This piece will be performed at the Mostly Modern Festival next June by the American Modern Ensemble. This is a Work in Progress Mock Up before the Premiere.

Program Note:
This chamber piece delves into the vibrant musical traditions of Morocco, particularly those of the Amazigh people, the heart and soul of the Atlas Mountains. The earthquake of September 8th, 2023, cast a long shadow, especially in these mountainous regions where many Amazigh people reside. While the loss of life across Morocco was significant, the music itself transcends sorrow.

It explores the transformative power of music in the face of loss, reflecting the Amazigh belief in celebrating life even after a period of mourning. In their culture, grief eventually gives way to music and dance, a beautiful way to honour departed loved ones. This spirit of resilience and celebration infuses the very essence of this piece.

The evocative melodies of the High Atlas, often accompanied by unique percussion wind and stringed instruments, become a testament to the enduring spirit of the Amazigh people.  This work serves as the first movement of a larger suite exploring the rich tapestry of Moroccan music. It's a personal interpretation, where the threads of tradition and contemporary influences are intricately woven together.

While this piece aspires to offer a humble tribute to those lost in the earthquake and celebrate the enduring strength and vibrant cultural heritage of the Amazigh people and Moroccans in general, it ultimately seeks to foster a cross-cultural conversation. This creative interplay, however modest a contribution, seeks to transcend borders, enriching the global artistic landscape and building bridges of understanding across diverse cultures. Ultimately, this composition is a celebration of life, resilience, and the unifying power of music.

Moroccan Dances - 1. Hight Atlas The Majestic (Virtual Pre-Release)

A sonic blend of #darkpop #electronica #rock #synthwave on analog tape recorders. A solo project.

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Producer Pianist Artist aka "The Coldest"

Hi I produce all types of music but mainly urban. It has been a brilliant journey. 😎

To collab send me an email: thecoldestuk@gmail.com

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Composed score to CANNES 2023 OFFICIAL SELECTION: CALIGULA: THE ULTIMATE CUT  Composer for HPLHS: THE WHISPERER IN DARKNESS, THE CALL OF CTHULHU, DARK ADVENTURE RADIO THEATRE and DIABOLICAL TALES RADIO HOUR www.troysterling.com

IR1S (Intelligent Recognitive Integrated Sound) is an alternative band electronic music project where the central characters in every song are women. Each track tells a story, explores a social issue, or expresses a thought from the perspective of these protagonists, weaving together elements of both fictional narratives and real-life experiences. Drawing inspiration from strong women in literature, cinema, and dystopian worlds, IR1S creates a unique soundscape that blends powerful storytelling with evocative electronic beats.
For information write to the new management "John Falko Promotion"

Just another old one man band unsigned musician who sings and plays a little guitar, bass & drums and fools around on the piano; expert in writing songs that usually disappear with the wind, and in composing musical flops.  Folks say that I´m a composer, but I think they´re wrong: I just download the music I hear and feel in the atmosphere and give it back to the people. I don´t do a living from music; I ´m an attorney and horse breeder who gets noisy when I download the music I hear and feel.Thanks for checking out my page and listening the noise I´ve been doing for the past 50 and so years when I get musical.  I´m based in Bogotá, Colombia, and always open to do collabs.

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

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CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

I come from London, England where the cosmopolitan musical mix is a melting pot of inspiration. I love many types of music from rock to reggae to jazz to just about anything. A good song is a good song in any genre! Many thanks to all those that listen, comment and repost!

Hey everyone i am Adro The Toxic Waste and i come from Sardinia (Italy) what about you??? ehehehe. I have been living in UK since 2013 and i am a guitarist based in Brighton and Hove, England. I started when i was 14, just a kid. Always been through music i use to play so many generes and styles such as black, death, thrash metal, hard rock, hardcore, metalcore. I have made my own music during these years self written, self produced and self recorded. Looking for collaboration with guitarist, bassist, drummers, keyboardists or whatever, open to any genres. Just hit me up ciao! Adro the Toxic Waste is currently a solo project because of lack of musician, i'll find someone in the future. Thanks for your attention, forever yours, Adro <3

Music producer from Norway. Did start up Jenny`s Vision Project back in 2013. I like the hybrid aspect in music production.

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Moroccan Dances - 1. Hight Atlas The Majestic (Virtual Pre-Release)

Simon Alami Composer