor. He explores the transformative power of various electronic styles and loves redefining music.


Resident and Host of P.U.R.E. (Psychedelic Underground Rave Experience)

Spunton is the project of the two sound-freaks Alexander Weinkamm and Daniel Speckhardt based in Berlin/Germany. Long time ago they started together experimenting and  playing with machines, analog synthesizers and fx-washed field recordings in some dark apartment in the Gallus-Viertel in Frankfurt am Main. Now in Berlin they first show their taste for fine, deep and sometimes totally effekt overloaded electronic music to the world.... Listening to their sound makes you start dreaming and can make you get lost in the space.
Alex is a total sound- and fx-fetishist while  Daniel likes more cleaned up structures and melodies. Together they create a wired and arty style which none of them could work out alone...

more info and MORE SOUND very soon...

Peter Schumann:
SC: https://soundcloud.com/peter-schumann 
FB: https://www.facebook.com/PeterSchumannMusic/
Beatport: https://www.beatport.com/artist/peter-schumann/8886
Spotify: https://open.spotify.com/intl-de/artist/53xUjVBCaTHEXSrFFnup3I
IG: https://www.instagram.com/peter_schumann_kater

BIOGRAPHY:

The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth's electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth's surface and the ionosphere.

Lightning discharges are considered to be the primary natural source of Schumann resonance excitation; lightning channels behave like huge antennas that radiate electromagnetic energy at frequencies below about 100 kHz. These signals are very weak at large distances from the lightning source, but the Earth–ionosphere waveguide behaves like a resonator at ELF frequencies and amplifies the spectral signals from lightning at the resonance frequencies.

The real Earth–ionosphere waveguide is not a perfect electromagnetic resonant cavity. Losses due to finite ionosphere electrical conductivity lower the propagation speed of electromagnetic signals in the cavity, resulting in a resonance frequency that is lower than would be expected in an ideal case, and the observed peaks are wide. In addition, there are a number of horizontal asymmetries – day-night difference in the height of the ionosphere, latitudinal changes in the Earth's magnetic field, sudden ionospheric disturbances, polar cap absorption, variation in the Earth radius of ± 11 km from equator to geographic poles, etc. that produce other effects in the Schumann resonance power spectra.
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Ausgewählte Diskographie
2002 - "Claire" as Audiomat with Marcus Martinez (3d-Records) 
2004 - "Permanent Initio EP" with Benjamin Fehr (Catenaccio) 
2005 - "Ric" - Intercontinental 4 (Traumschallplatten)
2005 - "Delicate Issue" EP (Elster Records)
2005 - "Klartext" Datapunk Rockstars (Datapunk-Ltd.)
2009 - "Mokka" 5 years Stock5 Compilation (Stock5)
2009 - "Up & Away" P.Schumann's Blofeld Edit (Elster-Digital)
2010 - "Limasoul"-MS Elster Rmx (Elster-Digital)
2010 - "Delete One Day Of Your Life! EP (Platte-International)
2010 - "Pink Pills For Pale People" EP (Platte-International)
2011 - "French Monkey" Rmx (Kurzstrecken-Musik)
2012 - "Schoolyard" w/ Benjamin Fehr Rmx (Bluecode)
2013 - "Toulouse Lotrack" w/ Kareem (Katermukke)
2013 - "Bastard Child of House" (Platte-International)
2014 - "Drifting & Afternoon Island" RMX Zuckermann (Lebensfreude) 
2014 - "Dolphins In The Space Caravan" RMX Matt John (Bar25) 
2014 - "Illusions" RMX Ed Ed (Moodmusic)
2018 - "Super G" (Platte International)
2018 - "This place is gone" by Breger (Peter Schumann Remix)  (Copycat)
2019 - "North Scapes" by Bardia Salour ( Peter Schumann's LSD25 Restyle) (Bunte Kuh)
2019 - "Rigel" by Lilly & Kazan (Peter Schumann Restyle)(no one's lost)
2020 - "Rise" (Kiosk-I.D.)
2020 - "Noah" EP w/ M.A. (highway records)
2020 - "Roman IV" (Kiosk I.D.)
2022 - "Deeper Conversations"EP (Sound Of Berlin)
2023 - "Lipstick"EP w/ M.A. (Sit down recordings)
2023 - "Baba EP" w/ Coss incl. Audiojack Remix (Kiosk I.D.)
2024 - "Hippie Trippy" w/ Coss (Betonstrand)
2024 - "Baiocchi" w/ Coss (Betonstrand)
2024 - "The Islands" Abum w/ Coss (Kiosk I.D.)
2024 - "Crown Call" w/ Coss (Neongrau)

Thomas Scheffel started 1988 as a Bassist in within a group of friends during his professional education. 1990 his first synthesizer - a Casio CZ-5000 - finds a place in his room. From now on the direction was clear. Very soon a computer and various sound generating devices completed his equipment to manifest his musical style between Techno, House, Jazz and Breakbeat and up to symphonic orchestral sounds. He produced soundtracks for computer games and movies, developed long running jingles for the legendary radio station "Evosonic" and even produces some custom-made VST-instruments and audio effects for own purposes. Historically valuable are his performances as a MC at party's and After Hours. ;-D … In 2005, he founded the small recordlabel Elster-Records, together with Andreas Bruennecke.
                Without auxesis you can say that his studio is his home.

                Thomas Scheffel startete 1988 in einer Lehrlingsband als Bassgitarrist, um sich 1990 seinen ersten Synthesizer - einen Casio CZ-5000 - an Land zu ziehen. Die Laufrichtung war klar: der PC und diverse Klangerzeuger kamen dazu, um schließlich seine musikalischen Koordinaten zwischen Techno, House, Jazz und Breakbeat, bis hin zu symphonisch orchestralem Sound, zu manifestieren. Er entwickelte Soundtracks für Spiele und Filme, produzierte langzeitig rotierende Jingles für den damals legendären Radiosender „Evosonic“, und entwarf sogar für eigene Zwecke maßgeschneiderte VST-Synthesizer und Audioeffekte. Als geschichtsträchtig dürfen gern seine diversen MC-Auftritte bei Party..s und Afterhours gewertet werden ;-D... Zusammen mit Andreas Brünnecke gründete er 2005 das kleine Plattenlabel Elster-Records.
                Es kann ohne Übertreibung behauptet werden, daß sein Studio sein Zuhause ist. 

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