Silverstein

NOT MY MUSIC ALL CREDITS GO TO ADAM FULLER AND EVERYONE WHO ASSOCIATES WITH GHOST RUNNER ON THIRD

Ghost Runner on Third - The Griz

Juturna

The Great Golden Baby

Always Getting What You Want

Holding Someone's Hair Back

Jump over the Moon (Written by Robin)

You better shoot the star and jump over the moon
You better shoot the star and jump over the moon
Jump, jump

I'm just crawling along
You ask me how to walk
I just learned to walk
You ask me how to run
I'm just running along
You ask me how to jump
I just learned to jump
Should I jump over the moon

Everyone's going home
I want to stay a bit long
Everyone's being good
I just want to be my own
Everything you tell me
I know I don't follow
Every time I follow
You want me to say I know

You better shoot the star and jump over the moon
I'm going on my own way

I'm just not ready yet
I'm just not ready yet
I'm going on my own way
I'm just not ready yet
I'm just not ready yet
I'm going on my own way

Jump over the Moon

Speak Your Dreams

Waiting

This Side of Brightness

When Broken Is Easily Fixed

Last Days Of Summer

November

Smashed Into Pieces

Giving Up

Red Light Pledge

For the past two decades, Silverstein have relentlessly pushed themselves to become the best version of the band for both themselves and their fans. That determination has led the Ontario-based five-piece from their underground roots to becoming one of the most influential bands in their scene, playing two thousand-plus shows all over the globe, and selling over a million records. Now Silverstein are celebrating their 20th anniversary with the release of their 9th, and perhaps strongest album to date: A Beautiful Place To Drown. 

While many bands would take their 20-year anniversary as an opportunity to rest on the laurels of nostalgia, Silverstein (vocalist Shane Told, guitarists Paul Marc Rousseau and Josh Bradford, bassist Billy Hamilton, and drummer Paul Koehler) see the landmark as a time to appreciate how far they’ve come, while also channeling all those years of experience into something new. A Beautiful Place To Drown finds the band deftly balancing their core sound—an intensely dynamic mix of melody and aggression, rooted in the energy of hardcore punk and the unabashed earnestness of emo—with their natural growth as songwriters and evolving inspirations.

Giving Up

SilversteinMusic

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