Band originaria della Sabina,spaziano tra Ska,Reggae con influenze Folk.
Nati nel 2013 iniziano il loro percorso artistico rivisitando brani dei grandi cantautori italiani (De Andrè,Battisti,Rino Gaetano,Carosone,Ivan Graziani,Dalla etc etc) il tutto con il loro particolare sound.
Nel 2014 lanciano in rete un’anteprima del loro primo EP “Qui va tutto bene”,la canzone arriva allo Staff di Beppe Grillo il quale li invita a partecipare alla manifestazione ITALIA5STELLE al Circo Massimo nell’ ottobre 2014.
Da qui l’esordio della band che in quel contesto condivide il palco con artisti come Edoardo Bennato,I Meganoidi,Pino Scotto e Rudy Rotta.
Per l’occasione propongono  l’intero EP in una travolgente versione live riscuotendo notevole successo,questo grazie anche ai loro arrangiamenti ritmati utili a far ballare il loro pubblico ma nel contempo a farlo “riflettere” visti i temi trattati.
I loro brani infatti affrontano argomenti attualissimi che vanno dalla disoccupazione giovanile alla malapolitica passando per i disagi creati dalla crisi economica e sociale.
Attualmente impegnati nel pubblicare la versione studio del loro primo EP  stanno in realtà già lavorando alla preparazione di un secondo lavoro anche questo autoprodotto.
Per il 2015 la band  spera di portare la propria musica sui palchi più prestigiosi d’Italia (Arezzo Wave,Rotorom Sunsplash,1 Maggio,Heineken Jammin Festival,RedBull Tour Minibus).


In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Camilla Pisani is an audiovisual artist based in Rome. She looks for the interaction between space, sounds and abstract graphic signs. Her music is a hybrid, moving into a set of influences: dark ambient, soundscape, noise and minimal electronic. She composes field recordings, suspended atmospheres, hypnotic textures marked by concrete rhythms. Her artwork focuses on sonic and emotional intensity.

✉️ For bookings and inquiries, please send an email to pisani.camila@gmail.com

Hella Mega Tour w/ Green Day, Fall Out Boy, Weezer + The Interrupters coming in 2021 - http://hellamegatour.com

Drummer | Session Man| Producer | Studio Owner
30 years experience and many recordings in different musical styles. I love to produce music and record drums contaminating sounds, with modern, vintage, electronic sounds, with creative solutions and in the best quality.

During my life I played with many projects, since I was 15 year old. I did many recording sessions for different artists around the world, developing a great experience along the years, from Italian studios to the Village Studios in Los Angeles. I had also the pleasure to have gigs in some of the biggest venues in the world and with famous artists. 
I'm official endorser of Ludwig drums, Paiste cymbals, Remo drumheads and Vic Firth drumsitcks.

I always like to serve the music and to give great drum sounds, groove and music solutions in all the songs I'm involved in. I also love contaminations and mixing electronic and acousitc instruments, obtaining unusual sounds in most of the commercial or experimental projects I’m involved in.

My own new studio has a great acoustic natural room sound with and all top microphones and instrumentation with the VP28 CAPI and Stam Audio 1073-5 preamps, the vintage API and vintage NEVE 1073 sounds. Neumann, AKG, Shure, Sennheiser microphones and the 16 Class A preamps and top converters in the market of Antelope Goliath.
I also use modern and vintage drums of different sizes, with a great collection of Paiste cymbals, Remo drumheads, electronic pad and triggers for hybrid sounds.

'MAMA' out now:
https://EllaEyre.lnk.to/Mama7t

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