This track is pretty much entirely computer-generated. The parameters were set by making all drums/notes (in G minor) have the potential to play every 16th beat, but setting the probability of that note/drum to actually play during a particular 16th division from somewhere between 1 and 20% probability.
All notes or drum hits during a given time are therefore random.

The Baseline Harmony of Existence, Given a 1-20% Probability of Occurrence

"Ornettiana" - Rollin' by Monica "Nica" Agosti
ShapeX Ensemble
released September 12, 2022

Monica "Nica" Agosti - Vocals
Tommaso Iacoviello - Trumpet
Tobia Bondesan - Alto Saxophone
Francesco Sarrini - Double bass
Giuseppe Sardina - Drums

01. The Band Comes Playing a Crazy Little March and Goes Away – 02:41
02. Law Years – 05:43
03. Brittle White – 07:55
04. Spread Love – 00:39
05. Kathelin Gray – 04:29
06. Echoes from Fort Worth, Texas – 02:00
07. Cooper’s Game – 03:26
08. Rollin’ – 03:22
09. Human Voice – 03:22
10. At the Funeral the Band is Sad and Drunk – 02:37
11. StoryTellers / Search for Life – 07:20

Recorded, mixed and mastered by Francesco Ponticelli at Cicaleto Recording Studio in Arezzo
Recorded on October 30th & 31st, 2021
Mixed on November 8th & 9th, 2022, December 13th, 2022
Mastered on May 3rd, 2022

Artwork and Layout by Karen Minden
Produced by Monica Agosti and Aut Records
To me, improvised creative music means expressing myself “in the moment”. We live in the illusion of our daily routine, but we don’t know what the future holds. Each day only happens once, and the real challenge is learning to live in the present moment, here and now. This album was inspired by this concept and by the great Ornette Coleman, whose music is an ideal paradigm between his creativity and other musicians’, with total respect for both. I believe that, as individuals, we grow by accepting other people and their views as they provide new input and awareness.
Similarly, music gets richer thanks to the free, democratic contribution of the musicians who participate. Everyone’s voice is valued and enhanced, adding to the others into a harmonious or “harmolodic” whole, as Ornette would call it. These principles also guided my choice of the musicians I wanted with me, with whom I share a profound musical and human harmony: Tobia Bondesan on sax, Tommaso Iacoviello on trumpet, Francesco Sarrini on double bass, Giuseppe Sardina on drums. This album would not have been possible without them, and I am immensely grateful to them for trusting me and the project. (Monica "Nica" Agosti)

Ornettiana

Rollin'

warm my stomach, warm ur heart

performed by "Quadruple Bass", with:
Isabel Rößler - Double Bass
Wolfgang Seidel - Percussion, Electronics
Alexis Baskind - Double Bass

mixed by Wolfgang Seidel

Quadruple Bass (Isabel Rößler, Wolfgang Seidel, Alexis Baskind) - Space is the pace

We all fight ennui and anxiousness differently...

Abstractions Nr 2a  - In De Wachtkamer

https://open.spotify.com/album/4ba9FsUA3YDvfGinKAtTQq

Miyako

Derek Beckvold - Alto Saxophone
Isuru Kumarsinghe - Electronics
Isaac Smith - Double Bass
Sum Suraweera - Drums

Recorded live at Big Ears Music Series, 26/4/24, Colombo, Sri Lanka

Beckvold/Suraweera/Kumarasinghe/Smith Live at Big Ears, 26/4/14

Description to come later -- please enjoy the journey for now.

In the Modcans of Madness

Simon O'Rorke - Voltage Modular software synthesizer
This is my first modular synthesis work that I've deemed worthy of  publication.  It consists of two generative patches, which means that each patch evolves without manual intervention.  I first worked the four-voice slow legato patch, as shown in the image, to near-completion.  Then I started on the two-voice lead patch to go on top of the first patch.

Euclidean Tasks

More 259e output to output patching experiments 

Liquid Metal Whales 2

Simon O'Rorke discovered improvised music while a student in London.  After emigrating to New Zealand, from 1992 he formed free improv ensembles in Wellington, at a time when activity in the genre appeared to be otherwise non-existent in the city.  Since the improv scene took off in 1997, O'Rorke has collaborated with many of New Zealand’s leading improvisors.  Originally a bass guitarist, he has specialised in percussion since 1997 and then, from 2010, synthesizers and software instruments.  In addition to his ongoing participation in collaborative improvisation, O’Rorke has very recently started to develop software electronic works.