FrodOhm Music https://soundcloud.com/frodohmmusic
Yggdrasil Records https://soundcloud.com/yggdrasil-records
Bandcamp https://yggdrasilrecords.bandcamp.com/

Pre-order 'Rock Or Bust', out December 2nd!

Amazon
CD: http://smarturl.it/RockOrBust_amz
Vinyl: http://smarturl.it/RockOrBust_vinyl
iTunes: http://smarturl.it/RockOrBust_iTunes



Im a guy making music.
Find my stuffs on www.electrypnose.ch
Booking : https://electrypnose.ch/contact.php

When Leon Michels name first appeared on a record, he was 16. That release was Thunder Chicken, and the group was his high school band, The Mighty Imperials. The record was essentially an homage to The Meters, at the time it was near pitch-perfect for the budding retro-soul scene. While that release was an early step for Michels, aspects of it have almost become trademarks of his work: a unique raw-yet-disciplined approach to his sound and songwriting, and a soulful genuineness that has a sense of humor one minute and a sense of solace the next.

Right from the jump his hustling work ethic was evident, always involved in a lot at once. While finishing Thunder Chicken, Michels began touring and recording with Sharon Jones and the Dap Kings—which he did for the next 7 years. During that time he was also recording songs in a makeshift home studio and preparing for what would be his first full-length record, Sounding Out The City, and the first release under the name El Michels Affair. In 2004, when Sounding Out The City was recorded, Michels’ obsession with Euro Library, American soul, and early rocksteady crept its way into the songwriting and recording aesthetic, the outcome was something Michels appropriately dubbed “Cinematic Soul.” The album was to be the first release on Truth & Soul Records, a new label Michels co founded.

The lo-fi warm recording aesthetic and bottom heavy production alongside the immediate success of EMA’s debut release lead to playing a show with Raekwon of Wu-Tang fame. That show went over so well it lead to a tour with El Michels backing multiple members of the Wu-Tang Clan. It was these shows that ended up laying the groundwork for the release of El Michels Affair’s second full-length, Enter the 37th Chamber, which eventually introduced them to a worldwide audience. While the band’s fanbase went through the roof, the industry also quickly recognized that EMA was a force to be reckoned with. Almost in a domino effect, a huge range of hip-hop artists sampled Michels’ songs, from Ghostface Killah, Just Blaze, and Jay-Z to J Dilla, J.Cole, and Travis Scott.

While simultaneously running a label, playing / touring, and co-producing other artist’s music Michels helped found The Menahan Street Band, co-produced Aloe Blacc’s sophomore smash LP, Good Things, and received a writer credit on Adele’s Grammy-nominated album, 19. Shortly there after Michels found himself on tour with The Black Keys after being cold-called by Auerbach and asked to join them on the road. It turned out that Auerbach was a big fan of the sound and approach of the Lee Fields record “My World”, which Michels produced. When Auerbach was tapped to make Dr. John’s critically acclaimed album , “Locked Down” and Lana Del Rey’s LP, “Ultraviolence”, Michels was brought along to play and add his signature sound. That led to being included in and touring for Auerbach’s psych-rock project, The Arcs, which features Michels as a musician and co-producer. 

in 2016, Michels co-founded Big Crown Records with Danny Akalapse, the second record label Michels has helped build from the ground. Since then, he has produced a majority of the albums from the labels roster including Lee Fields, Lady Wray, Brainstory, Paul & The Tall Trees, Liam Bailey, and Thee Lakesiders.  Michels has also produced records for Beyonce & Jay-Z’s side project, The Carters, Hanni El Khatib, Chicano Batman, Marco Benevento, and Don Toliver.

In 2020, Michels will release the second album of original material under the El Michels Affair moniker.  The Album, entitled Adult Themes, which Michels calls “the soundtrack to an imaginary movie,” creates a lush, evocative, complex and eclectic collection of tunes that will keep your ears on edge as you nod your head.

Intentional and resonant music.
From the heart, to the soul.
(((( ♥️ ))))

Demos: info@merkabamusic.com

Coming from the wilds of North Queensland, JeKylL is a fresh earthy twist on psychedelic progtrance. With a love for deep and grindy bass, mystical melodies, tribal beats, and future grunge sounds, this is music designed to take you on a dusty, spiritual head bangin, stompin journey
Helped found No Qualms Records, a label based in the tropics of north queensland with an aim to expose the world to the creative talent of NQ while at the same time strengthening our ever-growing collective.

for bookings : jklnoqualms@gmail.com


http://soundcloud.com/noqualms-records

Kill'NM 

1/2 of Qtrlb 


Beats for sale ( Lease and Exclusive Rights)

Pspiralife has always been involved in music from a young age mainly focussing on the drum kit. He began with Country & Western, moved through Rock & Metal and then went on to study Latin, Jazz and Funk around 2003 and then found a deep passion in Psy Trance and electronic music production over the next few years. 

An adventure that is appropriate for any time of the day or night, the Pspiralife experience is a fresh, fun and dynamic, omni-directional journey through a fusion of the full spectrum of various Psy Trance sub-genres whilst subtly incorporating elements of Techno, EDM, Classical, Jazz and Cinematic film.  


Pspiralife has played at festivals in Europe, Brazil, Israel, USA, New Zealand, New Caledonia, Mauritius and several states of Australia along side Sensient, Talpa, Zyce, Ace Ventura, Captain Hook, Tetrameth, Grouch, Hedflux, Ryanosaurus, Vini Vici, Headroom, Neelix, Shadow Fx, Tom Cosm, and many more. In 2011 his Debut Album on Zenon Records put is home Tasmania on the global Psytrance map. Upon gaining a strong following over the next 7 years Pspiralife has performed on the main stage of both Boom Festival and three editions of Universo Paralello.

Jaramogi & Naima is a project from Austria created 2010 by Thomas (Malice in Wonderland) & Sarah Naima (Djane Naima).
 
The music varies a lot in terms of mood and energy and they like to experiment with a wide varity of different styles. 

Their productions can be discribed as deep, athmospheric and groovy music with the main focus to stay in the original spirit of psychedelic trance.

Since 2012 they are signed to Blue Hour Sounds.
http://bluehoursounds.com/

Simon Hendseth is following