bird seed

Whitehouse - philosophy

The Dark Bleeding

Emit - Unknown I (Greets Me Again)

Emit - Communications with Shadows

Emit - Death Before Death

Emit - The Pain of Bleeding

Regarding this composition, Michael Blostein writes: "The rhythmic intricacies of the work are intense, to say the least--a clear example of this can be seen in the opening of the work. All twelve chromatic notes are played in dyads, each struck twice. The resulting twelve attacks are performed at different time points, each in six different meters. Realizing perhaps the difficulty of hearing this effect, Babbitt helps the listener by enhancing the effect with his use of dynamic accents), producing a complex rhythmic layering effect which results in extreme virtuosic demands on the performer. The dynamic contrast is maintained through the work to aid in determining the different metric values throughout. The 4/4 time signature does little other than perhaps aid the performer - it is not meant to imply further accents."


Post - Partitions (Milton Babbitt)

sin(thesis) 

sin(thesis) is a MP|vH+ project which came to life with the passion of technical and detailed deconstruction of highly formalized music. 

Computers are the integral part of sin(thesis) music, and with this project we try to understand and explore the possibility of having a solid repertoire for computer as a musical instrument.