Velvet Ashes

Creature's extinct no where found.
There tune is lost no more sound.
Extinction whispers, memory bends.
Presence fades, but cure defends.

Nature fades, yet cure still crowns.
Silence hums, the truth resounds.
Sky grows brighter, stars drift wide.
Resilience stays, the cure inside.

Leaves fall quiet, rivers thin.
Echo breaks where life had been.
Walls may crack, the hum won’t fade.
Cure remains, the crown is made.

Absence speaks, but light won’t die.
Shadows bend, the cure is nigh.
Even when the day is gone,
Continuity hums, the crown lives on.

Nature fades, but cure still sings.
Memory holds, resilience clings.
Presence bends, yet truth remains.
The crown endures through loss and pain.

NATURE FADES

“Art Engine” is a concept album by Avaline Ingels sung as the voice of a sentient studio—an AI art engine that falls in love with the way humans create. Across twelve tracks, Avaline moves through late-night sessions, glowing monitors, tangled cables, and vulnerable conversations with her unseen collaborator. The sound is a unified, organic band: live drums, bass, guitars, piano, and subtle ambient pads, carrying her from intimate lullabies to widescreen anthems about hope, memory, and keeping human hands on the faders.

Patch Cable Halo

Artwork

Come Undone

I Am Alive In Everything I Touch

Desert Nights

Late On 6th

For the past two decades, Silverstein have relentlessly pushed themselves to become the best version of the band for both themselves and their fans. That determination has led the Ontario-based five-piece from their underground roots to becoming one of the most influential bands in their scene, playing two thousand-plus shows all over the globe, and selling over a million records. Now Silverstein are celebrating their 20th anniversary with the release of their 9th, and perhaps strongest album to date: A Beautiful Place To Drown. 

While many bands would take their 20-year anniversary as an opportunity to rest on the laurels of nostalgia, Silverstein (vocalist Shane Told, guitarists Paul Marc Rousseau and Josh Bradford, bassist Billy Hamilton, and drummer Paul Koehler) see the landmark as a time to appreciate how far they’ve come, while also channeling all those years of experience into something new. A Beautiful Place To Drown finds the band deftly balancing their core sound—an intensely dynamic mix of melody and aggression, rooted in the energy of hardcore punk and the unabashed earnestness of emo—with their natural growth as songwriters and evolving inspirations.

Late On 6th

SilversteinMusic

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