Signed to:
Glasgow Underground, Kism Recordings, Hotfingers, Nervous, Sony, Makin' Moves, Azuli, Velcro City Records, Mint Condition records, Open Bar Music, Disco Modernism, Easy Street Records, Hi-Bias, AM:PM, Media Records, Kult, Heartbeat, Blanco Y Negro, Tommy Boy etc. 
Massimo Paramour is a musician in every sense of the word. From organ soloist and orchestra conductor, to music producer and remixer: after graduating from the Conservatory of Music in Pipe Organ and Composition, his career in the dance music business kicks off in 1994 at Media Records (Italy), where he gets involved in the creation of dance-hits for Cappella, 49ers, Sharada House Gang and Clubhouse. As he takes over Heartbeat records in 1996, he produces alongside Ashley Beedle, Gemini, Ralphi Rosario, Roc & Cato, Chris Coco, A Man Called Adam, to name a few. He then relocates to New York and remixes songs by De'Lacy, Shawnee Taylor, Jimmy Somerville, Tito Puente, Angie Brown, Jocelyn Brown, Michele Blade, Debbie Pender and many more. 
Based in London since 2004, he has been ingaging in an intense activity as music arranger for various recording studios including the legendary Abbey Road. He writes music for adverts, art exhibitions and cinema and also starts Djing in a few clubs, rapidly gaining solid reputation for musical innovation and originality. He has been playing all around the world and is now resident DJ at Matinee in London.   Recent collaborations with Gianluca Pighi and DJ Pagano have resulted in the release of  internationally acclaimed tracks and remixes.
His latest single "Waiting" feat. Alexander Price, recently reached No 32 in the Beatport Indie-dance Chart.
For DJ booking or remixes please contact:
massimoparamour@gmail.com
Tel: 07878742797

https://initialtalk.tokyo
https://linktr.ee/initialtalk

# producer/composer/arranger/remixer/mashupmaker/bananaambassador..

Inquiries: initialtalkmusiq@gmail.com

Remixer producer at Energise Records
sakgra@hotmail.com

Barry Harris was the first club DJ in the world to write, produce and perform a Worldwide Top 5 hit; “I Beg Your Pardon” by an act he named Kon Kan.

“I Beg Your Pardon”, became an international Top 5 hit around the world, garnering a Juno Award (Canadian Grammy) for Best Dance Recording in 1990.

In 1998 Barry relocated to Los Angeles to mastermind the remix team Thunderpuss producing more than 40 #1 Billboard Dance remixes including hits for major label recording artists Madonna, Britney Spears, Whitney Houston, Jennifer Lopez, Cher, Mary J. Blige, Celine Dion & Donna Summer to name a few.

Barry is best known for Whitney Houston’s Top 5 global hit, “It’s Not Right But It’s Okay” which remains in steady rotation today as well as "Dive In The Pool (Let's Get Soakin' Wet). 
Also winner of 2 IDMA Awards best remixer of the year at WMC and another IDMA Award for Best Underground Dance Record of the Year.

Barry Harris was the first club DJ in the world to write, produce and perform a Top 40 hit he titled “I Beg Your Pardon” by a studio act he named Kon Kan.

“I Beg Your Pardon”, became an international Top 5 hit around the world, garnering a Juno Award (Canadian Grammy) for Best Dance Recording in 1990.

In 1998 Barry relocated to Los Angeles to  coproduce in the remix duo Thunderpuss producing more than 40 #1 Billboard Dance remixes including hits for major label recording artists Madonna, Britney Spears, Jennifer Lopez, Cher, Mary J. Blige, Celine Dion & Donna Summer to name a few.

Barry & Thunderpuss is best known for Whitney Houston’s Top 5 global hit, “It’s Not Right But It’s Okay” which remains in steady rotation today as well as Barry's  "Dive In The Pool (Let's Get Soakin' Wet). 
Also winner of 2 IDMA Awards best remixer of the year at WMC and another IDMA Award for Best Underground Dance Record of the Year.

For Remix/Production/DJ enquiries please contact: djwayneg@gmail.com

Throughout his 35 years as both a producer and DJ, Paul King has been responsible for anthem after anthem and floor filler after floor filler.
From his early releases such as “Elevate” on Jump Wax and “Kick it in” on TDV, right through to the more recent “What ya got” on Vicious and “Turn it up” on Toolbox, Paul’s productions have always been in a league of their own. To say Paul King had his own style just wouldn’t be fitting enough, as Paul created a whole new sound that has now been loved by hard house fans for well over a decade.
It was in the 90’s that Paul first burst onto the scene and was immediately taken under the wing of the late Tony de Vit, who instantly branded Paul “one to watch” for his fresh and innovative productions. With the support of Tony and every other influential Hard House DJ on the circuit, Paul soon became a regular name on the two record labels that were THE labels to be seen on, Tripoli and Tidy Trax. On Tripoli he gave us his F1 productions and on Tidy he delivered his fiercer than fierce Trauma releases… It was under these production names that Paul dominated the scene and became an inspiration to many.
His discography reads like an A to Z hard house bible, with remixes and releases on almost every major hard house dedicated label… these include the already mentioned Tidy, Tripoli, Toolbox and Vicious, along with labels old and new such as Trade, Deprivation, Knuckleheadz, TEC, Short Circuit, Flashpoint and Chug N Bump to name just a few.
His label Electrotek saw him move his style to Electro and Tech House, and was instantly recognised as the new “Paul King Sound”. His remixes of Armand Van Heldans “New York City Beat” and Fedde Le Grande’s “Put Your Hands Up For Detroit” were released on their respective labels to wide acclaim.
On the hard house side, he continued to push his sound further, releasing Trauma Trax 3, Trauma Trax Remixed, and Digital Frontiers. On the 20th anniversary of his first release on TDV, and the 25th anniversary of his DJing career, Paul worked closely with Vicious Circle to release “Odyssey – The complete Paul King collection”, a collection of more than 200 tracks that covered his entire career up to that point.
Then, on the 20th anniversary of his first Trauma release on Tidy, Paul released Trauma XX Part 1. An album of new material, where, once again Paul collaborated with producers and DJs that he admired.
Bringing the story up to date, this year sees the release of Trauma XX Part 2 - the album has 10 DJ friendly tracks and features collaborations with Rob Tissera, Aaron James & Seanie Jackson, Frank Farrell, High Dosage, Eamonn Fevah, Dawn Lee, Craig Jones, Ilogik, James Nardi, Steve Hill and Technikal.

Our new album Revelation: https://neongoldrecords.ffm.to/revelationalbum

About us: https://theknocksmusic.komi.io
Management/Touring: sk@kopecco.com

Splice Sample Pack: https://on.splice.com/the-knocks-pack

simon M is following