\\NEXT GIGS

05.06 - New Basement - Wiesbaden
04.06 - Butan - Wuppertal
26.08 - Drifters - Freiburg

For booking please contact
booking@black-circus.de

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

// MOONBOOTIQUE // RHYTHMETIC // WHATIPLAY // MOTHERBOT // CRIMINAL BASSLINE //  JANNOWITZ Rec. //

I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.

Jim Morrison




here you find some stuff  I made...

Zwette played many great house sets as a DJ all around the world and decided in 2013 to focus on calmer sounds and launch his career as a producer. He was one of the first Deep House pioneers, alongside greats like Robin Schulz, Klingande, Wankelmut and others.

His edit of Tom Odell’s song Another Love turned out to be a worldwide hit! This success brought him numerous exciting booking and remix requests from all over the world. Zwette performed in Dubai, Portugal, Ireland, France, Romania, Malta, Italy, Hungary, the Czech Republic, Austria, Estonia and Switzerland. He also played as a guest at many festivals in Germany and abroad.

He created remixes for major artists such as Mike Posner, Klangkarussell, Rea Garvey, Jamie Lawson, Ayla, Bipolar Sunshine, Alle Farben, Kelvin Jones, Milk & Sugar, Jake Isaac, among many others.

Zwette has already achieved great success as a producer with his own tracks like "Rush", "Rooftop in Amsterdam", and several others. Additionally, he gained international recognition with his successful remixes of songs like "Go Solo", "Home" and many more.

booking@zwette.com

Jam' On // Paris // Fr
Broox Record // Signatune // Rooted // Newfact Music // Kina Music // Act Natural Rec.

General management/Info Booking:
giorgio@yamagency.com 

Angelo del Core, led by a strong passion for techno music,
approaches the world of djing and music production at the tender age of 14 years,
beginning in several clubs around his province.
and creating "hardstyle"songs,to strike the attention of the
SPIDERMIX records, who decides to publish every song of Angelo
(time not yet AnGy KoRe).
From there a series of events will see Angelo the protagonist of a lot of club's consolles
in Italy!
That until the age of 19 years,
when his strong desire to try new experiences
led him to embark on the most prestigious cruise ships with a
role of sound technician.
3 years around the all world give him the way to discover
differnent cultures of worldwide nightlife,
musical tastes, new sounds_
Everything 'leads him to an artistic rebirth, a renewal
that by way of his style: eclectic style that draws
an infusion of diverse sounds, united with sounds that fall into
a techno and minimal_
Once back on dry land, Angelo immediately transforms his ideas into music,
baptized himself with the name of AnGy KoRe_
AnGy KoRe immediately found many satisfactions
finding his songs from the playlist of djs all over the world (Richie Hawtin, Umek,Dandi &amp; Ugo, Piatto, Ahmet Sendil, Spartaque, Phunk Investigation, Alex Di Stefano, Dyno....)
and consistently across the various international minimal and techno charts.
He remixed artists like Alex Young, Citizen Kain &amp; Phuture Traxx, Ricky Stone, Mario Miranda...
and is remixed by artists like Dandi &amp; Ugo, Spartaque, Alex Di Stefano, Sasha Carassi, Piatto, Da Fresh, Worakls, Nudisco....
He collaborated with numerous labels like:
ITALO BUSINESS _ 1605 _ AUTIST_ NAKED LUNCH _ NEVERENDING _ N.O.I.A. _ GLOBOX _ BOSPHORUS UNDERGROUND _ NEUROTRAXX _ CAPSULA _ and many moore!!!!
He played in so many clubs around the world like:
"Cadillac"(Gran Canaria,Spain),
"Rachdingue"(Spain),
"Comics", "Spacer", "Phobia","Bizarre" and 2 times in "Lifehouse" (Bulgaria),
"Oxa","UG","La Coupole","Lotus"and 2 times"Loop38" (Switzerland),
"Halle Luja", "Art Teather" and 2 times in "M-Bia", (Germany),
"Brown Alley" and "Wah Wah" (Australia),
"Forsage","Astarta",Slivki", "Saxon","JJ club","Club 86","Prime"(Ukraine),
"Terror club","Le Batofar" (France),
"Iceberg" (Russia),
"Krisha" (Kazakistan),
"Pink" and "T.sz club" (Hungary),
"The Mezz Basement" (Ireland),
"Distrito club","Camorra Club"and "Bar55"(Mexico),
He played in big techno rave like:
"WDM in Rovno Airport",and "Trump Night in Kherson" (Ukraine)....
and in big Festivals Like “One Nation” (Brazil),
"Megaspree parade" (Germany),
"La Nuit Rouge" (France)!!!!....
To be continued.....




http://www.facebook.com/pages/AnGy-KoRe/89320812660

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

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