@thomas-hollowell I've been trying to connect with musicians to perform in the northern parts of the eastern shore and Northern de. I'd love to put together a trio playing jazz, blues, and pop tunes from the 40's to the 50's.

@thomas-hollowell I mean 40's to 60's. Look me up on FB if you'd like to discuss further.

I've had the privilege of sharing the stage and studio with some truly talented musicians through the years. Here are some samples of the original music I have put together with these fine folks.

Original Music with Simon on Bass

Jessica Bains Brown - Synesthesia (24bit Aminor).mp3

with many thanks to Cecilia "Equality for all, let good overcome"

the good will overcome

As I'd mentioned in the other version of this track, I sent some stems over to @enigmacurry and he produced to amazing mixes. I really wanted to release both of them even though this one is ridiculously long, I found Ryan's creative iterations and evolutions of the source material to be super fascinating on here.

Check out version B here:
https://soundcloud.com/tea_are_sea/fractal-traffic-cinematic

Fractal Traffic A (epic extended mix) - w/ Enigma Curry

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

This tune began with just the upright bass (played on keyboard) & flute part (played with real flute), that were inspired by an old song that Mark liked a lot by an English Jazz trio called The Herbaliser.  Once he had it in progress, he asked me & Chris to see if we could contribute.

I added the trippy high pitch reverse guitar effect, and the bluesy lead guitar in the middle section (thus the title, Blue In The Middle). And Chris added some delightful atmospheric guitar and effects, as well as the Portishead influenced drum track. Mark was then inspired to add the background echo guitar sound in the middle section, and a bit of percussion and minor sound effects. 

Then Mark laid a really fine mix on it and I did the final mastering.  I'm glad Mark brought me in on this one, I really enjoy the ambience of it.

Blues in the Middle - w/ Mistermark and CGManess

a little snippet from the other night. Somewhat contrasting the extreme noise of our last SC post : ) Still making use of this wonderful space and Grand Piano, no doubt we will get asked to leave at some stage, but until then happy days : )

Kirby/Ward  Organ Room Jam # 27

This is music I wrote more than ten years ago that I decided to remix as best I could. I was just learning how to lay down more than just a piano track and had absolutely no idea what I was doing. I always had engineers that did that for me before there were online sites like Soundcloud and others.  I have 2" recording studios tapes from 40+ years ago that has original music that I want to get remixed and there is no one near where I live. If anyone can help me out, let me know. I live in PA.

2nd Time Around

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

Stop The Train

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Where are You

Music by Brian Easter and Simon Wojcik
Words by Brian Easter

Brian Easter: vocals, keyboards
Tim Filbird: drums
Chuck Lenderking: rhythm guitar
Will Schuyler: acoustic guitar
Mark Terrence: rhythm and lead guitars
Simon Wojcik: bass, vocals


Copyright 2011 LovePoint Records
Published 2011 MindOne Music
All Rights Reserved

Falling Down by Crayonhead

Music: Easter, Terrence, Wojcik
Words: Easter

Brian Easter: vocals, synth, acoustic guitar
Chuck Lenderking: acoustic guitar
Mark Terrence: electric guitar
Simon Wojcik: bajo sexto


Copyright 2011 LovePoint Records
Published 2011 MindOne Music
All Rights Reserved

Lie To Me by Crayonhead

Words and Music by Scott Goodman

Scott Goodman: vocals, acoustic guitar
Josh Ethan: drums
Simon Wojcik: bass

The Journey by Paradox Engine

E TRAIN by Paradoxe Engine

Words by Rob Beiber
Music by Cuozzo, Pascali, Beiber, Wojcik

Alex Cuozzo: guitars
Buster Pascali: drums
Rob Beiber: lead vocals
Simon Wojcik: bass

Burt by White Horse Cellar

Welcome to my SoundCloud page. My tracks are mostly highlighting my bass playing. I also play guitar, ukelele, some keyboard, sing, and whistle. Thanks for checking out the tunes.

Falling Down by Crayonhead

Simon Wojcik

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