https://soundcloud.com/bwanz https://soundcloud.com/machinecult_amsterdam
🛒 https://machinecult-amsterdam.bandcamp.com/album/edition-four
🔊 https://youtu.be/QhRm0QSlB6E

Machine Cult — the Amsterdam-based electronic platform run by Déandrah and Garçon Taupe — returns with the Edition Four release party at OT301 on 7 November.

The new V.A. compilation features tracks from Garçon Taupe, Bertram, 2:29, Beau Wanzer, Déandrah, and Masha Wordpress. At the launch, all contributing artists will play DJ sets, with Déandrah providing live visuals throughout the night.

Expect an evening of potent electronics and immersive visuals, celebrating the forefront of the underground.

Every motion leaves an echo.
A delay so small it feels like memory,
folding back into what made it.

Some parts of us cancel out — out of phase, out of step —
while others ring louder,
resonant at their point of friction.

The closer we listen,
the more we hear the shape of time itself:
not in repetition, but in resistance.

Turn the gain high enough,
and every system sings its own name.

Nothing moves forward without delay.
Every signal returns amended,
shifted by experience.

What we call resonance
is simply agreement through distortion —
a frequency where return and loss sound the same.

Civilization, too, is a filter:
attenuation at the edges,
a boost where the noise gathers.

Push the circuit far enough,
and even silence begins to oscillate —
slightly altered, slightly late.

The self is a comb filter —
a body made of delays and reflections.

What we say
returns a few milliseconds later.
At low frequencies, we disappear;
near our cut-offs, we bloom.

Maybe living
is just tuning the loop
until it almost sings itself apart,
but not quite — building toward a new start. 

Tracklist:

Garçon Taupe - Passage 
Masha Wordpress - You Can’t Hide
2:29 - Dirt Is Chasing You
Beau Wanzer - Close Shave
Bertram - Aguanile feat. Fien 
Déandrah - Karam wants to go

PREMIERE: Beau Wanzer - Close Shave [Machine Cult]

You Are Surely Lost

A trio of hypnotic, shapeshifting grooves from Thomass Jackson that blur the lines between party and paranormal. Unpredictable yet always danceable.

Transcend into orbit with Uritorco Times. (Probably) an ode to Argentina’s most mystical peak, UFO synthesisers flash and bleep around a wonky bassline. The result is equal parts mystic ritual and late night mischief.

Sly yet crunchy Push Comes To Shove rides a killer bassline over off kilter percussion. Sleazy mechanical funk that teeters, entranced between tension and release.

Sonic Witchcraft ensues in Junk Be Gone as the shadowy yet playful bassline twists like smoke around the acid melody summoning rhythm from strangeness.

Junk Be Gone gets the Felix Dickinson treatment for the EP’s remix delivering an extra long rework that stays respectfully true to the original in all the right ways. Live acid bass envelops the original bassline whilst ever intensifying synth solos build to an epic crescendo.

https://soundcloud.com/thomassjackson
https://soundcloud.com/visceramusic

PREMIERE⚡️Thomass Jackson - Push Comes To Shove [Viscera Transmissions]

TL Premiere #2065 (2025.11.24) : Break 3000 - Komputerok [ParTouT]

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

For this 234th Premiere of 2025, we have a track from Dutch DJ/Producer Break 3000, now based in Berlin (Germany), titled ‘Komputerok’, taken from his upcoming EP "Human Nature" on the French label : ParTouT.

Released : 28 November (Vinyl / Streaming) & 12 December (Download) 2025

▶︎ Pre-order : https://ffm.to/enfpartout

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

Release Info :

Break 3000 - Human Nature EP [Partout // PARTOUT11.05]

A special collaboration with Partout records from Paris. Break 3000 dug deep in the archives for this one and found some old unreleased music on his dusted DAT tapes ranging from 1993 to 2002. Now released for the first time ever on vinyl 12" and digital.

"Human" and "Komputerok" were produced in the same project in his Maastricht bedroom studio back in 2002 and reflect to the great influence artists like David Caretta and The Hacker had on his sound back then; a mix of banging Electro Clash meets EBM, '80s Proto House.

"Overdrive" opens the B-side and a window to the late '90s. This track was produced together with his classic "Plastique People" around '98/'99 and was an instrumental track luckily found again. Break 3000 added a new vocal and made a fresh shorter edit. Thanks to the excellent mastering by Salz Music this one is back in today's sound standards.

The next pearl from the past is a real favourite and is the oldest track featured on this EP. "Ambizone" was recorded back in '93/'94 and marks the transition from his first musical project, Amazone to becoming Break 3000. Recorded in an amazing analogue studio in Venray (Netherlands) where Break 3000 worked on a full album. More music will follow from these old sessions! Stay tuned.

The EP closes out with "Nature", a true homage to the early Rephlex sound and produced around '97/'98. Acts like Bochum Welt, D'arcangelo and µ-Ziq had an immense influence on Break 3000 and are a reason why he started to make more electro orientated music.

Tracklist :
A1. Human
A2. Komputerok
B1. Overdrive
B2. Ambizone
B3. Nature

All tracks are mastered by Salz Mastering in Cologne

https://dirtcrew.net

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

Follow Break 3000  :
Bandcamp : https://break3000.bandcamp.com
Discogs : www.discogs.com/artist/43208-Break-3000
Facebook : https://www.facebook.com/Break3000
Instagram : www.instagram.com/dirtcrewrecordings
SoundCloud : https://soundcloud.com/break-3000

Follow ParTouT : 
Bandcamp : https://parttrec.bandcamp.com
Instagram : https://www.instagram.com/partout_t
SoundCloud : https://soundcloud.com/user-97387322

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Human Nature EP

Komputerok

TL PREMIERE : Break 3000 - Komputerok [ParTouT]

@ethosrecords @kletis

With “Over Empathy”, Kletis continues his exploration of the misty borderlands
between techno, bass music and dubs, delivering a dense, poetic and introspective EP
where sound itself seems to breathe under the rain. Born in the humid forests of northern
Czechia, his sonic world carries the mark of a half-lit realm, heavy with melancholy yet
vibrating with restrained strength.

Each track shapes a shifting landscape, both dark and hypnotic, from the
subterranean tension of Parametric to the organic pulse of RukaRuka, leading to the fragile
beauty of the title track Over Empathy, the true heartbeat of the release. Two remixes extend
this journey, Fallen Tape unveils a mystical and ethereal vision, like an echo from another
plane, while Sub Accent reveals a more vivid, dub-infused energy.

Balancing inner fog and ritual depth, Kletis sculpts music that seeks not to belong but
to feel, a language of textures, shadows and light, where every frequency turns into vibration
and empathy becomes sound.

[PREMIERE] Over Emphaty - Kletis | Ethos Records [2025]

BUY: https://ffm.to/enfpartout

A special collaboration with Partout records from Paris. Break 3000 dug deep in the archives for this one and found some old unreleased music on his dusted DAT tapes ranging from 1993 to 2002. Now released for the first time ever on vinyl 12” and digital.

“Human” and “Komputerok were produced in the same project in his Maastricht bedroom studio back in 2002 and reflect to great influence artists like David Caretta and The Hacker had on his sound back then, a mix of banging Electro Clash meets EBM, 80s Proto House.

“Overdrive” opens the B-side and a window to the late 90s. This track was produced together with his classic “Plastique People” around 98/99 and was an instrumental track luckily found again, Break 3000 added a new vocal and made a fresh shorter Edit. Thanks to the
excellent mastering by Salz Music this one is back in today’s sound standards.

The next pearl from the past is a real favourite and is the oldest track featured on this EP. “Ambizone” was recorded back in 93/94 and marks the transition from his first musical project Amazone to becoming Break 3000. Recorded in an amazing analog studio in Venray Netherlands where Break 3000 worked on a full album. More music will follow from these old sessions! Stay tuned.

Closing out with “Nature”, a true homage to the early Rephlex sound and produced around 97/98. Acts like Bochum Welt, D’arcangelo and µ-Ziq had an immense influence on Break 3000 and are a reason why he started to make more electro orientated music.

All tracks mastered by Salz Mastering in Cologne.


Buy Here!

Break 3000 | Nature | Partout

https://soundcloud.com/monotronique https://soundcloud.com/iriyrecords
🛒 https://monotronique.bandcamp.com/album/mr-procrastinator-2
🔊 https://youtu.be/sKJJUlF0IBg

On November 28, Kharkiv-born producer Monotronique unveils his new album Mr. Procrastinator on Iriy Records, a Kyiv-based leftfield bass label. Written in one intense week, the record expands on the same emotional landscape introduced in the first single Hurry Up! — the tension between wanting to work and being unable to move, the loops of burnout, and the quiet moments when everything suddenly clicks.
Across glitchy bass, sharp drums, and drained ambient textures, Mr. Procrastinator feels like a snapshot of a mind constantly distracted, constantly rushing, and constantly restarting. It’s an album about trying to create while living inside modern noise — deadlines, doomscrolling, broken focus, and the strange calm that sometimes appears in the middle of all that chaos.
“I delayed this album for months. Then suddenly I had one week left and no excuses. Every day I’d open the laptop, do nothing for hours, feel guilty, scroll, start again. These tracks came straight out of that mix — stress, small breakthroughs, and a weird honesty you only get when you’re out of time,” says Monotronique.
One of the interludes includes a real recording of phone doomscrolling — kept raw, without editing. The album doesn’t try to hide the messy parts of the process. It turns them into sound.
As part of Iriy Records’ growing body of work, Mr. Procrastinator sits alongside releases built around similar ideas — bass heavy textures, emotional sharpness, and rhythmic structures that reflect the current state of Ukrainian underground culture. The label continues to build a catalogue led by artists who merge personal narratives with forward-leaning club music.
Mr. Procrastinator continues Monotronique’s forward-looking approach to club music, following releases on Livity Sound, Hypercolour, Holding Hands, Opal Tapes, Branch Points and more. 

Tracklist:

First Light
Hurry Up! 
Extra Doomer
Finda Ting
Inna Mode
Doomscroll Pause
Fast Slow
Week Before the Deadline
Last Light

PREMIERE: Monotronique - Week Before the Deadline [Iriy Records]

Ddx3x, Blacksand, Matilda, Kamen - Space Injection [HB004]
BUY LINK: https://perceptfr.bandcamp.com/album/space-injection-hb004
Label: Hollow Bastion (hosted by Percept) @perceptfrance
www.instagram.com/percept_/
> Ddx3x (https://soundcloud.com/ddx3x)
https://www.instagram.com/alix_mct/
> Matilda https://soundcloud.com/matilda_gx4
https://www.instagram.com/matilda.gx4/

BUY LINK

PREMIERE : Ddx3x - Candy Flip (Matilda remix)

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/pangaea-leaches-power-station
* Listen on Youtube: https://youtu.be/t252_KL-K7A
* Pre-order: https://leaches.bandcamp.com/album/leaches

Deep below the murky depths of South London’s clad cement footpaths lay a dormant strain of sound, slower, sludgy, dripping clastic eras fused into a 2025 neurotic composition of organic euro rack machinery. This unearthed excavation is led by Jack Reardon - a well versed songwriter in previous project incarnations - now presenting his latest output under Leaches - an experimental electronic project featuring Alex Hollingsworth as live session member and co-producer. We could not be more excited to welcome the project to Power Station with the first self titled ep Leaches [PS019].

Just as the track titles suggest of prehistoric times, ‘Pangaea’ starts the EP with fractured kicks, swirling cut up voices chaotically unearthed, reassembled, and adapting to a new sonic climate. It’s a reconstruction of something ancient, revealing unexpected proximity to the present.

On ‘Mammoth’, Leaches fuses the chaos of micro organic vocal chops with industrial precision. Half-time rhythms and distorted kicks drive a churning, IDM-inflected landscape that feels both primal and machine-born — a resurrection of lost forms in motion.
 Lastly ‘Icarus’ closes the EP with an extended trance state intro. A singular pad rises, evolves, slowly building, reaching for the skies and just while soaring through the upper layer of the sonic atmosphere, resistance hits and you start hurtling to earth, grounding oneself back to Mother Nature in a fitting mythos metaphor of the risks of flying too close to the sun.

Leaches situates itself between post-industrial intensity and experimental introspection — a debut that bridges prehistoric imagination with contemporary electronic experimentation.

PREMIERE: Leaches - Pangaea

Dee Vek delivers a focused blend of stripped-back techno and subtle house influences, shaping an EP that’s built for the floor but rich in character. The tension is occasionally broken by melodic moments that rise through the groove and add a surprising emotional lift without losing the club focus. This release highlights Dee Vek’s push for something more expressive, and his ability to bring emotion into precise, driving tracks.

BUY on BANDCAMP

Première : Dee Vek - Threshold Fever

Amsterdam based Sinchi is a multi-faceted platform, including a DJ collective, event promoter, mix series, blog and now label. The new not-for-profit label will pledge the profits from each release to a hand-picked charity and kicks off with a fresh single from @LeonorOficial, featuring remixes from Curses and Sascha Funke.

Profits from the first release will be benefiting The International Elephant Foundation, an NGO which focuses on protecting the severely endangered Asian elephant and the threatened African elephant. They support programs that protect elephants, habitat, and the villagers that live with elephants in their “backyards” by reducing human-elephant conflict.

The artist behind the single is Leonor, a DJ and producer from Guadalajara, Mexico who now resides in France. An upcoming star, he has released on Nein Records, Toolroom, and Tom Tom Disco while charting in top positions on Beatport and Juno. He is rapidly making a real impact on the scene and in heavy demand as both dj and producer.
His fantastic single here is an organic and inventive track littered with the sound of jungle wildlife, indigenous percussion and vocal chants and loose house drums. Big claps and raw loops help build the pressure making for a sure-fire bomb that will detonate any floor.

First remixer is Curses, the New Yorker based in Berlin, known for blending rock & roll with the darker side of disco on labels such as Bordello A Parigi, Throne Of Blood, and Ombra International. The Rinse FM France resident brings all that to his haunting, chugging, macho disco remix, which has slapping hits and low slung bass all making you move.

Then comes @SaschaFunkeOfficial, an experienced artist with credits for his deep, graceful sounds on the likes of Kompakt, BPitch Control and Turbo. Here he reworks ‘King of Elephants in the Sequence’ into a flailing and unhinged house track with a giant rasping bassline and trippy synth details. It’s one to shake things up and bring real colour and freakiness to the club.

Release Date - 25/02/19

Art by Sinchi in-house designer Andres Navarro

Pre-Order

SNIPPET - Leonor - King of Elephants in the Sequence (Sascha Funke Remix)

Sinchi Collective is a multifaceted music platform. Including a label, event promoter, mix/edit series and blog (which showcases our favourite soon to be released music). 

The label launched in January 2019 and has featured a combination of singles and compilation releases with artists such as Sascha Funke, Curses, TAPAN, Damon Jee, Biesmans, Khidja, Italo Brutalo, Shubostar, Anatolian Weapons, and Tolouse Low Trax, to name a few and its objective is to promote positive social change and raise funds for our Sinchi Foundation, which supports Indigenous forest guardians in the Brazilian Amazon. You can read about our foundation here: https://sinchi-foundation.com/
 
Stichting Sinchi is a non-profit organization (ANBI Status and CBF accredited) . In 2023, we also launched Treesistance to showcase the impact of our work in the Amazon. You can read more about all our activities at www.treesistance.com

To submit a promo for premiere, demo to the label or our edit series and enquire about events, bookings
contact: hary@sinchi-collective.com

***We do not accept mix submissions and do not reply to any messages on Soundcloud***