A track from my album Pulse of the Machine:
https://djtransaction.bandcamp.com/album/pulse-of-the-machine-album Made entirely on my Roland Fantom. No samples, no computer, pure synthesizer workstation. This is the 3rd synth pop song in my album. It is supposed to sound cute and melodic. 
Support me and increase my musical inspiration by following me on Instagram. 
https://www.instagram.com/djtransaction/
Find me on Apple Music, Amazon Music, Spotify, and Youtube

Pulse of the Machine

Nanobytes

Nanobytes (trance)original

Welcome Electronic clubbing lovers!
This profile is here to share & support quality music and artists.

 Melodic House & techno | Techno | Progressive & Deep House


Mixing and mastering services.

Submit your premiere to:
electronicclubbingmovement@gmail.com
PLEASE NOTE: we dont react here to inbox messages. Use our mail adress.


All material on this channel is posted with the explicit consents of the artist/labels and no copyrights are violated in any way.

Giannis Sarikakis is a music producer from Greece. He creates electronic / alternative and rap music.

Exploring the deeper, emotional side of house that transcends borders.  His travels around the world exploring different cultures has influenced his music taste and style.  Music has the ability to transport you to a different place and he hopes he can achieve that with his productions, and no genre is off the table. 



Freak-When-See is an aspiring Beatmaker/Producer from Belfast UK.


Freak-When-See fell in love with dance music from an early age during the early 90's, borrowing (stealing lol) his older sisters vinyl records and cd's of artists like The Prodigy, The Shamen, Capella, 2 Unlimited and N'Trance to name a few. 



As Freak-When-See advanced into his mid teens he started making and swapping mixtapes with friends who were into the Hardcore Techno Rave scene, with artists such as Carl Cox, DJ Trix, Binman, Scooter, DJ Scott, Robbie Nelson and Tizer.



By the late 90's Freak-When-See became an avid clubber in the Belfast scene after listening to popular DJ's on BBC Radio One, like Pete Tong and Judge Jules who played the best House, Trance and Techno every weekend, which inspired him and his friends to frequent popular nightclubs like Paradise Lost, Thompson's Garage, Dempsey's Terrace and The Network.


https://youtube.com/@reclewsiveraver9475?si=rKHOCx7IevODBz4y

https://x.com/FreakWhenSee81?t=jBjnygSjeJGsHWDbYzkpBg&s=09





Passionate music producer exploring trance and house. Learning as I go and sharing what I create along the way. Thanks for listening.

I am DJ Transaction Producer/DJ from Brooklyn NYC since 2004. When I create original music, I'm always keeping in mind to do something different that no one else is doing. Also recently, i been focusing more on the story telling of my songs rather than just seeing if melodies fits together. Story telling is what AI will and can never do in music and it is what will set the humans apart from generic music. For the above reasons is why I will never restrict myself to only one genre. It is important for all artist to explore many genres to learn what makes them unique and just learn from it. Soundcloud is where I upload my original music. For my DJ sets go to mixcloud. Follow me on instagram.
Join the Transaction. 
https://www.instagram.com/djtransaction/
https://www.facebook.com/pages/Dj-Transaction/260300170696750?sk=wall

T𝐞t𝐫𝐚 V𝐚i𝐧 could be considered as Sound Architects navigating between chaos and intuition, blending DJing, music production, and songwriting into unique sonic experiences. Their eclectic nature and interests brings in this platform a wide variety of musical genres, so if you follow us expect the unexpected! 
Their work is a journey through electronic improvisation, spoken word, rhythmic experimentation, and remix/mashups where every mix and track takes shape in the very moment of its creation. Almost everything is recorded from live jam sessions and with few adjustments later on Ableton. Most of the Djs recording are done without a prearranged tracklist, selecting tracks on the spot and seamlessly fusing basslines, synths, and vocals up to 4 decks playing in synchronicity creating something unnique. Their sonic flow disregards classical rules, balancing unpredictability with elegance to create an immersive journey.
T𝐞t𝐫𝐚 V𝐚i𝐧 also explores the raw, introspective side of music through original productions. Their spoken words /rap-traap releases delve into deep, unfiltered reflections on love relationships and emotional turmoil, weaving electronic experimentation with strong storytelling providing for each track the lyrics for more immersive experience.
Rather than adhering to a single genre, T𝐞t𝐫𝐚 V𝐚i𝐧 is an explorer of sonic perception. Every set, every track, is a ritual where sound becomes experience, and experience becomes sound.

𝑪𝙡𝒊𝙘𝒌 𝒕𝙝𝒆 𝒍𝙞𝒏𝙠 𝙗𝒆𝙡𝒐𝙬 𝙩𝒐 𝒔𝙪𝒑𝙥𝒐𝙧𝒕 𝒕𝙝𝒆 𝒊𝙣𝒅𝙚𝒑𝙚𝒏𝙙𝒆𝙣𝒕 𝒎𝙪𝒔𝙞𝒄 𝒑𝙧𝒐𝙙𝒖𝙘𝒕𝙞𝒐𝙣 𝙤𝒇 𝒆𝙢𝒆𝙧𝒈𝙞𝒏𝙜 𝙖𝒓𝙩𝒊𝙨𝒕𝙨 🖤🖤🖤🖤
https://www.paypal.com/paypalme/TetraVain?country.x=IT&locale.x=it_IT

-----ITALIAN-----

T𝐞t𝐫𝐚 V𝐚i𝐧 potrebbero essere considerati degli Architetti del Suono che navigano tra caos e intuizione, fondendo DJing, produzione musicale e songwriting in esperienze sonore uniche. La loro natura eclettica e i loro interessi portano su questa piattaforma un'ampia varietà di generi musicali, quindi se seguite aspettatevi l'inaspettato!
Il lavoro è un viaggio attraverso l'improvvisazione elettronica, la poesia parlata, la sperimentazione ritmica e i remix/mashup, dove ogni mix e traccia prende forma nel momento stesso della sua creazione. Quasi tutto è registrato da jam session dal vivo e con pochi ritocchi successivi su Ableton. Tutte registrazioni dei DJset avviene senza una tracklist pre impostata, selezionando le tracce al momento e fondendo perfettamente linee di basso, synth e voci fino a 4 deck che suonano in sincronia, creando qualcosa di unico. Il loro flusso sonoro ignora i canoni classici, bilanciando imprevedibilità ed eleganza per creare un viaggio immersivo. T𝐞t𝐫𝐚 V𝐚i𝐧 esplora anche il lato crudo e introspettivo della musica attraverso produzioni originali. Le loro uscite spoken word/rap-trap approfondiscono riflessioni profonde e senza filtri sulle relazioni amorose e sui tumulti emotivi, intrecciando la sperimentazione elettronica con una narrazione incisiva, fornendo all'ascoltatore per ogni traccia le lyrics per un'esperienza più immersiva.
Piuttosto che aderire a un singolo genere, T𝐞t𝐫𝐚 V𝐚i𝐧 è un'esplorazione della percezione sonora. Ogni set, ogni traccia, è un rituale in cui il suono diventa esperienza e l'esperienza diventa suono.

𝑪𝙡𝒊𝙘𝒌 𝒕𝙝𝒆 𝒍𝙞𝒏𝙠 𝙗𝒆𝙡𝒐𝙬 𝙩𝒐 𝒔𝙪𝒑𝙥𝒐𝙧𝒕𝒕𝒆 𝒕𝙝𝒆 𝒊𝙣𝒅𝙚𝒑𝙚𝒏𝙙𝒆𝙣𝒕 𝒎𝙪𝒔𝙞𝒄 𝒑𝙧𝒐𝙙𝒖𝙘𝒕𝙞𝒐𝙣 𝙤𝒇 𝒆𝒆𝙧𝒈𝙞𝒏𝙜 𝙖𝒓𝙩𝒊𝙨𝒕𝙨 🖤🖤🖤🖤
https://www.paypal.com/paypalme/TetraVain?country.x=IT&locale.x=it_IT

~ MUSIC MAKER ~ Remix ~ 🎧 *~ Music Blended With Love ~* 🔊 "Vibes & Sound" * "Powerful and Loud" 
"Something different"
ALL GENRE OF MUSIC / SONG   -  🎶🎤  -  TOUT TYPE DE MUSIQUE / CHANSON

DjMR means nothing. That's only the first letters from my names. Also you can call me "Dom"
-from France

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.

Nanobytes (trance)original

Dj Transaction