Live Bookings: scumeck@mct-agentur.com 
Management & Contact: management@gusgus.com

BIO:
The Icelandic band Gus Gus originally spawned from a shortcut made by Siggi Kjartansson and Stefán Árni (a.k.a. Arni & Kinski) called “Pleasure”. Initially the band was acclaimed as an avant-garde collective of musicians, producers, filmmakers and performers. They mixed together different mediums to create a unique mixture of sound and vision. Their trademark style is combined with funky bass, streamlined synths and the intelligent use of technology and art. Árni & Kinski did the visual part and the musical side was driven by Birgir Þórarinsson (a.k.a. Veiran), Stephan Stephenssen (a.k.a President Bongo), Magnús Guðmundsson (a.k.a. Herb Legowitz). The live band was fronted by singers Daníel Ágúst, Hafdís Huld and Magnús Jónsson (a.k.a. Blake).

Gus Gus is an electronic soul band formed in 1995. A short break in a making of the shortcut made it possible for the first Gus Gus self-titled album to be born. In 1996 the band signed to 4AD Records that released their widely acclaimed second album “Polydistortion”. "This Is Normal" followed in 1999 and finally "Gus Gus vs T-World" appeared in 2000. During the 4AD years, Gus Gus started touring massively, stirring the music world with their powerful live-show. The touring life was stressful for the nine some and eventually called for changes within the line up. Six original members left and the three remaining producers (Veiran, President Bongo and Herb Legowitz) soon found hope in a new female singer, Earth aka Urður Hákonardóttir. The band has ever since focused on being a musical entity. 

In 2002 Gus Gus re-appeared with their 4th studio album "Attention" which includes their most successful dance floor hit “David”. On the album the band teamed up with the legendary producer Gareth Jones and Finnish multi-instrumentalist Jimi Tenor. The album demonstrates a sharply focused club-band full of creativity and even more energetic than ever. Daníel Ágúst

Gus Gus released there 8th studio album, Mexico, on Kompakt, Germany in June 2014

-	Shell-shocked by a compilation of Chicago House that his elder brother gave him, music pupil Roman from Darmstadt became interested in electronic music.
-	Visits to Sven Väth’s Omen in Frankfurt and nights spent with Underground Resistance or Warp turned his whole world upside down. LFO’s bass still massages his stomach region to this very day.
-	The first demo tape is given to Jörn Elling Wuttke, who is thrilled and leaves his others bands to join forces in a project with Roman.
-	Together they pay a visit to Ata and Heiko MSO. The latter work as DJs and sellers in Frankfurt’s Delirium and can hardly believe their ears. They are delighted to set their A&amp;R activities (Ongaku, Klang) in motion.
-	For Holy Garage “Surprise”, which also appeared on Eye Q, they found the Playhouse label, later to become the flagship of the label triumvirate and one of the most influential labels in Germany.
-	Time flies in the nineties with working on the label and the success of the projects Alter Ego and Sensorama. Roman also does solo projects under the name Soylent Green, Eight Miles High, Ro 70, Roman IV and his real name. The spectrum ranges from nosebleed techno to delicate ambient and electro-pop tunes.
-	Sven Väth asks Alter Ego to be his producer.
-	Remixes for Daft Punk, Radio Slave, Primal Scream, Ricardo Villalobos, The Human League, Spektrum, Tiefschwarz, Baby Ford, Chicks On Speed, and many others.
-	Alter Ego beats all the records with “Rocker” and Roman provides a worthy successor with “Geht’s Noch!?”.
-	Live appearances all over the world and Roman becomes increasingly popular as a DJ. His sets comprise 20 years of rave in one breath of techno, house, Italo-disco and obscurities. It goes by the name of acid house.

Bookings / / Emile@omni-artists.net
Contact  / /  felixisdjrum@gmail.com

HEY
WE ARE ÄTNA, WE BOTH MET IN DRESDEN, EASTERN GERMANY, WHERE WE STARTED TO WORK HAVING A SIMILAR BUT NOT TOO SIMILAR TASTE IN WHAT WE DO AND LIKE. INÉZ LOVES MINIMALISM AND THE PURISTIC SOUND OF A PIANO WHILE DEMIAN LOVES TO MESS IT UP. IT IS ALWAYS SUNG SONGS AND BEATEN BEATS ENHANCED BY BRIGHT AND BIZARRE ELECTRONIC SOUNDS. LIKE OUR SISTERS & BROTHERS IN THE STONE AGE WE LIKE TO DO IT ALL BY HAND. RIGHT AT THE SPOT.
ENJOY & FEEL FREE TO CONTACT US IF U LIKE!

Ghostly International and Spectral Sound. Of Art & Artifice since 1999.

Bookings : marcus@lb-agency.net
Managment: mt@tailored-communication.com
Checking Promos here Monthly ;) 

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


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