This is a comparative study of chord progressions and scale paths in the Spectrum of Modes from Lydian to Phrygian. This is part of my final assignment for an ear training course I took in the first semester of 2025. I play the guitar, the bass, and sing the solfege. The drum loop was created from "Jazz Drum Metronome for ALL Instruments 115 BPM | Medium Slow Swing | Famous Jazz Standards " by InnerClock via YouTube.

Spectrum of Modes Study

This is an homage to all the cultures that have contributed to my musical journey so far. It is also a bass solo sandwich. Most of the track is a soup of different loops I found on loopcloud. I take credit for the production and the playing of the double bass. The composition is original. All rights reserved. I have a license to use the loops in the composition.

The bass you are hearing is a Shen SB 80 Fully Laminate with 39.5" scale length. It's a 5/8 size. The strings are all Savarez Corelli Medium long scale. The G string is a nickel wound unlike the others which are steel. I recorded the bass with a RODE NT1 Signature Series condenser facing the center of the top approximately 2 feet from the bridge tip. The mic is fed into an SSL2 audio interface with the 4K emulation engaged. There is some subtle eq and a little reverb on the bass track. No compression or limiting on the bass track. There is light compression on the overall mix.

All is One

Elysium

Cuidame los Gatos

Sci-fi nerd alert! A song inspired as much by author Liu Cixin as it is by Massive Attack.

Also, h/t to the bass octave pedal. You da best, mate!

The Dark Forest Hypothesis

Between the Worlds

Midnight Moon

this is the cover song for the Movie "the ninth gate"
one of my favorite movies in the "psychological thriller" genre 🎞️

Mix & Mastering by @bahram-dashtii 🙏

The Ninth Gate

Author : Eleanor Farjeon \ Composer : Rick Wakeman \ Cat Stevens
ISWC : T-902.185.334-9
Released : December 1971
Publisher : Cat Music Ltd \ Universal Music Publishing

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This song is a famous Christian hymn written by Eleanor Farjeon in 1931

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It had been over 35 years since I last played the guitar...

I started again at the end of July 2025.

On August 10, 2025, I recorded this cover with my cell phone,
WITHOUT EFFECTS, raw sound, with vocals and guitar.

When converting the file to Wav format, I simply heightened the volume.
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First of all, I would like to thank two followers:

- Four months ago, the first one really encouraged me 
to pick up the guitar again.

- The second is someone I hold in high esteem, 
who gave me confidence and, above all,
strongly advised me to post this track as it is,
despite its imperfections (the chords weren't quite right,
the singing wasn't great...)

A big thank you!
__________________________________________________________

Vocal : Anh
Semi-acoustic Guitar : Anh
Recorded : August, 10 2025
__________________________________________________________

Morning Has Broken - Cover (Cat Stevens)

sky ship

A 2004 emotional moment through piano I share here as I feel close to you in this platform. Not capturing time but musically expressed.
Hope you enjoy,
love
Rina

Live Reflexion#036

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster

J.J. Terrell– @j-j-terrell – electric piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 

  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 

  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 

  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom - (Eclectic Collective)

Welcome to my SoundCloud page. My tracks are mostly highlighting my bass playing. I also play guitar, ukelele, some keyboard, sing, and whistle. Thanks for checking out the tunes.

Spectrum of Modes Study

Simon Wojcik