Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

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Aussie vinyl club and boutique record store.

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

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