London, England.
Electronic Duo 
Email- chy.deep.music@gmail.com

Shai Sevin’s talents are multi-faceted. At once an artist, producer, songwriter and engineer, his creative output is an all-encompassing homage to hip-hop. Growing up in the concrete jungle of South West London, the grit of the cityscape would influence his future soundscape. Shai Sevin’s beats spit and snarl, lurching from his verses that contain the truths of London life. 
Music had Sevin mesmerised from a young age. The vivacity of Bollywood music made its mark indelible when he was just a toddler, which was a constant presence on the kitchen radio. As he grew up, the influences of hip-hop deities Jay Z, Missy Elliott and Timbaland laid the foundations that would lead to a distinct sonic signature. Rather than pursuing the expected path of school and university, Sevin instead took a risk, and honed his burgeoning talents as a producer. 
Shai Sevin’s mark is unmistakable, and has been left on Amplify Dot & Kano’s track, “Semantics”; Wretch 32 and Swiss (So Solid)’s “2-A-Side”, to name but a few. Sevin also produced and co-wrote the song “Chemistry” with songwriting kingpin Jack Knight, who has platinum hits with P-Diddy, Usher and The Notorious B.I.G. He was also responsible for tracks featuring on an anti-knife campaign, taking it further by casting reflections of the struggles of life on the city streets in his own work. Notably, Shai Sevin also helped catapult Jessie J’s career, introducing her to a rich expanse of urban sound that gave rise to her undeniable swagger. Shai Sevin produced and co-wrote ‘Big White Room’, which was a cut on Jessie J’s multi-platinum selling album, Who You Are. He also developed and produced Stylo G’s seminal breakthrough record My Yout, which is now considered a British classic. 
“To me it's about the journey not the destination,” Sevin states. Since the age of fifteen, he had worked behind the scenes, but now his solo material is, at long last, coming to the fore.

Artist Management & Artist Development company based in London.

Rachel has had a passion for music as long as she can remember. Though some of her first musical memories are of performing publicly at school and church, her roots in music have even earlier origins. “My mother had a dream whilst she was pregnant with me,” Rachel explains, casting her mind back to where her musical journey started, “and in it she says that she remembers me being a baby, running across a large room to a white piano, where I started playing it. Perhaps this is why they wanted me to learn piano, who knows?”

A keen singer and musician throughout her time at school in South West London, where she founded a gospel choir, it was at university that she started to form her identity as a writer and musician. Combining her academic study in music business, production and sociology at the University of Westminster with a blossoming career as a performer, Rachel had performed in Trafalgar Square, done backing vocals for Billy Ocean and sang the National Anthem for Nelson Mandela before she’d even finished her course.

In her music career since,  Rachel has been two-time finalist in the BBC’s Gospel Choir of the Year competition, featured as a backing vocalist for DJ Vadim and Sola Rosa and performed at festivals such as Glastonbury, Green Man, Kendal Calling and Secret Garden Party. When not performing, she’s also currently finishing an MA in Culture, Language and Identity in Education at Goldsmiths, University Of London.

Rachel previously released an EP, ‘Home’, in 2016. Grounded in gospel, soul and jazz, her solo work spans tales of love and aspiration, hoping to lift and inspire others. 

It’s a message that runs deeply through her new EP ‘KEEP DREAMING’. On lead single ‘Take Control’, written after making the decision to leave an employment situation after two stressful years, she explores what it’s like to enter fight or flight mode. “It’s about acquiring freedom to express without inhibition. Sometimes we care so much about the thoughts of others we lose ourselves and momentarily become what others want or expect whilst suppressing who we really are.   “I chose to fight and encourage people along the way.”

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