Live recording of a tune I started writing this spring and recently finished. Couldn’t have done it without Spencer on second guitar and harmony. 

Lyrics

What a night i played for the spider
Spinning silk around the fly
I would say that it was lucky
To be caught at such a time
And I sing do you know how much i love you
As she brings the fly to her mouth

In the middle of the road i see a doe
Her baby has just been born
And i pray for this new life
To have shelter from the storm

We’re all just lovers
learning to love
And we all have something 
We can’t give up

Oh the morning that i crushed
A snail beneath my shoe
I felt sick and guilty
But there was nothing i could do
And i cry for i mean no harm
Then a slug dines on the lifeless form

All that i am is a home
For a heart made to be worn
And a little recollection
On what I have to mourn

We’re all just lovers
learning to love
And we all have something 
We can’t give up

Little Recollection

MIDDLE SOUND
Celebration is a core aspect of protests – and also festivals. This section will examine the overlap between sites of protest and parties and play with new possibilities when the two are combined.

Music and festivities go hand in hand, and the shapes, contexts, and meanings of celebrations and festivals have also differed over time. Festivities are important, even at protests. Creating a space for the expression of rights, liberty, equity, and mutual respect of all social classes and communities is indispensable in each demonstration.

In today’s world, people organize and come together for entertainment at parties and various festivals, using spaces such as clubs, bars, abandoned buildings, theaters, privately owned homes or properties, etc. Creating spaces for freedom of expression in a context that is safer for different genders, sexual orientations, races, and social classes is a necessity in modern times, and such entertainment spaces are often consistent with the meaning and values of protest sites. 

Part 2 - EQUALITY, therefore focuses on examining and bringing these two areas – protests and festivals – together, to open up new perspectives and possibilities within their formats. Producers from different countries will be invited to select and remix protest and revolutionary songs from past and present times in their home countries or regions, and create group showcases that can be staged at different festivals and events as well as at demonstrations. When the remixes are finalized, two DJs and two producers will be invited to mix and play sets inspired by the remixed protest and revolutionary songs. I have already secured the premiere event for “Equality” within CTM 2024 Festival in Berlin, Germany (January/February 2024).

TEYA LOGOS - ANG INTERNASYUNAL BOMBSTYLE REMIX (JOMA BUDOTS)

Blonde Boyz

kilmer 2

Kevin Abstract - american boyfriend OG

I Don't Want You In My Head

lyrics:

i've been roaming around these places
seeing all these faces
i've always seen before
i'm still trine catch you staring
hoping that you're waiting
cause you can't leave me wanting more

i'm wondering
when will she feel the same again
if anything
surely i'll be dead by then

you've been looking at me funny
is there something you won't tell me
just know that i can handle it
you're still pretending that you don't
see me cause you know
that it's just a bottomless pit

i'm wondering
when will she feel the same again
if anything
surely i'll be dead by then

dead by then

music i made for my friend's short film: https://www.youtube.com/watch?v=RikJR2U_nM4&t=94s

hehehehe enjoy

dead by then

sivadivadoo