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Ole remix _ Moritz von Oswald _ Pushing on _ $ and Jules (dub) [Rider remix]

"Expect the unexpected," they say, and it should come as a surprise to many as we warmly welcome to the Kompakt family one of America's most celebrated producers in dance music, John Tejada! Born in Austria, he relocated to his current home of Los Angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. If you're even the slightest fan of the genre, you'll be hard-pressed not to have heard his music over his decade+-long career. Whether on his own Palette Recordings, Poker Flat, or Plug Research — plus a Fabric Mix CD under his belt, it's thanks to a steady stream of massive releases (think "Mono On Mono" and "Sweat On The Walls") that he remains a mainstay in the charts of Beatport and uncountable DJs. He is also half of the long-standing City Centre Offices act, I'm Not A Gun (together with Takeshi Nishimoto). "I wanted to experiment with some longer phrases again and to step away from the analog sequencers more and get back to using my hands to create the melodies. I also feel for the first time in quite a while I've made an album of songs for myself without worrying about the usual pressures." – John Tejada Kompakt presents his extraordinary new album "Parabolas". Resident Advisor called Tejada "one of the most notoriously meticulous producers around" — an unmistakable proof lies within these recordings. Genres collide and combine with an unraveling of blissful layers on "Parabolas". The opening track, "Farther &amp; Fainter," offers a musicality today's techno and house often lack — an accomplishment that resonates throughout the album. Tracks such as "Subdivided" and "Unstable Condition" reflect the wondrousness of Aphex Twin's Polygon Window project, something that could only be reanimated and brought to 2011's standards by Tejada. "Parabolas" is a true highlight in John Tejada's deep catalogue. Bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination.

Unstable Condition

Remix by https://soundcloud.com/rodhad

// Daniel Avery - New Energy [Collected Remixes]. A double album.
// Includes new reworks from Rødhåd, Silent Servant, Volte-Face, Powell, Conforce and Ø [Phase]
// www.soundcloud.com/phantasysound

Out now: http://go.phantasysound.co.uk/PHLP05

Tracklist

Drone Logic (https://soundcloud.com/factory-floor Remix)
All I Need (https://soundcloud.com/roman-fluegel Remix)
Platform Zero (Volte-Face Remix)
Naive Response (Ø [Phase] Remix)
Spring 27 (https://soundcloud.com/silentservant Remix)
Free Floating (https://soundcloud.com/mattwalsh Remix)
Knowing We’ll Be Here (https://soundcloud.com/kink Remix)
New Energy (https://soundcloud.com/beyond-the-wizards-sleeve Re-Animation)

Drone Logic (https://soundcloud.com/rodhad Remix)
Need Electric (https://soundcloud.com/audion Remix)
Reception (https://soundcloud.com/perc Remix)
These Nights Never End (https://soundcloud.com/ricardotobar Remix)
Simulrec (https://soundcloud.com/conforce Remix)
Water Jump (Powell Remix)
Taste (Special Request Remix)
Naive Response (https://soundcloud.com/dannydaze Remix)

Follow Daniel Avery:
www.danielavery.co.uk
www.facebook.com/danielmarkavery
twitter.com/danielmarkavery
http://open.spotify.com/artist/1EULJuDFWpZ9xg4YwtUGGt

Buy album

Daniel Avery - Drone Logic (Rødhåd Remix)

Order: http://www.kompakt.fm/releases/signs_under_test_2xlp_cd

- The lastest full-length effort from LA-based synth mastermind JOHN TEJADA
- An unabashedly dreamy collection of 11 expertly crafted cuts that rank among the artist's best work to date
- 2xLP edition pressed on 180gr audiophile vinyl, including a CD of the entire album

Following his much-acclaimed full-length „The Predicting Machine“ (KOMPAKT 267 CD 102) and a slew of pop-infused 12“ singles - „We Can Pretend“ (KOMPAKT 286) and „Somewhere“ (KOMPAKT 264) -, LA-based synth mastermind JOHN TEJADA returns with new album SIGNS UNDER TEST: comprised of all-new material, this latest effort sees the studio wizard digging deeper into his modules, unearthing particularly dreamy tracks that rank among John's most accomplished work to date.

From the get-go, SIGNS UNDER TEST presents itself as a whole new ball of wax, reaching even further into the depths of JOHN TEJADA's hot-wired synth machinery, while cranking up the already stunning levels of musicality on display in his oeuvre. Opener TWO 0 ONE serves as a prime example for the sonic aplomb in place, thanks to its beautifully rendered melodies and finely tuned textures – a perfect storm made of cosy melancholy and celestial bliss. This expertly wrought piece serves as a particularly strong entry point for the album, setting the bar high for its successors.

An unabashedly brilliant listen, the album continues its thrilling journey with existential bleepfest Y 0 WHY and the bass-heavy BEACHT, followed by the intricately arpeggiated R.U.R. and brooding electronica vignette VAALBARA. The second part is ringed in by the undulating CRYPTOCHROME - another proof for JOHN TEJADA's uncanny ability to craft tracks that operate as distinguished bouncers as well as introspective meditations. The deliberate vivacity of connecting cuts RUBRIC and PENUMBRA only confirms the growing suspicion that this might be a timeless masterpiece we're dealing with.

As gorgeous as it sounds, texture isn't the only star here: a surprisingly diverse set of rhythm patterns suffuses the mesmerizing synth licks - take for example the multilayered ENDORPHINS effortlessly switching between straight techno stylings and vintage breakbeat ornaments. Meanwhile, electronic landscape painting MEADOW purrs away on its road to redemption, priming the listener for closing cut HEAVE IN SIGHT, an atmospherically rich composition that marries abstract storytelling with a flurry of reversed synth sounds.

„There's a bit more dreamy tape wobble going on throughout“, says the producer about his latest effort, „as I’ve gone quite analog tape with my delays and patches - on the verge of actually being broken, which gives them a nice character.“ It also might explain the air of intimacy surrounding the album - a quite personal listening experience taking the listener up close with its details and idiosyncracies, „maybe even more than before, as I’ve tried to cut out distractions and really focus on the production.“
The result is a record that is not meant to be trendy, even though it’s a product of analog hardware connoisseurship: „Everything is built from the ground up using hardware synths - mostly analog, but that’s a bit annoying to say nowadays. It’s not a record that fits in with any current stuff, but something that hopefully holds up as it ages. Something that hopefully reveals more on repeated listens.“ In our humble opinion, this mission has been more than accomplished with SIGNS UNDER TEST.

Staring At All This Handle - clip

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