Utilizes  “Yr Squelchy Lyfe” by @red_robin (Tristan Louth-Robins) and “The Euclidian Rhythmicon” by @xiiixxi. Additional contributions by Sinnysounds (delay, filters, SpaceCraft app)

More on this 573rd weekly Disquiet Junto project — Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) — at: https://disquiet.com/0573/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

Xiixxi Xenochrony Squelch (disquiet0573)

Editorial de Eduardo Aliverti 8/4/2023

[disquiet0592] 1. Six - Four

minimalism on my (main) instrument lately. a few recordings directly into TE's TX-6

8 oscillators(disquiet0599)

After my first few tries with Ableton Note ended in 60 BPM Venetian Snares territory, I decided to keep my submission simple and easy to add to. So it is just a simple chord progression made with Microfreak and the fantastic acrostic. I resisted adding layers or effects to it.

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Disquiet0609 - Acrostic Speed Limit

2023년 9월 29일
생명사역 추석집회
[갈라디아서 강해 10]
갈라디아서 3장 23절 - 4장 20절
김민호 목사

E10 [23년9월][갈 3:23-4:20] 추석집회 3

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

Fire Up (disquiet0614)

Anno 2010, Si passa al digitale. Primo disco di Sisma DJ su etichetta Hard Jump Records. Il disco include un'altra fortissima traccia "UNBELIEVABLE"
Procer by G. Ciriello at Virtual Sound Studio - Arcisate (VA)

StreetLife

Prima traccia digitale per la ZOOM REC. SISMA DJ ONE EP
Creata, mixata, prodotta da Ciriello Giuseppe (Pincky) allo studio Virtual Sound di Arcisate (VA)

ONE ep (Bit)

ONE ep (Down Beat)

ONE ep (One more time)

Born in Varese - Italy, professional DJ since 1990, he began studying music as a child and this helped him embark on his journey through music.
Lover of technologies, instruments, samplers, computers, he manages to combine his two great passions: Music and electronics.
In 1997 he released his first album "SAY ONE" LIKE Pinchy. From that moment on he dedicated himself to electronic music.
Various productions followed, in 2001 "PINCKY - Come into Paradise" was released on the Ipnotika label and immediately after with the pseudonym "SISMA DJ - Techno Techno" on the Wicked label,
two highly appreciated records in the field of electronic music (Hard trance - Hardstyle) which in the space of a few months allowed him to perform in one of the most coveted events for a Hardstyle DJ
of those years: QTEMPO/QDANCE NL. He increases the passion and desire to do.
He begins his recording career.
His work experience grows, his records are released on various Italian and European record labels and he collaborates with internationally renowned DJ Producers.
in 2007 (10 years later) he produced over 100 published records and his style allowed him to perform as a DJ in many of the most prestigious European clubs and Rave Parties: Q-Dance NL, Energy and Street Parade CH,
Giga Park DE, Tecktonik FR, Sonic CH and many more.
In 2018 he decided to take a break from performing as a Hardstyle DJ, opened two personal labels and dedicated himself to digital record productions of electronic music.

ONE ep (Down Beat)

Sisma DJ

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