The New Regime is a one-man band fronted and created by the Rock & Roll Hall of Fame’s youngest inductee of all time, Ilan Rubin. The latest album, Heart Mind Body & Soul, which was released in four parts over the last year, is now being rereleased in its deluxe form.

For Rubin, the most challenging aspect of recording music has nothing to do with writing every song himself or playing all the instruments. It’s about finding the time to record and tour between his work with two established bands and major touring entities — Nine Inch Nails, which was inducted into the Rock Hall this year, and Tom DeLonge’s Angels & Airwaves. 

For more than a decade, Rubin has drummed for NIN, starting his tenure in the band at the end of his teenage years. Since 2011, he’s also served as a drummer, songwriter, and multi-instrumentalist in DeLonge’s band. Scheduling his own shows around these commitments has been difficult — but, in 2015, Rubin found a yearlong window on the heels of a two-year world tour with NIN. That’s when The New Regime was first able to tour extensively, supporting major acts including Muse, The Killers, Juliette Lewis, Alice In Chains, The Used, and more. He’d also begun work on Heart Mind Body & Soul, The New Regime’s third full-length, which was quickly picked up by RED Music, now The Orchard, upon completion. 

“People digest music differently and much quicker today than they ever have,” Rubin says, explaining one reason why he chose to look at the album like a chaptered book. “I felt like it would be doing the songs a disservice by releasing everything at once, especially since people seem to enjoy digesting music in small pieces.” While catering to the demands of the music-listening public, Rubin refuses to create vapid, predictable pop tunes to increase his mainstream appeal. 

Heart Mind Body & Soul is anthemic, infectious, and innovative. The title track is a euphoric, unabated rock track colored with bracing guitars and a soaring chorus. “Surreal Disaster,” which at times sounds like a hybrid of Duran Duran and the Strokes, opens with lusciously harmonic wall of vocals before building into a decadent groove. “Sweet Kind of Suffering,” on the other hand, is a slow-burning serenade that haunts with strings, organs, and a transfixing bass line.

“I like everything I’ve done, but this feels like a new beginning,” Rubin said at the time of the album’s initial release. “It feels fresh. I’ve really tried to focus on writing multi-layered songs. If something doesn't have a deeper meaning that you didn't know was there, what makes it worth more than a handful of listens? I want the listener to keep discovering new elements and come back for more.” 

In addition to drawing inspiration from Jeff Buckley, The Police and — yes — Nine Inch Nails, Rubin continues to follow the anything-goes spirit of his primary influences, Led Zeppelin, The Beatles, and Queen. As a result, the broad combination of sounds The New Regime elicits is vaguely familiar yet always marked with Rubin’s modernized stamp. “I have so many influences, from classical composers to Depeche Mode, and I see every project as an opportunity to do something different,” says Rubin. “I never want to repeat myself.”

Rubin revels in delivering the unexpected. While he’s a sucker for a strong hook, he inserts just enough dissonance to provide atmosphere and contrast. He won’t hesitate to interrupt a sunny melody with a mournful guitar line — or weave a reflective arpeggio into a pumped-up, celebratory melody. The same goes for Rubin’s lyrics, which are often pensive despite the propulsive rhythm they’re enveloped in. 

“The songs all reflect my take of what is going on these days with people and their relationships with one another,” Rubin says. “In life, very little fits neatly into a box. Nothing is characterized by one shade or one emotion. Feeling melancholic doesn't mean that there aren't glimmers of hope.”

Norwich based producer/writer/mixer

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Bespoke music composition & sound design.
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World Circuit Records has made its reputation by producing some of the finest albums of the past three decades. The label’s prestigious roster includes the Grammy-winning Buena Vista Social Club and associated solo artists (including Ibrahim Ferrer, Rubén González, Omara Portuondo and Orlando ‘Cachaíto’ López), Malian blues pioneer and Grammy-winner Ali Farka Touré, Malian divas and social activists Oumou Sangaré and Fatoumata Diawara, master kora player Toumani Diabaté, the illustrious Orchestra Baobab, musical iconoclast Cheikh Lô, and Fela Kuti’s legendary drummer and co-creator of Afrobeat Tony Allen. 
 
With reissues and brand new releases coming soon, World Circuit continues to bring diverse, genre-defying music to a wider audience.

Informed by everything from west coast melody to neo-soul rhythm; baroque strings to gospel harmony; Joni to Erykah; Hunting Bears have carved out an instantly recognisable sound which draws from their wide influences but is distinctly their own. 

We are a record label of iconic, culture-shaping music and entertainment.

Built on irreverent ideas, creative risks, and life-changing hits.

Created as a home for artists – established and emerging, mainstream and maverick, legends and legends-to-be.

Run by a fearless team of music obsessives.  

#WeAreWarnerRecords:

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Ivor Novello Award-winner and Mercury, Grammy, and BRIT-nominated artist Lianne La Havas unveils her new single ‘Disarray.’ The track showcases a blend of emotional depth and striking vocal delivery, set against sparse, ethereal finger-plucked electric guitar —a signature of La Havas’ style. 

“The song felt very intimate, almost like a secret just for me,” says La Havas. “It’s about vulnerability, honesty, and giving listeners a window into a moment of my life.”

Over the course of her career, La Havas has released three acclaimed albums — Is Your Love Big Enough? , Blood and her self-titled Lianne La Havas  (which won the Ivor Novello Award for Best Album). She has collaborated with leading international artists and captivated audiences worldwide with her spellbinding live performances.

Released via her own Καλό μήνα (Kalo Mina) Records. La Havas embarks on an exciting new chapter, broadening her sonic horizons while remaining rooted in vulnerability and artistry.

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