For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Spotify: https://fhm.lnk.to/Spotify
Apple Music: https://fhm.lnk.to/AppleMusic
Deezer: https://fhm.lnk.to/Deezer
Demos: https://futurehousemusic.com

Est. 2015
Democratising the music industry by selling ownership of music releases as NFT's

Demo Submission
https://discord.gg/QJJksrU57W

GER & AUT BOOKING REQUESTS:
Global Stage

SUI BOOKING REQUESTS:

ROW BOOKING REQUESTS:
lindsay@mac-artists.com

MUSIC ENQUIRIES:
mgmt@we-play.cc

I love music🎵
https://sikdope.komi.io

Management: Jacob.m.gitt@gmail.com

Bookings: robb@supermodifiedagency.com, sam@supermodifiedagency.com

Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

Daniel Amézquita – better known to millions of fans around the world as Colombian DJ and producer MOSKA – already counts a storied career at the very heights of electronic dance music. 

Championed by none other than Tiësto, from the very start of his musical journey MOSKA was held up as one to watch. Singles on imprints including Spinnin’ Records, Musical Freedom, Mad Decent, Hexagon, Generation Hex, Armada Music, In Rotation, Wall Recordings and Ultra Records cemented that status, as did releases with and remixes for Major Lazer, J Balvin, Luis Fonzi, Daddy Yankee, Calvin Harris, Laidback Luke, Galantis and of course, Tiësto himself. 

In the DJ booth MOSKA has been equally prolific. Explosive sets have lit up stages at Tomorrowland in both Brazil and its hallowed homeland in Belgium, TomorrowWorld in Atlanta USA, EDC Orlando, Life In Color Miami and Storyland Cartagena among others. His clubland journey is just as glittering. Amnesia and Pacha on the white isle of Ibiza, LIV, Story and Space in Miami, Pacha and Webster Hall in New York City, Avalon in Hollywood LA – the list goes on, and on. 

As with any artist that pushes themself to grow and stretch their creative muscle, freely exploring their artistic direction, the past year has seen MOSKA’s style transition towards a deeper, more groove-laden style. Drawing heavily from the LATAM influences that surround him, MOSKA’s production as he moves through 2022 has much more of a House vibe, bringing in elements of Tech, Progressive, Afro and Latin House. It’s a direction his fans are more than comfortable with, MOSKA’s music reaching them not just in the clubs and on the Main Stage but now also via his monthly AMULETO RADIO show.

t.p-zimmer is following