GIRLKIND

Holy Country

Multitudes

'Backseat Politic' by Eades.

Taken from the debut album 'Delusion Spree', out now on Heist or Hit.

Available on LP / CD / Digital Download:
https://heistorh.it/DelusionSpree

Delusion Spree

Backseat Politic

Get Mean

Pretty

Change

Time for You

Based on H.P. Lovecraft's short story "Nyarlathotep", which was published in The United Amateur vol. 20, no. 2 (November 1920): 19–21.

The song was created with the help of Generative AI (Udio).

Lyrics:

Through endless dunes and ash-filled air,
The blackened sky, a gaze that stares.
A monolith from times unknown,
The pyramid where shadows groan.

I heard it call across the sand,
A whisper clawed from death’s own hand.
The wind stood still, the stars erased,
And darkness swallowed light in haste.

The Black Pyramid, where shadows breathe,
Where truth and death entwine and seethe.
Its doors agape, a maw of night,
A threshold wrapped in endless fright.

The ancient stones alive with screams,
The echoes clawing through my dreams.
A shape that loomed against the sky,
A gate where mortals come to die.

The stones pulsate, they hum, they moan,
A monument of flesh and bone.
The world stands still, the air grows thin,
The dark where dreams and death begin.

The Black Pyramid, where shadows breathe,
Where truth and death entwine and seethe.
Its doors agape, a maw of night,
A threshold wrapped in endless fright.

The Black Pyramid, where shadows breathe,
Its doors agape, and none may leave.
A step remains, the veil is torn,
To know the dark, and be reborn.

Eldritch Dreams

Where Shadows Breathe

Table Manners

Drowning in Blessings

Most Modern Painting

Relentless, surreal, incendiary, O’Brien operates inside her own atmosphere as she constantly forms her response to the contemporary world she moves through. With the release of her debut album the artist is blazing a trail into the new – always questioning, and asking you to join her.

“You have seen nothing yet”, asserts Sinead O’Brien – and you are inclined to believe her. The multifaceted Irish poet, songwriter and performer is ascending into new territory with her debut LP, Time Bend and Break the Bower, released via Chess Club Records on June 10th.

In the space that exists between her delivery – at once wry, silky, vicious, self-assured – and the music – a dynamic, dancing call-and-response from her collaborators, guitarist Julian Hanson and drummer Oscar Robertson – lies a productive tension. O’Brien carves out her own space as a musical oracle for an ever-shifting era.

O’Brien has garnered international critical acclaim from titles like Rolling Stone, DIY, Dazed, Loud & Quiet, NME, Paste, Stereogum, The FADER, The Guardian, The Quietus, AnOther Magazine, and more. O’Brien has also been consistently supported on national radio across BBC Radio 1 and 6 Music.
 
On stage, the raven-haired artist commands attention, demonstrating a kinetic connection with Hanson and Roberston with every sentiment she voices. Live performance is a vital ingredient – it’s here that her contemporary sonics transform into a unique on-stage vocabulary, one that both seduces and challenges.

GIRLKIND

SINEAD O BRIEN

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