Simone Corti
"Compendium" for solo piano [2020]

Emanuele Torquati, piano
15.10.2021 @ Inter Arts Center_Malmö (Sweden)
for Sound Spaces 2021

Recording and audio editing: Alessandro Perini

Compendium

Ｃｏｍｐｅｎｄｉｕｍ

Musicien  , guitariste , bassiste et "chercheur de musiques" . Je suis avant tout un musicien de jazz mais toutes les musiques ( presque ) , tous les instruments m'intéressent . J'espère que vous aimerez !
De plus , vous pouvez écouter mes découvertes musicales ici : soundcloud.com/Claude-592467359

An ongoing electro-acoustic project beginning in 2009

maladyofknots@gmail.com

https://malady-of-knots.bandcamp.com/

https://m.youtube.com/channel/UCOXEKCLQqswD4IOpfcDxyGw

https://www.mixcloud.com/maladyofknots/

https://www.mixcloud.com/Melodies_for_Knut/

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

My music is written without the use of AI, though some of my older albums used jankier, older (pre-chatGPT) AI for album art.

Hope you enjoy and thanks for visiting!

A composer and sound artist, Christophe Guiraud is dedicated to the realms of contemporary music and sound art. His primary goal is to delve into the crossroads of electronic, generative, and written music.

Ars Subtilior and Noise music serve as the dual muses for Christophe Guiraud, akin to two rivers seamlessly woven into a composition of profound strength. The French composer acts as a bridge, connecting the pinnacle of scholarly music with the avant-garde aspects of noise. 

Born in Toulouse in the mid-seventies, he later establishes himself in Brussels, transforming it into the nexus of his continuous creative journey. Presently, he is actively engaged and has collaborated for several years with a multitude of European ensembles and musicians, including Ensemble 21, Ictus Ensemble, PHØNIX16 collective, Tom Pauwels, Arçon de Nièze, Benjamin Glorieux, Nemø ensemble, among others.

His latest compositions delicately blend instrumental timbre and sound hybridization, shrouding this alchemy in a certain secrecy. Here, more than anywhere else, Christophe Guiraud's recent works initiate a dialogue across eras, traversing from the polyphony of Ars Nova to Spectralism, all the while incorporating his noise heritage. Firmly unbound by historical constraints, the concluding pieces presented here unfold in a quivering stasis. The ensemble of these pieces brings coherence across a diverse array of musicians hailing from various places, traditions, and ensembles—everything intricately interwoven towards a particularly striking culmination.

A large part of his composition material can be found here >>> 
https://unearthlaboratory.bandcamp.com/ 

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home : www.cguiraud.com

{ Please consider listening on headphones or large bandwidth speakers } 
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Biography
e-cor ensemble is an electroacoustic music project founded in 2013, consisting of Mirjana Nardelli and Francesco Altilio. Their production is based on the cultivation and aesthetics of sound which, explored and investigated through various artistic forms, become the focus of the ensemble, the common element in all their works. The key element is represented by dialectic interaction and multimedia. Only through dialogue can the e-cor ensemble achieve and express investigation. The sound is to be understood as the element of union of all the art forms under consideration. Influenced by acousmatic art, their activity focuses on applied music, sound design, improvisation and video art. Improvisation is one of the more consolidated practices of the ensemble. In 2016, e-cor ensemble wrote and performed their first theatrical work, The Tell-Tale Heart”, inspired by Edgar Allan Poe, for which they wrote the music, stage direction and lyrics.  With Luigi Ceccarelli they composed the music for the theatre play Inferno (winner of the 2017 “Premio Ubu” prize) for the theatre company “Teatro delle albe” and the Ravenna Festival. In 2019 they released their first album, Lipstick on a Pig on the label Folderol Records. The main themes of the album are multimedia, sharing and improvising. 
Their music was performed and played in: Gallery of Modern Art in Rome, NYCEMF in New York, Conservatory Santa Cecilia - Rome, Conservatory San Pietro a Majella - Naples, Conservatory O. Respighi - Latina, Conservatory G.B. Martini - Bologna, Conservatory L. Cherubini Florence, RomaEuropa Festival Digital Life - Rome, 14th SMC - Aalto University - Espoo (Finland), Forum Wallis Ars Electronica - Leuk (Switzerland), Acousmonium Istituto San Fedele - Milan, Tempo Reale - Florence, University of Greenwich -  London, University of the arts of Essen (Germany), MUSLAB-2016 Universidad Nacional Autónoma de México- México City, ICMC 43rd The Daegu Art Factory, Daegu (Korea), Festival Exhibitronic, LABUT - Stimultania, Strasbourg, Festival Mixtur 2018 – Barcelona, MACRO - Museo d’Arte Contemporanea Roma, MAXXI Open Museum Open City 14 – Rome, – CRR de Paris, Musiques à Réactions Paris, Sapienza University - Maker Faire 2014 – Rome, Zebrastraat - Het Maandagavondcomplot - Gent (Belgium), Goethe Institute for Di_stanze 13 Palermo, Solvay Center with SME - Akademii Muzycznej Krakòw. 
 
Contact: 
e-mail: e-cor@outlook.com

https://www.duodubois.com/

Alberto Cavallaro - Saxophone
Federico Tramontana - Percussion

corti.simone@gmail.com
https://www.babelscores.com/SimoneCorti
https://www.youtube.com/channel/UCo0u7qVowYGeAiOcdMx69Zg