Skinty Fia is an Irish phrase which translates to English as “the damnation of the deer” and the album’s cover art features a deer, plucked from its natural habitat and deposited in the hallway of a home, illuminated by an artificial red glow. The Irish giant deer is an extinct species and the band’s thoughts on Irish identity are central to Skinty Fia. While Dogrel was littered with snapshots of the Dublin characters -  like the cabbie in “Boys In The Better Land” - and A Hero’s Death documented the dislocation and disconnection the band felt as they traveled the globe on tour, on Skinty Fia Fontaines D.C. are addressing their Irishness from afar as they recreate new lives for themselves elsewhere. For a band whose hometown courses through their veins -  “D.C.” stands for “Dublin City” - the album finds them trying to resolve the need to broaden their horizons with the affection they still feel for the land and people they’ve left behind.

In his nearly 50-year career, former Led Zeppelin vocalist and Rock and Roll Hall of Fame member Plant has indeed gone to far distant lands, not as forlorn lover but as intrepid musical explorer. To write and produce lullaby and… The Ceaseless Roar, though, he returned to his native England, enriched by all he has seen, heard, and investigated. For the last few years, Plant has lived and recorded in America, working with musicians in Nashville, residing for a spell in Austin, and making time to drive along the byways of Mississippi, fueled by the sound of the delta blues that has inspired him since he was teenager (a car journey recollected in the new “Turn It Up”). He had previously traversed North and West Africa, following the trail of the blues back to the desert, where he famously joined nomadic Tuareg musicians and others at the renowned Festival of the Desert in Essakene, Mali. But now his creative wanderings have led him back to his native England and a rediscovery—and a reappraisal—of himself as an artist and songwriter.

While collaborating on record and on stage with bluegrass superstar Alison Krauss or hitting the road with guitarist Buddy Miller and singer songwriter Patty Griffin as part of his more recent Band of Joy, he largely performed other people’s songs: modern and traditional folk, blues, and bluegrass, trying to better understand and assimilate the particularly American sound of this music. His success, especially with Krauss, was extraordinary, and it expanded his fan base far beyond the world of classic rock. Plant’s knowledge and taste, combined with Krauss’s virtuosity, proved formidable, interpreting songs from Gene Clark, Sam Phillips, Tom Waits, and Townes Van Zandt, among others. Looking back, Plant remarks, “I was really happy to learn my trade, to extend my trade, so that I could make my way into the guild of good singers.”

New album ‘Oochya!’ is out now! https://Stereophonics.lnk.to/oochya

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