Fuzzball began life as a tiny little ear worm, courtesy of a certain hairy giant in the middle film of a classic sci-fi trilogy.
It just had a really nice ring to it, so I built a whole track around it - then decided there was too much of the sample itself and removed it from most of the track! But it did inform the melody and remnants of it are in the baselines and sparkly, echoing synths.

It was originally meant to be a drum and bass style track, but at an intimate gig a few months back, standing right next to the speaker stack, I was reminded of the awesome breakbeat that I subsequently stole and littered throughout it, drastically altering the vibe - but for the better I think.

And I can thank the hairy giant's best friend for naming the track for me too...

Genrematic - EP

Fuzzball

Buy on Bandcamp

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making.

A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep.

The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs.

If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating.

Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk.

RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest.

@feelmybicep 

Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Bicep

Sound Synthesis presents: Submersive Live 

Descend into a raw, unadulterated hour of driving techno melancholy.
Sound designer & sonic architect Sound Synthesis takes techno head-on — an unrelenting 4/4 tussle full of depth & grit.

Now also taking bookings for the Submersive Live project:
📩 Will@forsetzen.com
📱 IG: https://www.instagram.com/fortsetzen_agency

Sound Synthesis presents: Submersive Live

THE MEGA MIX 005 with London Hatred, aka Kay Jupe!! 🤩 A powerhouse of a producer and DJ. This mix is really all about the journey 🫶🏻 Taking stops at house, breaks, UK garage, bass, and more, likeeee keep up oKAY 😭 We are super stoked to have them on the mix series, keep your ears out for their brand new remix of Kitsch's unreleased track 'Go Out Dancing' coming out TOMORROW on EQUAL PARTS 🥵💜


THE MEGA MIXES 005 | London Hatred

Welcome to part 8 of our Discord Member's mix series. After a short hiatus for the Summer, we're back with an absolutely storming mix from Samuel Davey. 

Hey there! My names Sam and I’m a 24 year-old graphic design graduate from Sheffield. 

Having studied in Leeds for three years at an all-arts University, this experience allowed, and encouraged me to explore other creative disciplines alongside my degree, and I’d still probably class myself as a tourist creatively, always wanting to explore new ways of making things. I think it’s probably true for most creative people that exploring ideas through disciplines we don’t fully understand is often more exciting than through the one we’re most comfortable with. This is the general mindset behind most of my creative endeavours, and applies fittingly to this short mix.

I’ve always liked music, but wasn’t really until University that I began finding music I loved. Much of this discovery came through house parties as well as events at places like Wire, Old Red Bus Station, Mint etc. some of which are amongst my favourite venues I’ve been to. It was also around this time I discovered Bicep, having heard Glue at house parties during my first year, I didn’t know what the track was called, or who it was by, but was keen to explore that sound more. Once I’d got ‘Bicep’ I must’ve listened through their entire Spotify catalogue in about a week, many tracks (Just & Aura being my favourites) being on repeat for the next two years.

I’d still class Bicep as the start of my journey into electronic music, leading me deeper and deeper into the scene. With like Overmono, Four Tet, Floating Points, Joy O, Kelly Lee Owens, DjRUM etc. dominating my listening time. It was also the Bicep Printworks Live Recording which got me addicted to Live Music, another gateway into a different music experience. Towards the end of uni I began actively travelling to see live music and became obsessed with the experience. I feel blessed to live in a country with so many great venues, despite a worrying number of closures, especially Hope Works in my home city, there is such a wealth of electronic music history here. With seeing so much music live, I thought I’d give it a go myself, so bought a DDJ-400 in my second year and played a few house parties, with Glue being a staple in most sets. From this point onwards I’ve been mixing mini-sets in my room, building up to playing to more people.

I think this generally covers my journey to where I am now, very keen to carry on seeing and playing more music live, and hopefully start creating my own at some point in the future. I was also inspired to document some of the sets I’d been to, so started a mini blog [90.6FM] on my website, also very much inspired by the FMB blog.

https://project-----one.com/

Tracklist >>

DjRUM — Waxcap [Houndstooth]
Kelly Lee Owens — Higher (Oscar Farrell Remix) [dh2]
Floating Points — LesAlpx [Ninja Tune]
Avalon Emerson — One More Fluorescent Rush [AD 93]
Kelbin — Vital Loop [Daisy Chain Recordings]
Jeigo — Lust [Fleurella Records] 
Villager — Sculptor [Pretty Weird]
B From E — Arp Dream [Houseum Records]
Orbital — Halycon & On - Logic1000 Mix [Orbital Recordings]
⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ ৢ؞ ؖ ꉺლ — ()vȯ)) ̷̨ʅ (۝ʅ(Ɵʅ():::()̵̳̗̊(Ɵʅ()vȯ)) ̷̨ʅ) [vȯ)) ̷̨ʅvȯ)) ̷̨ʅ(Ɵʅ()(Ɵʅ()]
Tom VR — Siglo X [Self-released]
Villager — Stitch In Time Saves Nine [Pretty Weird]
Ploy — Terrazza [Dekmantel]
Impérieux — Saat [Hessle Audio]
Joy Orbison, Overmono — Bromley [XL Recordings]
Cameo Blush — Essa [Future Classic]
Kelbin — N-Zap [Future Classic]
Overmono — Le Tigre [Poly Kicks]
Facta — Innsbruck [Wisdom Teeth]
Tom VR — Heart Can Still Summersault [Spectral Sound]
Effy — MAD [Not Yours / LG105]
A.G Cook — You Know Me [New Alias]
Two Shell — Reachin [—]


Thank you for being part of our community, we hope you love the mix!
The FMB Discord crew.

Join the Bicep Discord community: www.levellr.com/bicep

FMB DISCORD MIXTAPE 008 | Samuel Davey

@thoughtsonelvis is back with another hour of fun, this time taking influence from latin dance music. High energy edits, bassy grooves and an unreleased collab of his own make it into this one.

Thoughts On Elvis - 09/09/25 - [Voices Radio]

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly

Bleep Mix #308 - DJ Food

PRE-SAVE TANGZ II: https://drop.cobrand.com/d/BICEP/CHROMA000

BICEP - TANGZ II - Unreleased

This month is a special show for @thoughtsonelvis, as he celebrates his birthday with Voices for the first time. Lock in for an hour of his production - including lots of released bits, some edits, some collabs and even some upcoming label releases that he’s excited to share with the community.

Thoughts On Elvis - 14/10/25 - [Voices Radio]

Love Somebody is finally upon us!

The Hammer Hits debut on hand stamped white label. A peak time disco rework on the A-Side, with a DJ Shanté & Haircules dub remix on the flip.

Order it here: http://bit.ly/THH001

Facebook: https://www.facebook.com/thehammerhits
Instagram: https://www.instagram.com/thehammerhits/
Twitter: https://twitter.com/thehammerhits
Spotify: http://spoti.fi/2pCAFlA
YouTube: http://bit.ly/2lwx2Hh

Hammer - Love Somebody

music to listen to, mostly made without any singing and not really with any actual instruments either...

Fuzzball

Singer and the Instruments