Mike Yorkz comes in heavy with Cropped Out — an explosive track packed with energy, sharp delivery, and head-turning vibes. Turn the volume up and ride the wave, this one’s built to get the crowd moving."

Cropped Out (prod. wtfnima)

Green Bean

🔥 We R Who We R is a high-energy anthem that fuses electro-pop, hyperpop, and EDM into one futuristic vibe. Built for late nights, neon lights, and pure confidence, this track is all about living unapologetically and turning up the volume.

If you’re into dance-pop, glitchy beats, and festival-ready energy, this one’s for you. 🚀✨

⚡ Tags: pop, electro pop, hyperpop, dance pop, edm, electronic, anthem, hype, party vibes, feel good, futuristic, glitchcore, club music, night drive, viral, tiktok music

We R Who We R

Run 'em Down

4REAL 1 SHOT

Yeah you’re a pretty thing, and I kinda wanna you too be mine but I can’t lie I like my peace of minnnndd

Sorry if you got hurt (rough draft)

کردم همتون نشدش سختش
زندگی هر روز زدتش تسمه
کشیدم کشیدم نگفتم بسه
هربار کشونم نمیشم خسته

کردم همتون نشدم خسته
زندگی هر روز زدمم تسمه
کشیدم کشیدم نگفتم بسه
هر روز کشیدم نشدم خسته

با صدا من میگیرن سردرد
رو بیت من ایجاد دردسر
حامی مردم ازاری ام صددرصد
میخوام که ببینم
میخوام که ببینم رنگ
میخوام ببینم رنگ قرمز میچکه ازت

ببینم مرده عه بدن
دیگه نیست روحی تو بدن
برادرت بردن زدن
خواهرت بردن
فقط حرف جلو خونوادش شد پرپر
چی موند برا دوستاش حسرت
نیگا ما رو بیخود گرفتی دست کم
Bow Bow Bow
با سه تا دونه گلوله از دست رفت

هنو‌ میترسن مث سگ از دستم
تو خیابون هنو برو داره حرفم
بیا سیلور اسپرینگ نشونت میدم ترفند
کون همتون بزارم نگرفتم حقم
You know what We do Washington ta Mashhad
کردم دخترت
بی دی اس ام زدم دخترت بود برده م

کردم همتون نشدش سختش
زندگی هر روز زدتش تسمه
کشیدم کشیدم نگفتم بسه
هربار کشونم نمیشم خسته

کردم همتون نشدم خسته
زندگی هر روز زدمم تسمه
کشیدم کشیدم نگفتم بسه
هر روز کشیدم نشدم خسته

با صدا من میگیرن سردرد
رو بیت من ایجاد دردسر
حامی مردم آزاری ام صددرصد
میخوام که ببینم
میخوام که ببینم رنگ
میخوام ببینم رنگ قرمز میچکه ازت

MBRGMA

20 year old unsigned and unmanaged rapper and producer based in NYC - Pinque

fast and red

--- Out September 19 on all Platforms ----

I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release


Judgment Day” by Lione is a hard-hitting, futuristic rap that explores society’s fear of AI and contrasts it with his relentless drive to move forward. Over heavy, industrial-infused beats, he calls out how fear makes people freeze while he turns machines into tools for survival and success, echoing a gritty Terminator-style determination to thrive in a world on edge.

Judgment day

SirZeets is rewriting the underground wave with emotion-packed vocals, synth-heavy beats, and a sound that fuses hyperpop, pluggnb, and melodic trap into something completely his own. Inspired by artists like Juice WRLD, Nine Vicious, Lil Yachty, iayze, Drake, and Playboi Carti, Zeets floats between vulnerability and flexing, heartbreak and hype. Whether he’s going “Put it on God” or snapping off like “Pound Cake,” every track feels like a moment.

Welcome to the soulful world of SirZeets, where poetic lyricism meets enchanting melodies. With a distinctive voice and raw storytelling, Zeets invites listeners on a sonic journey that hits deep. From introspective ballads to energetic anthems, his music captures the highs and lows of the human experience.

🎧 Genres you’ll hear:
sad trap • emo rap • melodic plug • emotional hyperpop • cloud rap • hyperpop

👋 Hey, I’m SirZeets — Audio Engineer, Producer, and Artist. I grew up in Atlanta and now live in Sarasota, FL, working hard on crafting the cleanest, hardest, and most emotionally real tracks for my fans.

Tap in — this is just the beginning.