All Is Here

Oblique @ Furka Radio x OKOK temporary space - 10.01.26

Live Freestyle in Zürich. 

Moog MInitaur
Analog RYTM
Digitone II
Modular
Blackbox
MFB 522
Beatstep Pro
SH-01A
Effects

DJRM Live at NO SMOKING release (2-2=0)

Shadow Verse w/ i-sha [04.02.26]

Czarnagora w/ mateus leal (I.C.H. / Vague Visions) @ Furka Radio - 26.02.26


      Played & Recorded at Studio by Bassinä
      
      ┈┈┈┈․° ☣ °․┈┈┈┈
      
      freeminded non-commercial music diffusion
      www.radio-bollwerk.ch
      

Bassinä | Portes Noires  - Radio Bollwerk - 28.02.2026

First Track of the EP which is coming soon 

first  Release enjoy 

Collage by myself with a postmark from Haiti and a painting of the art movement Saint soleil in Haiti 
inspired by different sounds and patterns I intepreted a way of trip hop. After long time in the studio its finally time to share my projects with the web. not there where I want to be but its a start and timestamp of my current progress 

the track will be available on bandcamp in a minute so check the info frequently 

I send to all people a lots of energy in this tuff time, take care of yourself and your friends <3 

Fre c'est froid

MeanField Mutation is a thermodynamic phenomenon occurring just below the vaporization point of voracious growth. It relies on the debris of false and almost forgotten narratives. Astral residue of consumer angst, echoes of obsolete newspeak and oscillations of promotional imbecilities collide with free floating particles hovering under the radar of the megamachine. In steady intervals, this results in a meltdown producing random waves of reconfigurations driven by cryptic but sanguine naivety.

Released on Lustpoderosa, Mean FieldMutation is the first musical output by Des Coda. Written and produced by Piero Mirio Scherer during the pandemic winter of 2021 in his bedroom studio in Zurich. Moving between playful serenity and feral distortion, it was produced by layering sounds from field recordings, radio and TV clips, as well as sequences from drum machines and analogue synthesizers on a four-track tape recorder, and mangling them over time. Taking a stance against commercial copyright, all stems of this production are available for download free of charge and ready to be reappropriated.

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All tracks can be edited and changed, and if modified and altered, they may be considered copyright-free. We would greatly appreciate it if you could provide proper attribution and credit to the samples used by linking to Lustpoderosa and Des Coda. Your support in acknowledging their contributions means a lot to us.

Please keep in mind that copyright laws can differ across jurisdictions, so it's crucial to familiarize yourself with the specific regulations in your region to ensure compliance.

drive.google.com/drive/folders/13TM4SjyV4FbqDDvDB72I4wnn-_PH8QoJ

BANDCAMP

*SNIPPETS* VINYL RELEASE LPDR019 - DES CODA - Mean Field Mutation LP OUT 27.03.2026

A unique dip into the musical history of Ukraine with archival label Shukai, journeying back to the ‘90s, playing music from documentaries, sci-fi films, obscure cartoons and late-night music programming, curated by Dmytro Nikolaienko, Dmytro Prutkin and Alec Tsapenko.

From the host: _"A journey through Estonian film music (1967–1986) — from orchestral scores and jazz-infused soundtracks to early electronic experiments. Featuring works by Sven Grünberg, Raimo Kangro, Rein Rannap, and others, written for Estonian, Ukrainian, and Polish films, animation, and television."_ 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/shukai/episodes/shukai-11th-march-2026

SHUKAI - Estonian film music 1967–1986 110326

It has been twenty-five years since the seismic events of 2001—when twin towers collapsed under terrorist attack and Coventry's sonic insurgent Russell Haswell launched his inaugural salvo on the original Mego label with Live Salvage 1997–2000. The intervening era has delivered unrelenting turbulence: protracted wars, institutional corruption, a global pandemic, the resurgence of fascist currents, rampant media distortion, and omnipresent surveillance. For Haswell, a lifelong admirer of 1970s and 1980s dystopian cinema, the verdict is unequivocal: "Science Fiction is now!"

In the face of this darkening reality, LET IT GO arrives as both acknowledgment and antidote. This new full-length on Editions Mego extends an olive branch through defiant sonic diversity—an unpredictable mosaic that embraces everything from propulsive rhythms to radical abstraction and enveloping ambience. True to Haswell's core practice, the material draws from the same tactile, free-improvised electroacoustic framework that powers his live sets: immediate, powerful and unscripted.

The album weaves reverent echoes of 1990s Detroit techno's hypnotic pulse and the abrasive, metallic edge of the Birmingham sound into fractured generative territories. Haswell returns to his computer-generated origins while integrating his recent modular-synthesis experiments. During a residency at the Bergen Centre for Electronic Arts (BEK) in Norway, he harnessed the latest GRM Tools suite to conjure the volatile, "rapidly fluctuating pitched sounds" that characterized Iannis Xenakis' late electronic works—resulting in pieces such as Fall 3 and Fall 2, where instability becomes a form of vitality. The tracks Exit Downwards and The Anxieties Of Our Time whilst reflecting the currents of the release also offer surprisingly melodic patterns over jagged rhythms. The wryly titled Thu 25 Dec 2025, (recorded in Glasgow after a solitary post-Christmas-lunch walk home) is a vast drone which evolves according to the random walk model—known more evocatively as the drunken walk—each sonic step veering unpredictably, mirroring the disoriented lens of contemporary existence.

LET IT GO  is liberation. Amid the cacophony of crumbling certainties, Haswell deploys a full arsenal of resistance: kinetic drive, disorienting rupture, quiet refuge, raw aggression, and tentative hope. In an age where dystopia has shifted from fiction to lived fact, this music asserts that possibility endures.

Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Composers Desktop Project, Cwejman, Epoch Modular, FANCYYYYY Synthesis, FORGE-TME, Future Sound Systems, ina/GRM, iZotope, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waves, Zynaptiq ...

Produced, Edited & Mastered by Russell Haswell in Glasgow, 2025-2026.

All Is Here

Silvan Nicca