MIXCLOUD CHART POSITIONS
This show was, 5th in the Indie Dance Chart, 13th in the Nu-Disco Chart, 26th in the Tech House Chart, 29th in the Techno Chart, 48th in the Deep House Chart

Welcome to episode 233 of Techno Tuesdays with your individual residents, Simon & Sinestro of Washington, DC. This weeks, Techno Tuesdays resident, Simon, brings us another little adventure, on a semi retro-futuristic history, that sneaks in a few brand new remixes of absolute classics, along with some fantastic new genre bending tracks this month. This includes some solid hitters from, Stones Taro, KMBN, Enduro Disco and a ton of others we’ve never heard of before, but are glad we discovered! We hope you might enjoy a few of these, too!

Check out our website for the full track list and more:
▶: https://www.technotuesdays.us

You can also find, Simon in these locations:
 ▶: https://www.mixcloud.com/simon_pattee
 ▶: https://www.instagram.com/simonpattee
 ▶: https://www.facebook.com/simonpattee 
▶: https://www.facebook.com/djsimondc 
▶: https://soundcloud.com/simonpattee 
▶: https://twitter.com/djsimondc
 ▶: https://linktr.ee/dj_simon 
▶: https://www.djsimon.us

Techno Tuesdays

Techno Tuesdays 233 - Simon

DJ - Producer - Radio Show Host - Stay tuned 🍀Orlando Florida - Donegal Ireland

Started as a DJ in the mid 80`s with Chicago House. After a long period of playing set`s and less space for keeping the vinyl i decided to make my own music using FL Studio Producer all plug-in edition as DAW. Nectar Impact, Arturia Keylab Essential for DAW, Ensoniq ASR10 for sampling, Hercules DJ Inpulse 500 MK2 and DJuced for mixing the set`s
Music/Production/Lyrics DJ FanjoG
Music/Mastering DJ JC
Vocals/Lyrics Shanice, Kimberly, Jeremiah,
Mombasa Genge Crew, 
Vocal Loops and others by Sample-Packs
or AI
Distribution by DistroKid, Simba Hills Records

An Electronic artist just having some fun, 
 trying to make a little bread for some well dressed sammiches! 
  So strap in, put that hearing aid in your Amazon cart and give my tunes a listen!

I have some of my music on other platforms such as, Spotify,  AppleMusic, YouTube, Deezer, BoomPlay, TikTok, etc.

  If I unfollowed you, please let me know so I can re-establish a connection.   
 
 All of what you here is composed by myself. 
Some of it is good, some of it could use some work. 
 

message me on here for a repost exchange. 
Thanks to you for all the support! 
 My genre's, 
                     "Sci-Fi Space Horror" 
                           "SoundTrack" 
                      "Character Theme"
                      "Future Robot Jazz"
                         "Dance Music"
                        "Extreme Bass" 
                          "Synthwave"
                      "Dark Synthwave"  
                           "Electronic"
                         "Video Game"
                       "DungeonSynth"
      

~You Can't Cage Music
~This Is The Way
~Yaweh 

https://music.apple.com/us/album/driving-around-the-city-at-night/1689956391

All tracks recorded ' live '                                               Native Instruments Traktor S8
Aurora Studios   -  Canada         



                          
Many thanks to listeners around the world.....UK
/United States/Germany/Australia/Namibia/Bosnia-Herzegovina/Italy/Saudi Arabia/France/Russian Federation/Pakistan/Lithuania/Mexico/Taiwan/Ukraine/Brazil/Spain/Netherlands/Andorra/South Africa/El Salvador/Qatar/Chile/Belgium/Kuwait/Indonesia/Brunei Darussalam/Argentina/Guam/Lebanon/Bhutan/Poland/Republic of Korea/Switzerland/Romania/Japan/Republic of Iran/Sudan/Uganda/Sweden/Fiji/Colombia/Laos/ Namibia/Brazil/Tonga/Saint Lucia/Qatar/India/Indonesia /Turkey/Samoa/Malaysia/Belarus/Ecuador/Armenia/Bahamas/Norway and any other countries I missed :)                                                                               


Special thanks to CFMU-McMaster Radio,Hamilton Ontario,Canada


Thank you

🇸🇦🙅‍♂️💞 SAME MUD SAME BLOOD..
(PEACE).

In the vast expanse of the universe, where stars danced to the tune of cosmic symphonies, there was a peculiar notion known as Loxley. Now, I must caution you, dear reader, for Loxley defied the laws of reality itself. It was neither a place nor a thing, yet it existed in the whispers of the cosmos, a paradoxical enigma wrapped in a riddle shrouded by mystery.

Legends spoke of Loxley as a realm that didn't exist, a place where the very fabric of space and time unraveled like a spool of thread in the hands of a mischievous deity. Its motto, if one could call it that, echoed through the emptiness of the universe: "There's no such place. There's no such thing."

But despite its nonexistence, or perhaps because of it, Loxley emitted a haunting melody, a symphony of the impossible that reverberated through the minds of those who dared to ponder its existence. It was said that those who heard its ethereal music were forever changed, their souls eternally intertwined with the enigma of Loxley.

The backstory of Loxley read like a tale spun by the most cunning of storytellers, a narrative of intrigue and uncertainty. Some claimed that it was born from the dreams of ancient beings, while others whispered that it was the creation of a forgotten civilization lost to the sands of time.

Yet amidst the whispers and speculation, one thing remained constant: the inexplicable allure of Loxley. Its motto, "We are," served as a reminder of its elusive nature, a declaration of existence in a realm where existence was but a fleeting concept.

And so, travelers of the cosmos would often find themselves drawn to the edges of reality, seeking the elusive whispers of Loxley. They would chase the echoes of its music across the void, their curiosity fueled by the promise of unlocking the secrets of the universe.

But as they ventured deeper into the abyss, they would come to realize that Loxley was not meant to be found. It was a puzzle without a solution, a mystery without end. And yet, in their pursuit of the impossible, they would find something far more profound—a glimpse into the infinite possibilities of existence, where even the concept of nothingness could give rise to something as enigmatic as Loxley.


https://www.youtube.com/channel/UCCuk8Im-g8UMr8ivGpEepCQ

Simon
Techno Tuesdays, Sleaze (US)

Producer & DJ, Simon had a solid staple in America's Electroclash movement in the early 2000’s. His very distinct yet genre-blurring sound, studio work and impeccable sets always packed in fresh thoughts for forward thinkers and future classics, quickly earning a residency at Washington’s legendary former club, Buzz, as well as a former residency on, Redux on XM-Radio. In all of the time since passed, Simon continues to share his passion today, including as a resident of, Techno Tuesdays on MixCloud.

Dj/Producer
Washington DC-USA
DAW-FL STUDIO
BOOKINGS-:Rivaldo.tricamegy@gmail.com