Despite the name, this song was done entirely though digital means. A synth patch found on Logic is responsible for the song's title.

Impulse submitted a track in need of some new rhythm tracks, a task I was happy to tackle. Starting with some built-in drum loops, I eventually worked in some organic drums and percussion for more liveliness. Some synth squeals were added for additional flavor.

Credits:
Impulse: synthesizer, synth programming; bass and guitar samples, songwriting, arrangement

Sinny: whirly tube, finger cymbal, djembe, tambourine, shakers, The Night Cricket, triangle, drum overdubs, metal container, cowbell, sleigh bells, guitar and rhythm samples, sub bass programming, additional synth programming, drum programming, moans and growls, production, processing, arrangement

Analog Funk

Kate Jo(Katarina Jovchevska) was born 1977  in Malmö,Sweden but in the early childhood moved  in Kumanovo,North Macedonia with her family. She is an author of 6 books,3 of them are poetry and 2 positive books for better future inspired of her life and love poetry book in English language"Something like love".She started writing poetry and lyrics inspired of those  two countries  on Macedonian,Serbian and English language. In Nashville,USA she recorded two Demos pop and rock. In free time she makes music as new hobby.Some of her work is available on:                                                                                        
Twitter : Kate Jo@kejt771       
For collaboration:https://www.session.id  Kate Jo  
She is always in search of new talents like composers and singers in any genre.For collaboration you can write on:                                                                               
E-mail: jovchevskakatarina5@gmail.com
Let's make new hit !!!

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

A drummer/percussionist/tinkerer who creates electronic music consisting of percussive textures, syncopated rhythms, and an odd sense of humor.

Consistency is not an absolute necessity, although I sometimes maintain a steady output of material. Most of my compositions are uploaded to the Sinnysounds accounts, although this account will continue to receive occasional releases.

All music is released under the Creative Commons. Feel free to remix, sample, create derivative works, and/or cover any of these songs. You can even message me on Soundcloud for the chord progressions and/or original stems. Music is meant to be shared collectively, not owned.

"In A Parallel Universe" by D'ark Tha Murky:
https://silentloverecords.bandcamp.com/album/in-a-parallel-universe

I'm making music on my laptop. I like listening to music and coffee. I'm making instrumental music.
Thank you for reading this far.

Hello friends!!
I am a musician-composer who likes to create deep and melodic music, always searching imaginary micro-worlds that capture the notes.

I like to do different music, whenever there is dialogue and melodic instrumental alloy.

I appreciate very much the visit, and feel free to comment on or share music, if they think they deserve.

I am also open to collaborations, so do not hesitate to ask me, if they wish.

1 Greetings to all. Cheers !!!!!!!!!!!!

Hola amigos!!
Soy un músico-compositor al que le gusta crear melodías profundas y armónicas, en busca siempre micro-mundos imaginarios que plasmar con las notas.  

Me gusta hacer música diversa, siempre que haya diálogo instrumental coherente, y una aleación melódica que estimule mi imaginación.

Les agradezco mucho la visita, y siéntanse libres de opinar o compartir el contenido, si creen que así lo merece.

También estoy abierto a colaboraciones, así que, no duden en pedírmelo, si lo desean.

1 saludo a todos. Cheers!!!!!!!!!!!!

A sonic journal to document my exploration and discovery of sound.

créateur de son, auteur, compositeur, interprète, membre SACEM, électro, pop, world music, tout ce qui est inspirant dans ce monde musical en géneral,  i'm back..! et j éspere que mes nouvelles compos vous plairont ! 

contacts: mnemoscanprod@gmail.com

https://www.facebook.com/settings?tab=account&section=name

liens: https://www.youtube.com/channel/UCOiB_-b1ipLzHhkKxDPiF4g/

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Analog Funk

Sinnyseven